Worthington, William Henry, approximately 1795-approximately 1839, printmaker
Published / Created:
1 Octr. 1805.
Call Number:
Folio 724 812 B68
Collection Title:
Plate [122] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; Defeat of the Spanish Armada, 8 August 1588, with English and Spanish ships engaged in the Battle of Gravelines, fire at left beside a Spanish ship in the left foreground onto which a boat of English sailors are fighting their way."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [122] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Pall Mall
Subject (Topic):
Anglo-Spanish War, 1585-1604, Naval operations, English, Armada, 1588, and Naval warfare
"A fox (left) is closely pursued by hounds who are followed by four riders, leaping the wall (right) of a formal garden: beds set in gravel, with box borders, some having bushes clipped into birds and circles. A fat parson (left) runs up in furious anger to meet the invasion. Behind him is the church, and near it an old gabled house, partly hidden by large trees. Next a roller (right) is a board: 'Stee[l] Traps Spring Guns set in this Garden'."--British Museum online catalogue
Description:
Title etched below image., Publisher from the British Museum online catalogue., Two lines of verse below title: To see them rattle, howl and tear, by Jove twould make a parson swear., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Sheet trimmed within plate mark on left edge., and Mounted on verso of leaf 42 of volume 9 of 14 volumes.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Ruse 1804.
Title and imprint from broadside., Printmaker from British Museum catalogue., From the Laurie & Whittle series of Drolls., Printed in letterpress on same sheet: The Ghosts; or, Mrs. Duffy and Mrs. Cruikshanks., Attribution under title of broadside: Written by T. Dibbin, Esq. Sung by Mr. Fawcett, and Covent-Garden Theatre., One line of text above image in plate: The Music to be had of Mr. Preston, No. 97, Strand., and Plate numbered '386' in the upper left corner.
Publisher:
Published 25th March, 1805 by Laurie & Whittle, Fleet Street, London
"Napoleon and Josephine are in the centre of an elaborate processional design. Individuals and groups are identified by eleven captions in the lower margin. The background is formed of close ranks of French soldiers, with a forest of caps, spears, pikes, and banners receding in perspective. The front row, facing the procession, are grenadiers at attention with bayoneted muskets, the letter 'N' in front of their bearskins. They are in shadow; those behind Napoleon are obscured by dense clouds of smoke from a censer; next them (l.) grenadiers blow trumpets and French horns. The procession is led, as by a drum-major, by the posturing and theatrical figure of 'His Imperial Highness Prince Louis-Buonaparte Marbœuf - High Constable of the Empire' [Marbeuf was his godfather] on the extreme right. He wears tight-fitting archaic dress, with a feathered coronet, a cloak trailing from one shoulder, buskins, and sabre. He carries a tall staff surmounted by a fleur-de-lis. Next come 'The Three Imperial Graces, viz. Thier Imp. Highs Princess Borghese [Pauline], Princess. Louis (cher amie of ye Emperor) & Princess Joseph-Bonaparte' [Hortense and Julie] - three slim young women, very scantily draped, scatter roses. All wear feathered coronets with long snaky curls on their shoulders; they resemble the sisters of Napoleon in BMSat 10072. The ground (l. to r.) is strewn with the flowers they have scattered. Next walks 'Madame Talleyrand (ci devant Mrs Halhead the Prophetess conducting the Heir Apparent in ye Path of Glory'. A grossly fat woman leads by the hand the little Napoleon-Charles, son of Louis (b. 10 Oct. 1802). The child goose-steps arrogantly, holding out a sceptre in his left hand. He is dressed much like his father, but with the addition of a ribbon and star. Mme Talleyrand wears a feathered coronet and an enormous nosegay; she holds a fan on which is a goat. This, and her patched face, indicate her dissolute past. Slightly behind her, and on her right., hobbles 'Talleyrand-Perigord. - Prime Minister & King at Arms bearing the Emperor's Geneology.' He is burlesqued, with a 'cheese-cutter' shin, and a r. foot supported by blocks under the shoe. On his left. shoulder he carries a framed genealogical tree, and hung to his person are crests and symbols in rectangular frames. Napoleon's family tree issues from 'Buone Butcher' and, passing through 'Buone Cuckold', terminates in 'Napoleone Emperor', which is crowned. The collateral branches are illegible, but one is followed by 'Hang'd'. ..."--British Museum online catalogue
Description:
Title etched above image. and 1 print : etching on wove paper, hand-colored ; plate mark 23.7 x 77 cm, on sheet 26.3 x 79.3 cm.
Publisher:
Publish'd Jany. 1st, 1805, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
France.
Subject (Name):
Bonaparte, Paolina, 1780-1825, Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837, María-Julia, Queen, consort of Joseph Bonaparte, King of Spain, 1771-1845, Talleyrand-Périgord, Catherine Noël, princesse de Bénévent, 1762-1835, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, Pius VII, Pope, 1742-1823, Fesch, Joseph, 1763-1839, Napoleon I, Emperor of the French, 1769-1821, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, Berthier, Louis-Alexandre, 1753-1815, Augereau, Pierre, 1757-1816, and Fouché, Joseph, duc d'Otrante, 1759-1820
"Napoleon and Josephine are in the centre of an elaborate processional design. Individuals and groups are identified by eleven captions in the lower margin. The background is formed of close ranks of French soldiers, with a forest of caps, spears, pikes, and banners receding in perspective. The front row, facing the procession, are grenadiers at attention with bayoneted muskets, the letter 'N' in front of their bearskins. They are in shadow; those behind Napoleon are obscured by dense clouds of smoke from a censer; next them (l.) grenadiers blow trumpets and French horns. The procession is led, as by a drum-major, by the posturing and theatrical figure of 'His Imperial Highness Prince Louis-Buonaparte Marbœuf - High Constable of the Empire' [Marbeuf was his godfather] on the extreme right. He wears tight-fitting archaic dress, with a feathered coronet, a cloak trailing from one shoulder, buskins, and sabre. He carries a tall staff surmounted by a fleur-de-lis. Next come 'The Three Imperial Graces, viz. Thier Imp. Highs Princess Borghese [Pauline], Princess. Louis (cher amie of ye Emperor) & Princess Joseph-Bonaparte' [Hortense and Julie] - three slim young women, very scantily draped, scatter roses. All wear feathered coronets with long snaky curls on their shoulders; they resemble the sisters of Napoleon in BMSat 10072. The ground (l. to r.) is strewn with the flowers they have scattered. Next walks 'Madame Talleyrand (ci devant Mrs Halhead the Prophetess conducting the Heir Apparent in ye Path of Glory'. A grossly fat woman leads by the hand the little Napoleon-Charles, son of Louis (b. 10 Oct. 1802). The child goose-steps arrogantly, holding out a sceptre in his left hand. He is dressed much like his father, but with the addition of a ribbon and star. Mme Talleyrand wears a feathered coronet and an enormous nosegay; she holds a fan on which is a goat. This, and her patched face, indicate her dissolute past. Slightly behind her, and on her right., hobbles 'Talleyrand-Perigord. - Prime Minister & King at Arms bearing the Emperor's Geneology.' He is burlesqued, with a 'cheese-cutter' shin, and a r. foot supported by blocks under the shoe. On his left. shoulder he carries a framed genealogical tree, and hung to his person are crests and symbols in rectangular frames. Napoleon's family tree issues from 'Buone Butcher' and, passing through 'Buone Cuckold', terminates in 'Napoleone Emperor', which is crowned. The collateral branches are illegible, but one is followed by 'Hang'd'. ..."--British Museum online catalogue
Description:
Title etched above image. and Mounted on leaf 1 of volume 6 of 12.
Publisher:
Publish'd Jany. 1st, 1805, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
France.
Subject (Name):
Bonaparte, Paolina, 1780-1825, Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837, María-Julia, Queen, consort of Joseph Bonaparte, King of Spain, 1771-1845, Talleyrand-Périgord, Catherine Noël, princesse de Bénévent, 1762-1835, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, Pius VII, Pope, 1742-1823, Fesch, Joseph, 1763-1839, Napoleon I, Emperor of the French, 1769-1821, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, Berthier, Louis-Alexandre, 1753-1815, Augereau, Pierre, 1757-1816, and Fouché, Joseph, duc d'Otrante, 1759-1820
"A travesty of Peters's 'An Angel carrying the Spirit of a Child to Paradise', exhibited R.A. 1783, in which the angel is a portrait of Isabella, Duchess of Rutland, and the figures have a background of clouds. Mrs. Fitzherbert, as the angel, flies upwards, her right arm caressingly round a little girl, her left pointing up to an irradiated and burlesqued altar, surrounded with cherub's heads, which recede in aerial perspective from the lower heads, which are fully characterized, to the upper ones, which are small. These angels are (left) Windham, Grenville, Grey, Erskine, Grattan, and a (tiny and unrecognizable) Lord Holland. On the right are Sheridan, Norfolk, Fox, Burdett, and Derby. [These identifications are by Lord Holland. They are self-evident, except Grattan who resembles Carlisle, or Jekyll, and has a profile completely unlike other portraits and caricatures. Wright and Evans give Stanhope for Windham and Carlisle for Grattan. Lord Holland is not characterized, and the identification can rest only on Gillray's statement.] The altar is lit by four large and guttering candles; over it, stiff and grotesque, are a Virgin and Child, 'La Sainte Veirge' [sic]. The head and hands of a demon emerge from a chalice which is flanked by vases of flowers. Three books surround the altar each open at a print: the Pope holding his cross and wearing a tiara; the many-headed Beast of Revelation (cf. British Museum Satires No. 5534, &c); and a grotesque rendering of the Saint-Esprit, or dove of Pentecost. The rays, which descend towards Mrs. Fitzherbert, are inscribed 'Indulgences', 'Absolutions', 'Luxuries', 'Absolutions', 'Dissipations'. Mrs. Fitzherbert is a stout figure, whose realism is burlesqued by outspread wings and floating draperies. In her hair are three large plumes, emblem of the Prince of Wales; a cross hangs from her neck, a rosary flies outward. A large pouch inscribed 'Play-Things' is attached to her waist: from this hang a lighted censer and a rosary; from it project the head of a saint (burlesqued), a calvary in a bottle, a book: 'Brighton Breviary', a monstrance, St. Andrew holding his cross, a bunch of leaves. Mrs. Fitzherbert registers determined fanaticism; the little girl, childish devotion. They ascend between dark douds. Immediately below them (left) is the Brighton Pavilion. ..."--British Museum online catalogue
Description:
Title etched below image., Text following title: The hint taken from the Revd. Mr. Peter's sublime idea of "an angel conducting the soul of a child to heaven.", and Mounted on leaf 5 of volume 6 of 12.
Publisher:
Pubd. April 22d, 1805, by H. Humphrey, St. James's Street
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Windham, William, 1750-1810, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, and Burdett, Francis, 1770-1844
Volume 2, after page 340. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"An altered copy of British Museum Satires No. 10389. The two principal figures are substantially the same, but Mrs. Fitzherbert's expression is less subtle; she looks down at her charge with an exulting smile. The feathers in her hair are set in a fillet inscribed 'Ich Dien', her breasts are almost bare, her drapery is more swirling. Her pouch is inscribed 'Amusements for Young Minds', its contents differ, and her book is a 'Missal'. Above them (left) ls inscribed: 'Angels ever bright and fair" Take, Oh Take me to thy Care,"'. The altar is larger and closer to the ascending figures. In place of the Virgin, the Prince of Wales (half length) stands behind it, looking down at the 'Guardian-Angel'. On the altar, which is inscribed 'Sanctum Sanctorum' is an irradiated chalice. The attendant cherubs are (left) Derby, (?) Grey, Grenville; and (right) Norfolk, Burdett, and Windham. Two cherubs have descended from the circle (right) and look fixedly at close range towards the child; they are Fox and Sheridan. The rays are inscribed: 'Bulls', 'Dispensations', 'Indulgences', 'Luxuries', 'Consecrations', 'Cannonizations', 'Remissions', 'Pardons', 'Beatifications', 'Permissions'. Below the ascending pair, in place of the Pavilion, is the roof of Carlton House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Altered copy of a print by Gillray, published 22 April 1805 by H. Humphrey. Cf. No. 10389 in the Catalogue of prints and drawings in the British Museum, v. 8., Text following title: The designer is particularly indebted to Mr. Peters for the hint for this subject., "Folios of caracatures [sic] lent out for the evening"--Beneath imprint., Printseller's stamp in lower right of plate: S.W.F., Four figures identified at bottom of mounting sheet, their names written in ink: Princess Charlotte; Mrs. Fitzherbert; C. Fox; R.B. Sheridan., Window mounted to 51 x 36 cm., and Mounted after page 340 (leaf numbered '163' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. May 10th, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Smith-Stanley, Edward, 1752-1834, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Jolly young sailors drink, seated on gun-carriages, &c., the guns projecting through port-holes. One smokes, standing by a powder-barrel. The six verses celebrate the First of June, Cape St. Vincent, Camperdown, 'The Great deeds of Nelson', referring to his death."--British Museum online catalogue
Description:
Title from caption above verses engraved on second plate. Imprint and image on plate above. Both plates contribute to one coherent design., Attribution engraved above design: The music publish'd by Bland & Weller, 23 Oxford Street., Six numbered stanzas of verse below title: Some folks sing of the island, and quaver on dry land ..., Upper plate with design is numbered '398' in lower left corner., Number 398 in the Laurie & Whittle series of Drolls., and Sheet trimmed within plate mark on two sides, partially trimmed series number.
Publisher:
Publish'd July 22, 1805, by Laurie & Whittle, 53 Fleet Street, London
