Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher
Description:
Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and 1 print : etching ; plate mark 481 x 380 mm.
Publisher:
Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Romney, R., active approximately 1795-, printmaker
Published / Created:
[1 May 1795]
Call Number:
646 802 M243 v.4 pt.1
Image Count:
1
Resource Type:
still image
Abstract:
"In a square, horses in the foreground pulling the conspirators to a raised platform in the left middle ground for the execution, a number of spectators watching the event."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 20.4 x 27.2 cm., and Mounted before page 175 in volume 4 part 1 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
From the series: Twelve characters from Shakespeare. An almost half-length portrait in an oval, with the rotund character facing to right and holding a chalice in left hand against his belly and looking to left; thin double-lined border around the edges of the plate
Description:
Title etched above image., Printmaker from British Museum online catalogue. Museum number: 1865,0520.825., and Caption below image: Second part Henry IV, Act 5, Scene 4th. There's a merry heart good master Silence, I'll give you a health for that anon.
Publisher:
Publish'd March 15, 1776, by J. Mortimer, Norfolk Street, Strand
Subject (Name):
Shakespeare, William, 1564-1616. and Falstaff, John, Sir (Fictitious character),
"Social satire; Pitt the Younger portrayed as a monkey, with regalia and his crown hanging on a chain around his neck, in a field labelled "Windsor Park"; below the image a text explains that this animal is confounding naturalists, who suppose it to be an offspring of the devil."--British Museum online catalogue
Description:
Title etched below image., Signed at bottom of image with printmaker W. O'Keeffe's monogram; see British Museum online catalogue, registration no.: 1991,0720.19., Sheet trimmed to plate mark in lower right corner., Three lines of text below title: The naturalist's of this country is [sic] at a loss how to give an account of this extroardionary [sic] animal ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Edmeads & Pine 1797.
Publisher:
Pubd. by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Pitt, William, 1759-1806 and George III, King of Great Britain, 1738-1820.
A lady sits in an armchair, her head tilted back to the side so that she can see her reflection in the large mirror on the wall behind her. She wears a loose-fitting dress, suggestive of her pregnant state? Her full figure and large breasts are well-defined. She is wearing gloves and a turban adorned with ostrich feathers. She holds a fan in her right hand and long locks of hair escape from her turban. Beneath the chair is a patterned carpet
Alternative Title:
Modern elegance
Description:
Title from caption below image. and Probably an earlier state of: Modern elegance: a portrait. Cf. No. 8719 in the Catalogue of prints and drawings in the British Museum, v. 7.
Publisher:
Pubd. May 22d. 1795 by H. Humphrey, N. 37 New Bond Street
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Pigs - Taxes: reference to hair powder tax, May 1795 -- Snuff-boxes -- Expressions of speech: "no grumbling" -- Slogans: '45' -- Farmers -- Male dress: farmer's smock.
Publisher:
Pub. July 27, 1795, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Plate [107] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; Lady Jane Grey kneeling in prayer at left with her back to the bishop who sits at right, a guard standing behind holds key and cross."--British Museum online catalogue
Alternative Title:
Lady Jane Grey visited by Feckenham previous to her execution
Description:
Title from text below image., Sheet trimmed within plate mark on right and left sides., and Plate [107] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Grey, Jane, Lady, 1537-1554, and De Feckenham, John, 1515?-1585,
Richard Plantagenet and the Earl of Somerset stand beside a rose-bush under a large tree, with Suffolk, Warwick, Vernon and another lawyer, each urging them to show their support for whichever party they believe has told the truth, to pick a rose, white for Plantagenet, red for Somerset
Alternative Title:
First part of King Henry the sixth. Act II. Scene IV
Description:
Title etched below image., Sheet trimmed to plate mark., and Lettered below the image with title: "Shakspeare. First part of King Henry 6th. Act II. Scene IV.", with nine lines of quotation in English: 'Plant. Since you are tongue ty'd, & so loth to speak [...] From of this briar pluck a white rose with me. / Som. Let him that is no coward, nor no flatterer [...] Pluck a red rose from off this thorn with me.'
Publisher:
Publish'd Jany. 1, 1795 by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90 Cheapside
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
In an elegant sitting room, a Hogarthian young dandy lounging on a sofa with a young woman by his side, both holding wine glasses, as she lays one hand on his knee. She rests her elbow on a round side table on which there sits a bottle of Madeira and a bottle of claret along with a dish of peaches and a knife; through the open door in the background to right is a canopy bed
Description:
Title from text below image., Text below title: With women & wine I defy ev'ry care., From a set of four 'times of day' after Dighton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 18 June 1795 by Haines & Son, No. 19 Rolls Buildings, Fetter Lane
Subject (Topic):
Bedrooms, Couples, Dandies, British, Intoxication, and Parlors
