Plate [119] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; diagram showing the rectos and versos of ten coins, on a decorative plaque surmounted by a cherub holding a shield with unicorn and tree behind."--British Museum online catalogue
Alternative Title:
Coins of Mary and her two husbands
Description:
Title from text within image., Sheet trimmed within plate mark., and Plate [119] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Plate [179] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; plaque with diagrams showing recto and verso of five coins and verso of four more in each corner, surmounted by Liberty standing on a plinth inscribed 1688, with lions at either side."--British Museum online catalogue
Alternative Title:
Coins of William and Mary
Description:
Title from text below image., Sheet trimmed within plate mark., and Plate [179] in a volume bound to 50 cm.
Publisher:
Pubd. by R. Bowyer, Pall Mall
Subject (Name):
William III, King of England, 1650-1702, and Mary II, Queen of England, 1662-1694,
Plate [147] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; decorative plaque with diagram showing rectos and versos of eleven coins, surmounted by two children setting fire to a pile of emblems of the liberal arts."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark., and Plate [147] in a volume bound to 50 cm.
"Pl. to 'The second part, . . . [ut supra]', see BMSat 10465. Dr. 'Willain' and his wife, three-quarter length and arm-in-arm, gaze up at a Punch and Judy show: Punch, highly delighted, has knocked over his wife, who staggers back. The doctor holds behind him the stick (with a cat's face) which his wife holds in BMSat 10465. From the doctor's coat-pocket dangles the head of a duck which he has bought after watching with his wife the plebeian (and cruel) sport of duck-hunting. The profile head of a spectator, or the showman, gazes at her from the r. margin."--British Museum online catalogue
Description:
Title from item., Publication information from British Museum catalogue., One plate from Sayers' verse satire: Foundling Chapel Brawl. Printed by C. Roworth in Bell Yard, Temple bar in 1805., and Mounted to 37 x 34 cm.
"Social satire: the actor Charles Dignum stands in a large tricorn hat with one hand in his pocket, the other in his waistcoat; text below explains that the image is to help fine singers, or players, attain the "consequence so necessary for gaining Fortune & Fame", rather than to represent true grace in the drawing room."--British Museum online catalogue
Alternative Title:
Ease and elegance
Description:
Title etched below image., Sheet trimmed within plate mark., Four lines of explanatory text below title: This is not intended to represent any of that grace so bewitching in a drawing room, but merely to assist a fine singer, a good player, or any public characters in the attainment of consequence, so necessary for gaining fortune & fame., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 15 cm.
Publisher:
Pubd. Aug. 21st, 1805 by A. Beugo, Maiden Lane, Covent Garden
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., and Sheet trimmed within plate mark on upper and lower edges.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
Title from item., Twenty lines of patriotic verse surround the upper portion of design: Hear me my gallant friends, and whilst I tell how your combining foes by thousands fell..., Plate numbered '414' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 12th December, 1805 by Laurie & Whittle, No. 53 Fleet Street, London
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Sailors prayer before battle
Description:
Title etched below image., Printmaker suggested by curator., Date of publication from unverified data in local card catalog record., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Print numbered '124' with Ms. annotation.
Publisher:
Pubd. by Thos. Tegg, 111 Cheapside, London
Subject (Topic):
Trafalgar, Battle of, 1805, Cannons, Cannon balls, Military officers, Sailors, and Ships
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Sailors prayer before battle
Description:
Title etched below image., Printmaker suggested by curator., Date of publication from unverified data in local card catalog record., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 44 in volume 5.
Publisher:
Pubd. by Thos. Tegg, 111 Cheapside, London
Subject (Topic):
Trafalgar, Battle of, 1805, Cannons, Cannon balls, Military officers, Sailors, and Ships
Title etched below image., Date of publication inferred from statement of responsibility., Sheet trimmed within plate mark on top edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
