Title on item., Number '50' in publisher's address etched over '3'., Temporary local subject terms: Debts: Prince of Wales's debts -- Hair powder tax -- Trades: barbers -- Barber's blocks -- Head of George III as a barber's block -- Barbers' bowls -- Spits., and Watermark: in center of sheet, with intials G R below.
Publisher:
Pub. 23 May, 1795, by S.W. Fores, 50 Piccadilly, corner of Sackville St.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pitt, William, 1759-1806
Plate [47] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"William de Warrenne standing to right, wearing armour, laying his sword forcefully on the table and pointing at the deeds to Harold's estates which were promised to him by William I, while clerics and officials crowding together on the opposite side of the table, dismayed."--British Museum online catalogue
Alternative Title:
Earl Warenne justifying the titles to his estates
Description:
Title from text below image., Sheet trimmed within plate mark., and Plate [47] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Plate [45] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Titlepage for Chapter XIII; Edward I standing to right in full armour, a man holding a sword, another kneeling with bundles of scrolls in his arms, beside him, watching as he points to left, ordering two labourers to carry away a large stone, to the distress of the Scots; a descriptive plaque below."--British Museum online catalogue
Alternative Title:
Edward the First removing the stone from Scone
Description:
Title from text above image., Sheet trimmed within plate mark on three sides., and Plate [45] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Plate [71] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Titlepage for Chapter XXII; Edward IV standing, holding a bow in one hand, taking Lady Gray's hand in the other as she kneels to left, holding a child on her lap, with a boy holding two greyhounds behind to right; a descriptive plaque below."--British Museum online catalogue
Alternative Title:
Edward the Fourth declaring his attachment to Lady Elizabeth Gray
Description:
Title from text above image., Sheet trimmed within plate mark., and Plate [71] in a volume bound to 50 cm.
Publisher:
Published as the act directs by R. Bowyer, Historic Gallery
Subject (Name):
Edward IV, King of England, 1442-1483, and Elizabeth, Queen, consort of Edward IV, King of England, 1437?-1492,
"A theatre seen diagonally from the pit, with the stage on the right, two side boxes forming a background. On the stage a man in quasi-classical dress holds a dripping dagger, a woman lies at his feet; through an open door the prompter is seen. The audience is much disturbed: in the foreground a stout citizen holds a smelling-bottle to the nose of his (apparently) fainting young wife; she takes a note from a young man on the bench behind her. Behind stands a bearded Jew. In the stage-box two seated figures resemble the King and Queen, a man standing behind resembles Pitt."--British Museum online catalogue
Description:
Title from item., Printmaker identified in the British Museum catalogue., One of a series of Drolls., Plate numbered '163' in lower left corner., Temporary local subject terms: Theatrical performances -- Reference to adultery -- Medicine: salts., Watermark., and Publication year corrected in manuscript from '5' to '6.'
Publisher:
Publish'd 12 Novr. 1795 by Laurie & Whittle, Fleet Street, London
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Subject (Topic):
Jews, Interiors, Theaters, and Theatrical productions
Title from item., Plate from the Carlton House magazine, volume iv, p. 3., Publication date based on that of the Magazine., Printmaker and artist from earlier state of the right half, published by Bentley & Co., Sept. 1, 1790, for The Attic Miscellany, v. i, p. 441, under title: Landing at Margate., Above image: Frontispiece., and Temporary local subject terms: Emigration: emigration from Holland -- Margate -- Costume: Dutch costume -- Dutch shoes -- Boats: sailboat -- Scissors -- Medical: crutches -- Chairs: invalid's chair carried on poles.
Plate [135] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; portrait medallions of Milton, Fletcher, Waller, Jonson, Cowley, Butler, Shakespeare, Spencer, Chaucer and Surrey on a mountain with waterfall in foreground and Pegasus flying above."--British Museum online catalogue
Description:
Title from text within image., Sheet trimmed within plate mark on three sides., and Plate [135] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
"An enormously fat lady stands in profile to the left, holding a bowl (resembling a punch-bowl), her left hand on her hip, holding up the frilled apron which drapes her quilted petticoat. She wears ringlets with a small ribbon-trimmed straw hat poised on the side of her head. Her girth is accentuated by her quasi-peasant costume, with laced bodice, and flowered over-dress looped up in festoons, giving her a globular contour. ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse in two columns below title: "As a cedar tall & slender; "sweet Cowslip's grace "is her nom'tive case, "and she's of the feminine gender.", One line of quoted text within lower border of image: "Ay, here's the masculine to the feminine gender.", Sheet trimmed to plate mark., and Temporary local subject terms: Dishes: bowls -- Female costume: peasant's dress -- Obesity -- Literature: quotes from John O'Keefe's Agreeable Surprise -- Theater: private performances.
Publisher:
Pubd. June 13th, 1795, by H. Humphrey, No. 37 New Bond Street
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher. In the lower right corner, an image of a cross-section of brain, labeled below frame "A Methodist's brain"
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched either side of title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend to the left of the title: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.
Publisher:
Published Novr. 12th, 1795 by John Ireland, No. 3 Poets Corner, Palace Yard, Wesminster
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher
Description:
Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., Ms. note in pencil in Steevens's hand above print: See J. Ireland's Hogarth illustrated, p. 365., and On page 190 in volume 2.
Publisher:
Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
