"Price an half-penny, or 2s. 3d. per 100, 1s. 3d. for 50, 9d. for 25.", Text and cut within printer's flowers frame., In this edition line 35 of col. 2 includes: "health and money lost!", and the footnote has the spelling: "Lansdown"., The woodcut shows two riders with a leafy branch overhead; this has a bare twig protruding., LWL copy imperfect: bottom portion of sheet including price and imprint wanting. Sheet trimmed within border., Mounted on leaf 57. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Sold by S. Hazard, (printer to the Cheap Repository for moral and religious tracts) at Bath : By J. Marshall, at the Cheap Repositories, No. 17, Queen-street, Cheap-side, and No. 4, Aldermary Church-yard : R. White, Piccadilly, London; and by all booksellers, newsmen, and hawkers, in town and country. Great allowance will be made to shopkeepers and hawkers
Two fashionably dressed young women dose on a sofa in a sitting room with wallpapered walls and a rug on the floor. A young man stands behind the sofa and quietly tickles the check of the young woman on the right. The friendship between the two women is illustrated by the long ribbon tied on one of each of their wrists; around their necks, each, too, wears a pendant with miniature portrait of the other. An open book between them on the sofa is titled "The Fair Seducer." An oval mirror hangs on the wall between two windows behind the young man
Alternative Title:
Weary after a walk
Description:
Title engraved below image., Printmaker identified from original drawing in the Huntington Library., Plate numbered '200' in lower right corner., From the Laurie & Whittle series of Drolls., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 8th September 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Friendship, Jewelry, Mirrors, Seduction, Sofas, Sleeping, Wallpapers, and Women
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 39.1 x 27.6 cm, on sheet 40.8 x 28.5 cm., and Mounted on leaf 46 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 63.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
Two lawyers, tied to the backs of skeletons on horseback and facing backwards, are carried to hell by two skeletons whipping their two skeletal horses. Two other skeletons on skeletal horses can be seen in the background. In the center of the image is a large sign post "To Hell" pointing to the left where is shown the flames of hell
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily.
"The Prince of Wales lies in bed asleep, clasping a pillow with a rapt expression, his closed eyes directed towards a vision of the Princess Caroline who leans towards him floating on clouds, a radiant beauty with outstretched arms. A winged figure with the torch of Hymen (right) holds up her draperies, while a cupid with bow and arrows flying above the Princess's head holds up the heavy curtains of the four-post bed. On the left, also emerging from clouds, the King and Queen, caricatured, crouch over the Prince's bed. The former, a grotesque figure, holds out a large money-bag inscribed '£150000 Pr Annm'. The Queen holds out a book: 'The Art of getting Pretty Children'. Both have expressions of avid delight. On the left and among clouds persons flee in alarm at the approach of the bride: Fox scattering dice from a dice-box, Sheridan as a bearded Jew wearing a broad-brimmed hat. Above them are three women: the most prominent, Mrs. Fitzherbert, with clasped hands; next (?) Lady Jersey, and between and behind them a young woman wearing a cap (cf. BMSat 8611). Above their heads two tiny jockeys gallop off, indicating that the Prince will give up the turf (cf. BMSat 7918, &c). From the foot of the bed (left), which extends diagonally across the design from right to left, rolls a cask of 'Port' on which an infant Bacchus with the head and clumsy figure of Lord Derby is seated astride; he is about to fall, dropping his glass. On the head of the bed is the Prince's coronet with feathers. Beside it (right) is a chamber-pot in which is a bottle of 'Velno' (see BMSat 7592)."--British Museum online catalogue
Description:
Title etched below image., Text below title: "A thousand virtues seem to lackey her, driving far off each thing of sin & guilt." Milton., Sheet trimmed within plate mark., and Temporary local subject terms: Mythology: Hymen's torch -- Bacchus -- Medicine: velno -- Coronets: George IV's coronet -- Emblems: Prince of Wales's feathers -- Cupids -- Bags of money -- Jews -- Furnishings: bed curtains -- Barrels -- Alcohol: port -- Gambling: dice-box.
Publisher:
Pubd. Jany. 24th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Fitzherbert, Maria Anne, 1756-1837, Jersey, Frances Villiers, Countess of, 1753-1821, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Interior, the Prince of Wales standing to left wearing chain and badge of the garter, right hand poised to put the ring on the finger of Princess Caroline Amelia, who kneels with hands crossed over her breast to right, a minister blessing them to right, an open book on a cushion in front of him, George III and Queen Charlotte seated in the background to left."--British Museum online catalogue
Description:
Title engraved below image., Second state, with the Prince's fob added. For descriptions of the states as recorded in the Lennox-Boyd database, see Curator's comments for British Museum online catalogue, registration no.: 2010,7081.1947., and Companion print to: The first interview of the Prince and Princess of Wales.
Publisher:
Publish'd May 16th, 1795, by John Fairburn, No. 146, Minories, London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, George III, King of Great Britain, 1738-1820,, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818,, and Moore, John, 1730-1805,
Subject (Topic):
Interiors, Chapels, Marriage, Weddings, Bishops, and Clergy
"Interior with a man kissing the hand of a woman, his staff and hat at his feet, to the surprise of another man opening the door at left; trimmed to image and pasted with inscription separately below."--British Museum online catalogue, description of later state
Description:
Sheet trimmed within plate mark., Illustration to Act 1, Scene 1 of The Mayor of Garratt by Samuel Foote., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military uniforms: officers' uniforms -- 'Cits' -- Pictures amplifying subject., Mounted to 33 x 35 cm., and Part of the sheet below image cut off and pasted to bottom of design, overlaping the image
