Title from item., Printmaker and plate number from British Museum online catalogue., Sixth of six plates in a series: Specimens of dramatic phrensy., Two columns of verse below design: Hot with the Tuscan grape and high in blood, No mopeing cares, a misrthfull band withstood..., and Temporary local subject terms: Lantern -- Street Light.
Publisher:
Pubd. Jany. 1st, 1804 by S.W. Fores, No. 50 Piccadilly
Title from item., Plate numbered '343' in lower left corner., From the Laurie & Whittle series of Drolls., Two lines of caption text below design: Female visitor. "Pray Mrs. Parmesan what do you keep this nasty raven about the house for?"____"Why my dear, it's a very fine young bird, and my old philosopher here says that ravens live 100 years, so we keep Ralpho, to try the experiment.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Sitting room -- Hearth -- Couples -- Ravens -- Umbrellas -- Rainbow -- Picture amplifies subject.
Publisher:
Publish'd April 16, 1804 by Laurie & Whittle, 53 Fleet Street, London
"Three symmetrically prancing lions (left) and Napoleon (right) as 'The Beast' face each other across a narrow channel. In the background (left) John Bull, an obese citizen, sits surrounded by casks and bales (one marked 'I' or 'L M') under the Tree of the 'Constitution'. This has three branches: in the uppermost is a royal crown, the others (presumably) represent the Lords and Commons, ... Behind him are symbols of industry: men reaping, a bee-hive, a thatched farm-house. Above the tree flies an angel with a flaming sword ... Napoleon's head is scarcely caricatured, but has two horns - on one is poised an imperial crown, on the other the Papal tiara. In his dragon's claws he holds up a dagger and three short chains (for the lions); he is branded '666', and his tail is triply barbed. He has webbed wings, scaly shoulders, and a tiger-like body. Under his feet are broken fragments of crowns, sceptres, and crosiers. ... In the background (right) two demons fly above a breaking staff surmounted with the cap of liberty; at its feet lies a man in chains. A firing squad aims at women and children; buildings are in flames. The (printed) 'Explanation: 'JOHN BULL is sitting under his favourite Oak, supported by Commerce and Industry reaping the Fruits of his Labors, and protected by the power of God, whilst France is enslaved under their Tree of Liberty, which is falling to the Ground - the Honors and Independence of Nations are broken and trampled underfoot, and all the Horrors of War are extending their Ravages with unremitting fury. - Bonaparte is considered as the Dragon, the Beast, and the false Prophet, Rev. xvi. 13, xiii. II, and following verses, xix. 20 - and also as Gog, Ezek. xxxviii. and xxxix. - His brutal and ferocious Dispositions are represented by the Body and Feet of a Tyger; his inordinate Desires, by the Chest, Wings, and Claws of a Dragon, holding out Death or Slavery; his Head with two Horns represents his civil and ecclesiastical Authority; and is intended to point out, that though a Dragon and a Tyger have been the most dreadful and destructive of all real and imaginary Creatures, yet even their horrid Natures are surpassed by the sanguinary and rapacious Dispositions of that implacable Tyrant. - The THREE LIONS represent the united Naval, Regular and Volunteer Force of England, Scotland, and Ireland, watching the Monster's Motions, and springing forth eager to meet him."--British Museum online catalogue
Description:
Title from letterpress text below image., "Price 1s. coloured, --6d. uncoloured"--Following imprint., and Illustration to a pamphlet.
Publisher:
Printed by C. Stower, Charles Street, Hatton Garden, for the "Prophetic mirror, or A hint to England" by L. Mayer and Sold by Parsons and Son, Ludgate Hill; Vidler, 349 Strand; and Marsom, 187 High Holborn; Major, Duke Street, West Smithfield; and Fairburn, 146 Monories
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character), National emblems, and British
Title from item., Plate numbered 364 in the lower left corner., From the Laurie & Whittle series of Drolls., Seven lines of descriptive text arranged between two columns below title: Two Bond Street loungers discoursing in Picadilly, one of them said, he wish'd much to go into the country, upon which the other made the following observation ..., and Temporary local subject terms: Hessian Boots -- Spatter Dashes -- Book Shop -- Bond Street.
Publisher:
Published 20th Augt., 1804 by Laurie & Whittle, 53 Fleet Street, London
Four French soldiers with hot pincers torturing "Madame Toussaint" by burning her flesh and pulling out her fingernails; Napoleon gloats on a throne to the right
Description:
Title etched below image. and Attribution from George, Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. Octr. 25th 1804 by by S.W. Fores, 50 Piccadilly
Subject (Geographic):
France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821. and Toussaint Louverture, 1743-1803
"The patient sits on a stool, averting his head from the surgeon who supports his left arm, from which the blood spurts into a bowl. The operator wears spurred top-boots, and has a bucolic appearance suggesting a veterinary surgeon. The patient wears a nightcap and buttoned waistcoat over his shirt."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Temporary local subject terms: Veterinary surgeons -- Bleeding -- Top boots., and 1 print : etching with engraving, hand-colored ; plate mark 261 x 200 mm.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Street, London
"The patient sits on a stool, averting his head from the surgeon who supports his left arm, from which the blood spurts into a bowl. The operator wears spurred top-boots, and has a bucolic appearance suggesting a veterinary surgeon. The patient wears a nightcap and buttoned waistcoat over his shirt."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., and Temporary local subject terms: Veterinary surgeons -- Bleeding -- Top boots.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Street, London
A full-length image of a young crier in Portman Square, with a container of brick dust in his right hand and his left hand cupped by his check as he calls out. He stands near the wrought-iron fence in the fashionable neighborhood beside his horse
Alternative Title:
Portman Square
Description:
Title etched below image., Sheet trimmed within plate mark., Probable a book illustration. Possibly from a version of the ubiquitous "London Cries" or related title., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published April 25, 1804 by Richard Phillips, 71 St. Pauls' Church Yard
"The patient, buttoned up in a coat, sits full face in a water-closet."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Temporary local Medical Library subject terms: Purgatives., 1 print : etching with engraving and stipple, hand-colored ; sheet 25.5 x 20.1 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Street, London
