Title from item., Three lines of text below title: Englishman. Dont you think Mr. Mr. [sic] Fadzen, this is a delightfull [sic] situation & the number of nightingales make it still more so. ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Scots -- Buildings: country houses.
"The interior of a bare, poverty-stricken room with a raftered roof. Pitt and Dundas, as watchmen, batter down the upper timbers of a door (right) which has been strongly bolted, locked, and barricaded. Both have long staves, Pitt holds up a lantern. The occupants hide or flee, except Lord Moira, who stands stiffly in profile to the right on the extreme left, his crisped fingers outspread deprecatingly, disassociating himself from his companions (cf. BMSat 9184); he wears regimentals with a cocked hat. A heavy but ragged cloth covers a rectangular table in the middle of the room, on which are ink-pot and papers: a 'Plan of Invasion' with a map of 'France' and 'Ireland'. This lies across a paper signed 'yours O'Conner'. A dark-lantern stands on the open pages of the 'Proceedings of the London Corresponding Society'. An office stool has been overturned. Prone under the table, their heads and shoulders draped by the cloth, are (left to right): Horne Tooke, Nicoll, and Tierney. Fox and Sheridan escape up a ladder to a trap-door in the roof; the latter still has one foot on the floor. Between ladder and wall (left) is an iron-bound chest filled with daggers; more daggers are heaped on the floor: beneath them are two papers: 'The Press' (the organ of the United Irishmen, started by O'Connor, see BMSat 9186) and 'Bloody News from Ireland Bloody News Bloody News'; this lies across a paper signed 'Munchausen' (cf. BMSat 9184). The Duke of Norfolk is timorously waiting his turn to escape by the wide chimney, up which Bedford is disappearing; the latter is identified by a paper hanging from his pocket: 'Bedford Dog Kennel'. A large fire burns in the grate, on the bar of which Bedford puts his foot. Across the chimney is scrawled 'Vive l'Egalite', on either side of a bonnet-rouge. Above it are prints, bust-portraits of 'Buonapart' and 'Robertspier'. On the right is a casement window showing a night sky and the turrets of the White Tower. Below it is hung a broadside headed by a guillotine and the words 'Vive la Guillotin'. In the corner of the room (right) is a pile of bonnets-rouges. In the foreground rats scamper towards a large hole in the ramshackle floor. Beside them are papers: 'Assignats' and 'Plan for raising United Irishmen'."--British Museum online catalogue
Alternative Title:
State-watchmen mistaking honest-men for conspirators
Description:
Title etched below image., Temporary local subject terms: Interiors: cottage -- Fireplaces -- Daggers -- Vermin: rats -- Bonnet rouge: supply of bonnets rouges -- Lighting: lantern -- Emblems: dark lantern of conspiracy -- ladders -- Allusion to the London Corresponding Society -- Allusion to the planned French invasion of Ireland -- Allusion to the French Revolution -- Newspapers: The Press., Watermark: 1794., and Some of the subjects identified below image in contemporary hand.
Publisher:
Pubd. March 20th, 1798, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Nicholls, John, 1745?-1832, Tooke, John Horne, 1736-1812, and Tierney, George, 1761-1830
"Henry, Prince of Wales kneeling at the foot of Henry IV's bed, holding the crown, looking up at his father and begging pardon for having taken it up, explaining that he had thought him dead, not sleeping and had been berating the crown for the trouble it had caused."--British Museum online catalogue
Description:
Title engraved below image. and 'Shakspeare' above title.
Publisher:
Published April 23, 1798, by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall & No. 90, Cheapside
Title from item. and Two lines of quotation below title: The feelings of the compassionate Bourbonnois excited by the sufferings of the lacerated lamb. Vide The Bourbonnois, page 101.
"Scene at the door of a rustic inn. Two soldiers (seated) and a handsome girl drink punch together. She stands, wearing the cocked hat and sword-belt of an officer who holds her hand; a child plays with the sword. An old woman chalks up the score. A bugler (left) rides off with a led horse. The sign is the 'King's Head', a profile portrait of George III."--British Museum online catalogue
Description:
Title etched below image., Companion print to: He won't be a soldier., Plate numbered "No. 1" above title., Temporary local subject terms: Buildings: inns -- Serving maids -- Military uniforms: officers' uniforms -- Soldiers: bugler -- Children -- Inns: King's Head -- Pictures: portrait of George III -- Emblems: horseshoe., and Watermark.
Publisher:
Pub. May 1, 1798, at Ackermann's Gallery, No. 101 Strand
Title etched below image., Numbered 'Plate 12' in upper left corner., Placement instructions 'Page 26' in upper right corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., Temporary local subject terms: Sight-seeing -- Pictures: portraits -- Picture frames -- Allusion to cuckolds -- Fireplaces: grate., and Watermark: 1798.
"Fox kneels in profile to the right with bent back before an altar, his hands together. His unpowdered hair is cropped. From his pocket projects a book: 'New Constitut[ion]'. The altar, draped with a cloth on which crossed daggers are embroidered, is raised on a stone step. On it is a guillotine, dripping blood. To this is tied with a tricolour sash two tables, resembling those of the Ten Commandments, but of the 'DROIT DE L'HOMME: I. Right to Worship whom we please. II. Right to create & bow down to any thing we chuse to set up. III. Right to use in vain any Name we like. IV. Right to work Nine Days in the Week, & do what we please on the Tenth: V. Right to honor both Father & Mother, when we find it necessary. VI. Right to Kill. VII. Right to commit Adultery. VIII. Right to Plunder. IX. Right to bear what Witness we please. X. Right to covet our Neighbour[s] House & all that is his.' On the altar in front of the guillotine stand three roughly made posts on rectangular pedestals. The centre one (in place of a crucifix), inscribed 'Exit Homo', is surmounted by a large cap of 'Egalité' with a tricolour cockade; at its base is a skull and cross-bones. On the other posts are busts: (left) 'Robert- \ speire'; to the post are nailed two bleeding hands; (right) 'Buona \ -parte'. The altar and guillotine are backed by draped and fringed curtains. From the upper left corner of the design a shaft of light surrounded by clouds descends towards Fox. In this are the winged heads of six members of the Opposition, all wearing bonnets-rouges and looking towards the 'Droit de l'Homme'. In front is Norfolk, next and on the left is Lansdowne with an inscrutable smile. They are followed by Bedford; above him are Tierney and Lauderdale. Last, and on a smaller scale, is the malevolent head of Nicholls."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Members of the Opposition -- St. Ann's Hill -- Shrines -- Guillotine -- Cap of Liberty as bonnet rouge -- Literature: Thomas Paine's Rights of Man -- Allusion to the Ten Commandments.
Publisher:
Pubd. May 26th, 1798, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Lansdowne, William Petty, Marquis of, 1737-1805, Lauderdale, James Maitland, Earl of, 1759-1839, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Robespierre, Maximilien, 1758-1794, and Napoleon I, Emperor of the French, 1769-1821
"The princess leaning forward and to the left, resting her elbow on a casket on top of an ornate table, and her chin on her hand, weeping, pressing to her breast the heart of her lover Guiscardo, which his murderers have sent to her in a goblet."--British Museum online catalogue
Description:
Title etched below image., After the original painting by Correggio., Plate from: Ireland, S. Graphic illustrations of Hogarth, 1799., Sheet trimmed within plate mark., and On page 226 in volume 3.
Copy of William Hogarth's portrait of Simon Lord Lovat as an elderly, rotund man seated on a chair, its back carved with putti supporting a coronet. He is counting on his fingers the number of Scottish clans that fought with the Pretender in the rebellion. To his left is a table on which sits a book (entitled "Memoirs" in the original by William Hogarth) and quill pen in an ink bottle
Description:
Title etched below image., "Page 293"--Upper right corner., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2801., For a discussion of the original see: Paulson, R. Hogarth's graphic works (3rd ed.), no. 166., Ms. note in pencil in Steevens's hand at top of sheet: Copy., and On page 123 in volume 2.
Publisher:
publisher not identified
Subject (Name):
Lovat, Simon Fraser, Lord, 1667 or 1668-1747
Subject (Topic):
Jacobites, Obesity, Peerage, British, and Rebellions
Portrait heads of fifty-five men, mostly in profile, identified elsewhere as portraits of various print sellers, collectors, artists, etc., sketched by Paul Sandby while attending print sales in London
Description:
Title etched below image., "The portrait heads are based on thumbnail drawings made by Paul Sandby in the margins of print sale catalogues of the 1780s, now in an album in the Royal Library. They are described by A.P. Oppé in "The Drawings of Paul and Thomas Sandby at Windsor Castle" (Phaidon, 1947), pp. 83-85"--British Museum online catalogue, registration no.: 1876,1209.612., and Sheet trimmed to plate mark.
Publisher:
Published Feby. the 1st, 1798, by Sylvester Harding, 127 Pall Mall
Subject (Geographic):
England, London, and London.
Subject (Topic):
Auctions, Print dealers, Prints, and Collectors and collecting
