"Bond Street, the pavement receding diagonally from left to right, is thronged with fashionable pedestrians. In the foreground five fashionably dressed men advance, forming a phalanx which pushes on to the cobbled roadway a lady, dressed rather for the ball-room than the street, to whose arm clings a little girl; both are in back view. The men smile or leer. The lady's neck diminishes to a point, tresses of hair hang from her turban (cf. BMSat 8755), which is trimmed by a gigantic erect feather. Her over-dress hangs from her shoulders and swells into folds which sweep the ground. She holds a fan. (Small copy in Grego.) Behind (right) three ladies walk arm-in-arm in the roadway: a fat woman in a riding-habit, looking through an opera-glass, and two younger women, one with her face covered by a transparent veil reaching nearly to the (knees, the other looking demurely down. Among the crowd in the background a man arm-in-arm with a military officer in back view (? Lord Moira) resembles Fox."--British Museum online catalogue
Alternative Title:
Politesse du grande monde
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 27th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Clothing & dress, Crowds, Etiquette, Show windows, and Window displays
"The Prince of Wales, on horseback, figures as a life-like equestrian statue (of the future George IV) mounted on a pedestal of three rectangular blocks, diminishing in size. On the middle block: 'PATER URBIUM subscribi Statuis." Juvel'. The Prince, in regimentals, very fat, sits in profile to the left, holding a drawn sabre. He holds the left curb rein, the snaffle lying on the animal's neck. The toe of his spurred boot is in the stirrup. He wears a feathered cocked hat, a star on his breast and on his hat, a broad sash round his ample waist. A large holster hangs from the saddle beneath which is a leopard-skin with a 'GR' and crown on each corner. The horse's near foreleg and off hind leg are raised. Beneath the design: '"------"I saw him with his Beaver on "His Cuisses on his Thighs gallantly arm'ed "Rise from the ground like feather 'd Mercury "And vaulted with such ease into his seat "As if an Angel dropt down from the Clouds, "To turn & wind a fiery Pegasus "And witch the world with noble Horsemanship - Kg Henry 4th'."--British Museum online catalogue
Alternative Title:
Pater urbium subscribi statuis
Description:
Title etched at top of image., Thomas Adams is one of the pseudonyms used by Gillray., Sheet trimmed within plate mark., and Temporary local subject terms: Monuments -- Military uniforms: regimentals -- Literature: quotation from Shakespeare's King Henry IV, Part I, iv.i.
Publisher:
Pubd. May 3d, 1796, by H. Humphrey, New Bond Street
"Portrait of Horace Walpole, 4th Earl of Orford, after Reynolds; standing three-quarter length to left and leaning his right elbow on table with books, quill and print, his right hand to his cheek, eyes to front, wearing plain coat and waistcoat, lace collar and cuffs; in an oval, with Walpole's villa at Strawberry Hill below."--British Museum online catalogue description of a later state, registration no.:1985,1109.129
Description:
Title etched below image., Proof state with lettering. For an earlier proof before letters, see Lewis Walpole Library: Portraits W218 no. 5., "Strawberry Hill" in all capitals is etched above title and below image of the estate., and Kirgate's notes for revisions to the plate written in pencil in the right margin.
Publisher:
Published June [...]th, 1796, by J. Barlow, No. 5 St. George's Place, Black-friars Road, Surry
"A family, grouped round a small round table, see with consternation that the candle has a large blue flame. They are an elderly woman who is sewing, an elderly man in a smock frock, a youth, a small child, and a dog, whose raised head appears in the foreground. Behind the woman (left) stands a ghost in white drapery, with a beard and corpse-like face, glaring down at the group."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Watermark: J Whatman 1794., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pub. July 30, 1796, by S.W. Fores, No. 50 Piccadilly
A depiction, in three rows, of some 20 fanciful designs for spritely demons, ranging from the buxom to the bizarre, probably meant to mock the contemporary early-Romantic interest in 'fairy painting' by such artists as Henry Fuseli (1774-1825) and William Blake (1757-1827), especially their well-known interpretations of Shakespeares A Midsummer Night's Dream and Fuseli's highly sexualized depictions of nightmares
Description:
Title etched at bottom of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Formerly mounted on blue sheet, with residue remaining.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Name):
Fuseli, Henry, 1741-1825 and Blake, William, 1757-1827
"Two men, wearing patched and ragged clothes, stand together. One (left) stands full-face, arms folded, shoulders hunched, staring to the right with fierce despair. From his pocket issues a bulky document: 'By Law I'm Ruin'd quite'. The other (right) stands in profile to the left, his left hand in his coat-pocket from which hang papers inscribed: 'Spent all my Money & Lost my Cause'; 'Mortgage'; 'Officer's Fees'. He looks down with an expression of angry melancholy."--British Museum online catalogue
Alternative Title:
John Doe & Richd. Roe, brothers in law and John Doe and Richd. Roe, brothers in law
Description:
Title etched below image., Temporary local subject terms: Law: legal fees., Leaf 62 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 20.8 x 16.4 cm, on sheet 31.1 x 25.5 cm.
"Two men, wearing patched and ragged clothes, stand together. One (left) stands full-face, arms folded, shoulders hunched, staring to the right with fierce despair. From his pocket issues a bulky document: 'By Law I'm Ruin'd quite'. The other (right) stands in profile to the left, his left hand in his coat-pocket from which hang papers inscribed: 'Spent all my Money & Lost my Cause'; 'Mortgage'; 'Officer's Fees'. He looks down with an expression of angry melancholy."--British Museum online catalogue
Alternative Title:
John Doe & Richd. Roe, brothers in law and John Doe and Richd. Roe, brothers in law
Description:
Title etched below image., Temporary local subject terms: Law: legal fees., and Watermark: Horn on shield.
Title from item,, Numbered 'Plate 44' in upper left corner., Placement instructions 'Page 107' in upper right corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Women -- Itinerant pedlars -- Dishes: Dunstable ware -- Walking staves.
Plate [68] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; Joan of Arc standing at left with arms rasied to heavens, before a table of clerics at right, eyeing her suspiciously."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [68] in a volume bound to 50 cm.
Publisher:
Published May 12, 1796, by R. Bowyer, Historic Gallery, Pall Mall
"John Bull, blind, maimed, and ragged, walks (right to left) near a chasm, the edge of which stretches across the foreground of the design. His wooden right arm terminates in a hook to which is attached a cord from the collar of a lean greyhound with the head of Pitt (as in BMSat 8794). Pitt drags him forward and slightly towards the gulf; in his mouth is a large bare bone, his collar is inscribed 'Licenc'd to Lead'. In John Bull's left hand is a staff, on his back a burden inscribed 'Loans'. He has a wooden leg, which a dog with the head of Sheridan and a collar inscribed 'Licenc'd to Bite' is biting savagely. Behind and on the extreme right is a dog with the head of Grey, and a collar inscribed 'Grey Hound'; he bites John Bull's coat. Fox, a mastiff with a fox's brush, stands behind Pitt, glaring fiercely, on his collar is 'Licenc'd to Bark'. Behind is grass and a tree (left) and in the distance the roofs and spires of London, showing St. Paul's."--British Museum online catalogue
Alternative Title:
John Bull and his dog Faithful
Description:
Title etched below image., Printmaker from British Museum catalogue., A satire on a Dog Tax, April 1796., and Mounted to 31 x 46 cm.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Grey, Charles Grey, Earl, 1764-1845, and St. Paul's Cathedral (London, England),
Subject (Topic):
John Bull (Symbolic character), Taxation of personal property, Artificial limbs, Blindness, Debt, Dogs, and People with disabilities
