"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
Title from item., Sheet trimmed within plate mark., Temporary local subject terms: Saldanha Bay -- Cape of Good Hope -- Palm trees -- Monkeys -- Dutchmen -- Sailors -- Frenchmen -- Money: coins -- Ships: deck -- Cannons., and Watermark: Strasburg lily.
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Philosophers -- Scientific lectures -- Maps: globes -- Cabalistic signs -- Phials.
Publisher:
Pubd. March 28th, 1796, by H. Humphrey, No. 37 New Bond Street
Subject (Geographic):
England
Subject (Name):
Walker, A. 1730 or 1731-1821 (Adam), and Priestley, Joseph, 1733-1804
"Sir David Dundas on horseback, in profile to the left, drills a line of cavalry at some distance. He holds a gold-headed cane in place of a whip and sits his horse in the manner of a bad rider. His foot is thrust forward so that his boot projects beyond the animal's chest (cf. Nos. 7233, 7242); he holds the curb rein only, and this is merely placed between his hand and the cane; the snaffle lies on the horse's neck. The animal is clumsy, with shaggy fetlocks. Under the saddle is a leopard-skin. Dundas is on rising ground above the level of the soldiers who are drawn up facing some tents."--British Museum online catalogue, description of a later state of the same composition
Description:
Title etched below image., Thomas Adams is one of the pseudonyms used by Gillray. See British Museum catalogue., Earlier state of No. 11256 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature and imprint. Printmaker and imprint from impression in the New York Historical Society collection., Temporary local subject terms: Horsemanship -- Military camps -- Military manoeuvres: cavalry drill -- Military uniforms: Quartermaster general, Horse Guards., and Mounted to 40 x 48 cm., matted to 44 x 50 cm.
Publisher:
Pubd. May 12th, 1796, by H. Humphrey, New Bond Street
Two fashionably dressed women with large feathers in their hats. One lady carries a parasol; the other's arm is held by an equally fashionable gentleman. A dog jumps excitedly at their feet. They stand in the lane in a park (presumably St. James's) before a bench; an allée in the background on the right
Alternative Title:
Fashions of the day
Description:
Title etched below image., Plate numbered '329' on left below image., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 1st Augt. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
Saint James's Park (London, England), and England
Subject (Topic):
Clothing & dress, Benches, Dogs, Hats, Parks, Umbrellas, and Walking
"A spectacled man, wearing riding-dress with spurred top-boots, seizes a stout lady by the hair and flourishes a riding-whip, saying, "Pro bono Patriae". A younger man (left) puts his hand on his shoulder, saying, "I'll support you". He is wildly cheered by an election crowd (left), who wave their hats. The lady's feathered bonnet lies on the ground, her hair streams down her back, and she holds out her arms in terror. A group of cathedral clergy stand on the right watching with gestures and expressions of alarm and disapproval. Behind is a square church tower (right) with pinnacles."--British Museum online catalogue
Alternative Title:
Proof of the refined feelings of an amiable character ...
Description:
Title etched below image., Printmaker and questionable date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Elections: reference to elections, 1796 -- Clergy: cathedral clergy -- Buildings: cathedral -- Abuse of women.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[20 January 1796]
Call Number:
796.01.25.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Printmaker identified in British Museum catalogue., Publisher's advertisement following imprint: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Clubs: Thinking Club -- Satire on Seditious Meetings bill -- Interiors: clubs -- Furniture: chairs., Watermark: Strasburg bend with initials GR below., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. Januy. 20th, 1796 by S.W. Fores, N. 50 Piccadilly, corner of Sackville Street
Full-length portrait in profile of the Duke of Norfolk looking left and holding his hat in his right hand and a gathering of sheets of paper in his left
Description:
Title engraved below image, with ducal crown above title., Leaf 65 in an album with the spine title: Characatures by Dighton., 1 print : etching with stipple on laid paper, hand-colored ; plate mark 24.9 x 21.1 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Duke Norfolk" in pencil in lower left corner of sheet.
Publisher:
Publish'd Feby. 1st, 1796, by R. Dighton, No. 12 Charing Cross
Full-length portrait in profile of the Duke of Norfolk looking left and holding his hat in his right hand and a gathering of sheets of paper in his left
Description:
Title engraved below image, with ducal crown above title.
Publisher:
Publish'd Feby. 1st, 1796, by R. Dighton, No. 12 Charing Cross
"A lean and ugly old man sits in profile to the right, bending forward towards an immense volume which lies open on a table in front of an open sash-window (right). On the page is a fly at which he gesticulates. He wears a night-cap and a loose robe over an old-fashioned laced waistcoat, short breeches, and high-quartered shoes. Above his head hangs a large stuffed crocodile, and in a frame on the wall are butterflies and insects. The 'virtuoso' (? naturalist) is examining the works of Linnaeus 'for a description of an uncommon species of insect'."--British Museum online catalogue
Description:
Title etched above image., Numbered 'Plate 41' in upper left corner., Plate from: Eccentric Excursions, or, Literary & Pictorial Sketches of Countenance Character & Country in ... England & South Wales, by G.M. Woodward, 1796., Variant state with title. Cf. No. 8968 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, and Temporary local subject terms: Virtuosi -- Allusion to Linnaeus -- Collections: insects -- Taxodermy: crocodile -- Male dress: dressing gown -- Male dress: nightcap -- Eyeglasses.
