"The Prince of Wales lies in bed asleep, clasping a pillow with a rapt expression, his closed eyes directed towards a vision of the Princess Caroline who leans towards him floating on clouds, a radiant beauty with outstretched arms. A winged figure with the torch of Hymen (right) holds up her draperies, while a cupid with bow and arrows flying above the Princess's head holds up the heavy curtains of the four-post bed. On the left, also emerging from clouds, the King and Queen, caricatured, crouch over the Prince's bed. The former, a grotesque figure, holds out a large money-bag inscribed '£150000 Pr Annm'. The Queen holds out a book: 'The Art of getting Pretty Children'. Both have expressions of avid delight. On the left and among clouds persons flee in alarm at the approach of the bride: Fox scattering dice from a dice-box, Sheridan as a bearded Jew wearing a broad-brimmed hat. Above them are three women: the most prominent, Mrs. Fitzherbert, with clasped hands; next (?) Lady Jersey, and between and behind them a young woman wearing a cap (cf. BMSat 8611). Above their heads two tiny jockeys gallop off, indicating that the Prince will give up the turf (cf. BMSat 7918, &c). From the foot of the bed (left), which extends diagonally across the design from right to left, rolls a cask of 'Port' on which an infant Bacchus with the head and clumsy figure of Lord Derby is seated astride; he is about to fall, dropping his glass. On the head of the bed is the Prince's coronet with feathers. Beside it (right) is a chamber-pot in which is a bottle of 'Velno' (see BMSat 7592)."--British Museum online catalogue
Description:
Title etched below image., Text below title: "A thousand virtues seem to lackey her, driving far off each thing of sin & guilt." Milton., Sheet trimmed within plate mark., and Temporary local subject terms: Mythology: Hymen's torch -- Bacchus -- Medicine: velno -- Coronets: George IV's coronet -- Emblems: Prince of Wales's feathers -- Cupids -- Bags of money -- Jews -- Furnishings: bed curtains -- Barrels -- Alcohol: port -- Gambling: dice-box.
Publisher:
Pubd. Jany. 24th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Fitzherbert, Maria Anne, 1756-1837, Jersey, Frances Villiers, Countess of, 1753-1821, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Interior, the Prince of Wales standing to left wearing chain and badge of the garter, right hand poised to put the ring on the finger of Princess Caroline Amelia, who kneels with hands crossed over her breast to right, a minister blessing them to right, an open book on a cushion in front of him, George III and Queen Charlotte seated in the background to left."--British Museum online catalogue
Description:
Title engraved below image., Second state, with the Prince's fob added. For descriptions of the states as recorded in the Lennox-Boyd database, see Curator's comments for British Museum online catalogue, registration no.: 2010,7081.1947., and Companion print to: The first interview of the Prince and Princess of Wales.
Publisher:
Publish'd May 16th, 1795, by John Fairburn, No. 146, Minories, London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, George III, King of Great Britain, 1738-1820,, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818,, and Moore, John, 1730-1805,
Subject (Topic):
Interiors, Chapels, Marriage, Weddings, Bishops, and Clergy
"Interior with a man kissing the hand of a woman, his staff and hat at his feet, to the surprise of another man opening the door at left; trimmed to image and pasted with inscription separately below."--British Museum online catalogue, description of later state
Description:
Sheet trimmed within plate mark., Illustration to Act 1, Scene 1 of The Mayor of Garratt by Samuel Foote., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military uniforms: officers' uniforms -- 'Cits' -- Pictures amplifying subject., Mounted to 33 x 35 cm., and Part of the sheet below image cut off and pasted to bottom of design, overlaping the image
Verse - "Oh! I went into the stable, and there for to see ...", Caption title., Another printing or issue (ESTC T206415) is from the same setting of type, but has imprint "Printed by Wise and Co. no. 89, Rosemary-Lane"; the spacing between stanzas in the third column is smaller in that one. In this one, the first line of the second column aligns with the line beginning "And there I saw" in the third column. Both have the same type ornaments between the columns, and the same typographical errors: "dc" (for "do") in line 9 of the second column, and "llke" (for "like") in line 3 up in the third column., Date based on the date assigned to ESTC T206415., In three columns with the title and woodcut (divided into two compartments) above the first two; the columns are separated by ornamental rules., Lewis Walpole Library copy: Sheet trimmed; imprint statement wanting., Mounted on leaf 5. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed by Wise and Co. no. 89, Rosemary-Lane
Subject (Topic):
Domestic relations, Husband and wife, and Adultery
Title from item., Attributed to West in the British Museum catalogue., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Reference to taxes -- Reference to Prince of Wales's debt -- Reference to subsidies -- Reference to pensions -- Bills: Convention Bill., and Watermark: J Whatman.
Publisher:
Pub. Nov. 17, 1795, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
A military-drill aid, dissected into twelve panels, providing a step-by-step pictorial guide to basic infantry exercises 'as practised by His Majesty's Army'. The whole consists of two separate evolutions: 'Manual Exercise' in eight steps, which involves the fixing and use of bayonets but with no firing or reloading; and 'Platoon Exercise' in ten steps, including the firing of muskets and subsequent reloading. Each dissected panel features two steps, with the three remaining panels containing the 'Position of an Officer' and '3 Ranks. Make Ready', the decorated title vignette, and ''3 Ranks. Present - Fire' alongside a detailed schematic of a musket, in both assembled and disassembled forms. Engraved after the work of English artist and printmaker Robert Dighton, this guide was issued at the beginning of the most acute stage of the first Napoleonic invasion scare and sold folded in a slipcase
Description:
Title and imprint statement from plate., With original marbled paper-covered slipcase with two printed labels: one bearing the same title and imprint statement "London: Printed for the proprietors, Bowles and Carver, No. 69, St. Paul's Church Yard" and the other label with an advertisement "Just published" and a description of Bowles's New four-sheet maps., Printed label with same title and imprint statement "London: Printed for the proprietors, Bowles and Carver, No. 69, St. Paul's Church Yard., Sheet trimmed within plate mark and mounted on linen., and Case only. Plate shelved as: 795.01.02.01+
Publisher:
Printed for Bowles and Carver, No. 69 St. Paul's Church Yard
Subject (Geographic):
Great Britain
Subject (Topic):
Soldiers, Military education, Military training, and British
A military-drill aid, dissected into twelve panels, providing a step-by-step pictorial guide to basic infantry exercises 'as practised by His Majesty's Army'. The whole consists of two separate evolutions: 'Manual Exercise' in eight steps, which involves the fixing and use of bayonets but with no firing or reloading; and 'Platoon Exercise' in ten steps, including the firing of muskets and subsequent reloading. Each dissected panel features two steps, with the three remaining panels containing the 'Position of an Officer' and '3 Ranks. Make Ready', the decorated title vignette, and ''3 Ranks. Present - Fire' alongside a detailed schematic of a musket, in both assembled and disassembled forms. Engraved after the work of English artist and printmaker Robert Dighton, this guide was issued at the beginning of the most acute stage of the first Napoleonic invasion scare and sold folded in a slipcase
Description:
Title and imprint statement from plate., With original marbled paper-covered slipcase with two printed labels: one bearing the same title and imprint statement "London: Printed for the proprietors, Bowles and Carver, No. 69, St. Paul's Church Yard" and the other label with an advertisement "Just published" and a description of Bowles's New four-sheet maps., Printed label with same title and imprint statement "London: Printed for the proprietors, Bowles and Carver, No. 69, St. Paul's Church Yard., Sheet trimmed within plate mark and mounted on linen., and Case shelved as: 63 N532 795.
Publisher:
Printed for Bowles and Carver, No. 69 St. Paul's Church Yard
Subject (Geographic):
Great Britain
Subject (Topic):
Soldiers, Military education, Military training, and British
John Bull lies on his back in bed, his mouth gaping; Pitt, a goblin creature, sits on his chest in profile to the right, holding above his upturned head a loaf inscribed '13 Pence'. Pitt has a huge head, much caricatured, with starting eyeballs; his hair stands up and the bag of his queue, inscribed 'Taxes', flies out behind him. Through a casement window (left) looks a fantastic French republican, with bulging eyeballs and fang-like teeth, glaring at John Bull; from his neck hangs the model of a guillotine. Behind his head is a waning moon. Beside him are the words: 'Republic War and Famine for Ever.' Beneath the bed is a chamber-pot inscribed 'John Bull'; beside it is a chair on which stands a candle
Alternative Title:
Nightmare
Description:
Title etched below image., A satire, on the burderns of war and dearth in 1795, alluding to Henry Fuseli's "The Nightmare"., Tentatively attributed to West in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily with initials G R below.
Publisher:
Pub. Augst. 13, 1795, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville St.
Subject (Geographic):
Great Britain. and France
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Hair powder, Taxation, History, Foreign public opinion, British, Chamber pots, and Demons
An audience of spinsters (variously caricatured) is entertained by an orchestra and chorus of cats who play instruments but mostly sit before large volumes or scores singing. The stage is decorated with curtains decorated with tassels and supported by grand pillars. To the right a chandelier with candles is partially visible
Description:
Title from text on banner in image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford St.
Subject (Topic):
Audiences, Cats, Chandeliers, Concerts, Musical instruments, Single women, and Theater curtains
Verse begins: "A good old man, no matter where,"., In two columns, separated by a column of type ornaments; the title and imprint span the columns at head and foot; there is a row of type ornaments abov the imprint; all within a border of type ornaments., Price below imprint: Great allowance will be made to shopkeepers and hawkers. Price an half-penny, or 2s. 3d. per 100.-1s. 3d. for 50.-9d. for 25., This form of imprint was in use from May 1795 to January 1796 (Spinney)., This edition not recorded by G.H. Spinney, ’Cheap Repository tracts: Hazard and Marshall edition.’ In Library, 4th series, volume 20:3 (December 1939), 17., Description based on imperfect impression., Mounted on leaf 11. Copy trimmed with loss of imprint at the foot and "Cheap Repository" at the top., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Subject (Topic):
Fables, English, Christian life, Conduct of life, Families, Children, Fuelwood, and Older people
