Title etched below image., 'Argus' is a pseudonym for printmaker and artist Charles Williams., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyers., and Watermark: Ansell 1829.
Title from item., From the Laurie & Whittle series of Drolls., Twelve paired lines of verse, each preceded by the name of a month: January -the first the knot was ty'd which prov'd I thought a happy day..., Plate numbered '373' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 12, 1804 by Laurie & Whittle, 53 Fleet Street, London
Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg Lily., and Modern ms. annotations on mount identify several figures in the print; mounted to 29 x 39 cm.
Publisher:
Pubd. June 26th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Erskine, James Francis, 1743-1806, Windham, William, 1750-1810, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Fox, Charles James, 1749-1806
Title from caption below image., Design consists of eight figures in two rows, each with a line of text etched above., Sheet trimmed within plate mark on lower edge., Plate numbered in upper right corner: Vol. 2, pl. 2., and Restrike. Watermark: Hall & Taplin 1804.
Publisher:
Pubd. April 1st, 1795, by S.W. Fores, No. 3 Piccadilly
"Lord Petersham sits erect on his horse in profile to the right, a large cocked hat in his right hand, the arm, in a long wrinkled sleeve dropped by his side. A family likeness to his father is stressed by the similarity of pose, see British Museum Satires No. 10294. His shoulders are oddly drawn, his waist pinched."--British Museum online catalogue
Alternative Title:
Noble aide-de-camp
Description:
Title etched at bottom of image., Leaf 68 in an album with the spine title: Characatures by Dighton., and Figure identified as "Lord Petersham" in pencil in lower left corner.
Publisher:
Pubd. by Dighton Junr., Charing Cross
Subject (Name):
Harrington, Charles Stanhope, Earl of, 1780-1851
Subject (Topic):
Military officers, British, Dandies, Horses, and Staffs (Sticks)
"Lord Harrington, in uniform, slim and upright, sits his horse in profile to the right. A cane dangles from his right wrist. He has a leopard's skin saddle-cloth."--British Museum online catalogue
Description:
Title etched at bottom of image., Leaf 67 in an album with the spine title: Characatures by Dighton., and Figure identified as "Earl of Harrington" in pencil at bottom of sheet.
Title from item., From the Laurie & Whittle series of Drolls., Two lines of caption below title: "We medical gentlemen affirm, nor can it be contradicted Madam, that all bitters are hot or heating"____"Indeed sir! well, I never knew that before : But pray Doctor what do you think of bitter cold weather"____"There indeed Ma'am I'm rather at a loss, I must study that.", Plate numbered '325' in lower left corner., and Temporary local subject terms: Doctors -- Furniture: curtains -- Musical instruments: Piano -- Music books -- Furniture: chairs -- Alussion to medicine bitters -- Male costume: Hessians -- Expressions of speech: Repartee.
Publisher:
Publish'd Jany. 12th, 1804, by Laurie & Whittle, 53 Fleet Street, London
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
Title etched below image., Top margin of print contains the text 'Characters on board' followed by a list of ten names., Two columns of verse below design: So we made t'other tack and lay gunnel to, which soon gave a damp to our joy ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Jany. 2, 1804 by John Fairburn, 146 Minories
