A slip-song - "Why, fair maid, in ev'ry feature,". - The imprint comes immediately after the title. - The "lady" is Lady Charlotte Campbell., Mounted on leaf 71. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress: hats., and Mounted to 37 x 32 cm.
"A sequence of eight designs, arranged in two rows. [1] 'DEMOCRATIC INNOCENCE. The young Buonaparte, & his wretched Relatives, in their native Poverty, while Free Booters in the Island of Corsica.' ... [2] 'DEMOCRATIC HUMILITY. Buonaparte, when a boy, receiv'd thro' the King's bounty into the École Militaire at Paris.' ... [3] 'DEMOCRATIC GRATITUDE. Buonaparte, heading the Regicide Banditti which had dethron'd & Murder'd the Monarch, whose bounty had foster'd him.' ... [4] 'DEMOCRATIC RELIGION. Buonaparte turning Turk at Cairo for Interest; after swearing on the Sacrament to support ye Catholic Faith.' ... [5] 'DEMOCRATIC COURAGE. Buonaparte, deserting his Army in Egypt, for fear of ye Turks; after boasting that he would extirpate them all'. ... [6] 'DEMOCRATIC HONOR. Buonaparte, overturning the French Republic which had employ 'd him, & intrusted him with the chief Command.' ... [7] 'DEMOCRATIC GLORY. Buonaparte, as Grand Consul of France, receiving the adulations of Jacobin Sycophants & Parasites.' ... [8] 'DEMOCRATIC CONSOLATIONS. Buonaparte on his Couch, surrounded by the Ghosts of the Murder'd, - ye Dangers which threaten his Usurpation, and all the Horrors of Final Retribution.' ..."--British Museum online catalogue
Alternative Title:
Sketch of the life of Buonaparte
Description:
Title etched below images., Plate is divided in eight compartments in two rows, each with caption title and short description below image., Sheet trimmed to plate mark on sides., and Temporary local subject terms: Corsica -- École Militaire, Paris -- Regicide Banditti -- Napoleonic Wars: Egyptian campaign -- Turks -- Reference to the coup of 18 Brumaire -- French government: Consulate -- Nightmares.
Publisher:
Publish'd May 12th, 1800, by H. Humphrey, No. 27 St. James's Street, London
"A sequence of eight designs, arranged in two rows. [1] 'DEMOCRATIC INNOCENCE. The young Buonaparte, & his wretched Relatives, in their native Poverty, while Free Booters in the Island of Corsica.' ... [2] 'DEMOCRATIC HUMILITY. Buonaparte, when a boy, receiv'd thro' the King's bounty into the École Militaire at Paris.' ... [3] 'DEMOCRATIC GRATITUDE. Buonaparte, heading the Regicide Banditti which had dethron'd & Murder'd the Monarch, whose bounty had foster'd him.' ... [4] 'DEMOCRATIC RELIGION. Buonaparte turning Turk at Cairo for Interest; after swearing on the Sacrament to support ye Catholic Faith.' ... [5] 'DEMOCRATIC COURAGE. Buonaparte, deserting his Army in Egypt, for fear of ye Turks; after boasting that he would extirpate them all'. ... [6] 'DEMOCRATIC HONOR. Buonaparte, overturning the French Republic which had employ 'd him, & intrusted him with the chief Command.' ... [7] 'DEMOCRATIC GLORY. Buonaparte, as Grand Consul of France, receiving the adulations of Jacobin Sycophants & Parasites.' ... [8] 'DEMOCRATIC CONSOLATIONS. Buonaparte on his Couch, surrounded by the Ghosts of the Murder'd, - ye Dangers which threaten his Usurpation, and all the Horrors of Final Retribution.' ..."--British Museum online catalogue
Alternative Title:
Sketch of the life of Buonaparte
Description:
Title etched below images., Plate is divided in eight compartments in two rows, each with caption title and short description below image., Sheet trimmed to plate mark on sides., Temporary local subject terms: Corsica -- École Militaire, Paris -- Regicide Banditti -- Napoleonic Wars: Egyptian campaign -- Turks -- Reference to the coup of 18 Brumaire -- French government: Consulate -- Nightmares., and 1 print on wove paper : etching, hand-colored ; sheet (trimmed within plate mark on top and bottom) 29 x 47 cm.
Publisher:
Publish'd May 12th, 1800, by H. Humphrey, No. 27 St. James's Street, London
"A tall pillar, supporting an allegorical design of Britannia and covered with figures and objects in high relief, stands upon a rock in a stormy sea, waves dashing against it. The square base is supported by figures of Fortitude, with a lion, her left hand on a broken pillar, and Justice, with an ostrich, her scales not balanced. Between them is inscribed: 'To Perpetuate the Destruction of the Regicide Navy of France, and the Triumph of the British Flag'. It rests on two slabs of stones inscribed with the names of admirals: (below) 'Howe', 'Parker', 'Nelson', 'St Vincent', 'Bridport'; (above) 'Duncan', 'Gardiner', 'Keith', 'Hood'. On the summit tritons blowing horns support a shell in which stands Britannia with shield and trident. In her right hand stands a tiny figure of Victory. Beside her an angry lion grasps a globe showing the British Isles and 'le Mer'. The capital of the pillar is formed by the feathers in the hats of republican soldiers who dangle from it, still holding blood-stained daggers. Other objects on the pillar are a sailor wearing wooden shoes, broken weapons and nautical instruments, a tricolour flag inscribed 'Egalité' with a broken shaft, a small decapitated figure of 'Libertas', holding up a bonnet-rouge. On the horizon (left) is a fort; above are dark clouds from which issue many flashes of lightning. ..."--British Museum online catalogue
Alternative Title:
Britannia victorious
Description:
Title etched below image., Four lines of verse above image: "Nought shall her columns stately pride deface; "the storm plays harmless round the marble base ..., Sheet trimmed within plate mark., Temporary local subject terms: Navy: Admiralty -- Monuments: Naval pillar., Imperfect; top portion of sheet measuring 3.6 x 29.6 cm has been trimmed and reattached below title., and Mounted to 57 x 32 cm.
Publisher:
Pubd. Feby. 1st, 1800, by H. Humphrey, 27 St. James's Street
A hungry boy (left) holding the string of a bag over his shoulder, scratches his hair under his hat, as he looks in a window. On the otherside of the window, a grinning cook holds up a large plum pudding on a platter
Description:
Title etched above image., “No. 7”--Upper right corner above image., Three lines of text below image: Various are the ways this passion might be depicted, in this delineation the subjects chosen are simple -- a hungry boy -- and a plumb pudding., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 29.7 x 23.4 cm., Sheet trimmed to plate mark., Plate number erased from sheet., and Watermark: Russell & Co 1799.
Publisher:
Pubd. Jany. 20, 1800, at R. Ackermann's Repository of the Arts, 101 Strand
A pretty, young woman (right) sleeps, head in profile to the left, leaning against the back of a chair. An elderly man leans towards her, inspecting her avidly through his quizzing glass. The figures (three-quarter length) are cut off by the side margins. Beneath the design: Female attraction is frequently the cause of this passion, as above represented in the delineation of the Old Beau, & the sleeping Lady
Description:
Title engraved above image., Plate numbered 'No. 7' in upper right corner., Seventh plate in a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Two lines of text below image: Female attraction is frequently the cause of this passion, as above represented in the delineation of the old beau & the sleeping lady., Sheet trimmed to plate mark., and Publisher's stamp 'RA' in lower right corner of design.
Publisher:
Pub. 21 Feb. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
Subject (Topic):
Eyeglasses, Leering, Older people, and Young adults
"Two juxtaposed but unrelated half length figures, a man (right) and woman, with expressions of angry despair, anger prevailing in the woman's face. Beneath the design: 'A disappointed Old Maid & Bachelor, are selected as proper Subjects to represent the Passion of Despair.'"--British Museum online catalogue
Description:
Title engraved above image., Plate numbered 'No. 20' in upper right corner., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Two lines of text below image: A disappointed old maid & bachelor are selected as proper subjects to represent the passion of despair., Watermark: Russell & Co 1799., and Printseller's stamp in lower right of plate: RA.
Publisher:
Pub. 21 Feb., 1800, at R. Ackermann's Repository of the Arts, 101 Strand
Subject (Topic):
Bachelors, Despair, Older people, and Single women
Title etched below image., Publication date from an unverified card catalog record., Possibly a copy of a print by Rowlandson after Woodward under the same title, published by S. W. Fores in 1796. Cf. Grego, Rowlandson the caricaturist, v. 1, p. 328)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Couples -- Domestic service: footman -- Letters: love letters -- Writing implements: inkstand -- Infidelity -- Jealousy.
Publisher:
Pub. by Kaygill, Windmill Street, Tottenham Cor. Road
