Title etched below image., Imperfect; most of the three-row design has been trimmed away, with only the center image in the top row present. Description based on more perfect impression in the Metropolitan Museum of Art, accession no.: 59.533.1271., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Medical fees -- Ear trumpets., and Sheet trimmed to 9.2 x 12.6 cm.
Publisher:
Pubd. Novr. 20, 1800 by R. Ackermann, No. 101 Strand
Artist, printmaker, title and imprint from description of an uncut plate in the Woodward Collection of Prints and Drawings, Derbyshire Record Office and Derbyshire Diocesan Record Office, record no. D5459/2/23/12., Description based on imperfect impression; sheet trimmed within plate mark resulting in loss of title, statement of responsibility, and imprint., Row 3 only of three horizontal strips printed on one plate. First image on left: A cheese-monger's wife argues with soap boiler's wife over precedence., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: 'Cits' -- Pugilists -- Lawyers., and Attributed to Woodward and Rowlandson on verso.
On the left two men stand discussing a tea garden. On the right a Lilliputian woman sits milking a cow while a Lilliputian man looks on.
Alternative Title:
Grotesque borders for rooms and halls
Description:
Title from item, Sheet trimmed within plate mark with imprint and statements of responsibilty almost completely removed., Artist, printmaker, title and imprint from description of an uncut plate in the Woodward Collection of Prints and Drawings, Derbyshire Record Office and Derbyshire Diocesan Record Office, record no. D5459/2/23/14., Publication date in British Museum catalogue: October 29, 1800., Row 3 only of three horizontal strips printed on one plate. First image on left: A Lilliputian couple engaged in conversation while the woman is milking a cow., Temporary local subject terms: Cows -- Farmers -- Duelists -- Irishmen., Attributed to Woodward and Rowlandson on verso., and Watermark: Russell & Co. 1799.
Title from item., Sheet trimmed within plate mark with loss of imprint., Artist, printmaker, title and imprint from description of an uncut plate in the Woodward Collection of Prints and Drawings, Derbyshire Record Office and Derbyshire Diocesan Record Office, record no. D5459/2/23/15., Also attributed to Woodward and Rowlandson on verso., Rows 2 and 3 of three horizontal strips printed on one plate. First image top left: A man boasting to another about his appointment as a master of the ceremonies., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Caricature (large heads, small bodies) -- Emblems: constable's staff -- Card games -- Domestic service: footman -- Vehicles: sedan chair -- Mice -- Cats -- Shop windows -- Literature: Pizarro by Richard Brinsley Sheridan -- Walking.
"View of the west front of Harewood House in Hanover Square; elegantly dressed figures and carriages in street"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., and "Pl. 90"--Below imprint.
"A middle-aged man holding a candle and a cudgel reveals a young couple embracing in a curtained bed."--British Museum online catalogue
Alternative Title:
Jealousy
Description:
Title and series number engraved above image., Artist and printmaker from similar prints in the same series., Four lines of text below image: Mons. Le Brun, in his delineation of the passions, makes a man jealous without assigning a cause why or wherefore. If the connoisseur will give himself the trouble to look behind the curtain in the above sketch, he will find sufficient reason for the excitement of the passion., "No. 19.", Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., plate number erased from sheet., and 1 print on wove paper : etching, hand-colored ; plate mark 27.1 x 22.1 cm, on sheet 29 x 24 cm.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1794.
Publisher:
Pubd. April 20, 1800, by R. Ackermann, No. 101 Strand
Plate [32] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Titlepage for Chapters VIII and IX; Henry and Louis leading the Pope's horse, each with a hand on its bridle, while the pontiff joins his hands in prayer, walking forward, with people kneeling as they pass; a descriptive plaque below."--British Museum online catalogue
Alternative Title:
Henry and Lewis conducting the Pope to the castle of Torci and Henry and Louis conducting the Pope to the castle of Torci
Description:
Title from text above image., Sheet trimmed within plate mark on three sides., and Plate [32] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Henry II, King of England, 1133-1189,, Louis VII, King of France, approximately 1120-1180,, and Alexander III, Pope, -1181,
"The artist introduces us to the laboratory of a so-called alchemist. A roguish Jew and his familiar are busily engaged in the transmutation of metals; the servant, with a pair of long- nozzled bellows, is engaged in kindling the furnace, in which is a crucible; various retorts, alembics, and other paraphernalia of the 'black arts,' are scattered about, as well as a formula for 'changing lead into gold'; although the alchemists at best could only contrive to accomplish the reverse transmutation. Suggestive prints are hung on the walls of this chamber of mystery, such as the portrait of the notorious 'Count Cagliostro, discoverer of the Philosopher's Stone,' and the figure of the spurious 'Bottle Conjurer.' A military officer, in the next apartment, is turning his opportunities to more practical advantage by embracing, with a certain display of ardour, a pretty maiden who is nothing loth, the daughter, it appears, of the philosophically minded investigator."--Grego, J. Rowlandson the caricaturist
Alternative Title:
Searching for the philosophers stone
Description:
Title etched below image., Signed in image, lower left., Traces of burnished lettering in lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hoaxes: allusion to bottle conjurer -- Male costume -- Furniture: chest -- Philosopher's stone., Temporary local Medical Library subject terms: Sex behavior., 1 print : aquatint with etching, hand-colored ; sheet 25.8 x 32.1 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint from lower left. The title is also separated from the rest of the sheet, having been trimmed away and then mounted beneath the design.
Publisher:
Pub. March 12, 1800, at R. Ackermans Repository of the Arts, N. 101 Strand
"The artist introduces us to the laboratory of a so-called alchemist. A roguish Jew and his familiar are busily engaged in the transmutation of metals; the servant, with a pair of long- nozzled bellows, is engaged in kindling the furnace, in which is a crucible; various retorts, alembics, and other paraphernalia of the 'black arts,' are scattered about, as well as a formula for 'changing lead into gold'; although the alchemists at best could only contrive to accomplish the reverse transmutation. Suggestive prints are hung on the walls of this chamber of mystery, such as the portrait of the notorious 'Count Cagliostro, discoverer of the Philosopher's Stone,' and the figure of the spurious 'Bottle Conjurer.' A military officer, in the next apartment, is turning his opportunities to more practical advantage by embracing, with a certain display of ardour, a pretty maiden who is nothing loth, the daughter, it appears, of the philosophically minded investigator."--Grego, J. Rowlandson the caricaturist
Alternative Title:
Searching for the philosophers stone
Description:
Title etched below image., Signed in image, lower left., Traces of burnished lettering in lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hoaxes: allusion to bottle conjurer -- Male costume -- Furniture: chest -- Philosopher's stone., Temporary local Medical Library subject terms: Sex behavior., and Matted to 46 x 52 cm.
Publisher:
Pub. March 12, 1800, at R. Ackermans Repository of the Arts, N. 101 Strand
