"Portrait of William Ireland, half-length, in an oval lettered with the title, slightly turned to the left, with a mantle about his shoulders, a rope about his neck and a knife embedded in his chest, the Christogram in a laurel frame below upon a parapet."--British Museum online catalogue
Alternative Title:
R. P. Gulielmus Irlandus Societatis Iesu Sacerdos
Description:
Title from text in oval border of portrait. and Text engraved on pedestal below portrait: Fidei odio suspensus et dissectus ad Tybourn prope Londinum, 24 Januar. 1678, 3 Febr. 1679.
Publisher:
Publish'd Aug. 10, 1805, by Wm. Richardson, York House, Strand
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from the British Museum online catalogue., Sheet trimmed within plate mark., Plate numbered in upper right corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A scene in the mouth of a cave with the sea in the background. The smuggler is Melville, in Highland dress, caught by Fox, Sheridan, and Whitbread, revenue officers wearing spurred top-boots. He kneels, with hands clasped, looking up at Whitbread (r.), who stands over him with a raised whip; he screams: "Marcy O' me wha can bear sick a lashing Indeed you shall ha it aw Gentlemen - ee'n to the last Baubee". Whitbread, his heavy lash inscribed 'Whitbreads Intire', answers: "Be quick then and dont trifle with us, we have got some more of your gang to look after!!" Fox (l.) is a spectator with his whip under his arm; he says: "I say lay it on well, remember he is an Old offender, we shall flog something out of him I am ready when you are tire'd." He stands by Sheridan, who holds Melville by the plaid, and raises a whip with a heavy lash inscribed 'Sherrys - Genuine - Stingo.' Sheridan says: "Aye! Aye! Whity and I will do his business, you are not quite active enough my Old friend - Come Sir where have you hid the rest of your Smuggled property?" In his pocket is a paper: 'The Forty Thieves desroy'd [sic] by . . .' On the extreme left., behind Fox, Pitt hastens forward with raised arms and alarmed expression; he exclaims: "O Lord! O Lord! what desperate hands my poor Friend has got into." In the middle distance (r.) Trotter, also in Highland dress, runs off to the right. with a large sack on his shoulders, inscribed 'Peculation Sack 50.000'; guineas fall from a rent in the sack. He looks over his shoulder, saying, "It will come to my turn Next so I'll trot off in time with this Triffle." On the ground (r.), by the rocky wall of the cave which borders the design, are a cask of 'Madeira' and three large sacks inscribed 'Peculation Sa[ck] 100.000'; 'Peculation Sack 50.000'; 'Peculation Sack 30.0 . . .' The uppermost of a bundle of cheque is inscribed 'Pay to m . Order the Sum of. . . '. "--British Museum online catalogue
Description:
Title from item., Printmaker and date from British Museum catalogue., 'Argus' is a pseudonym employed by printmaker Charles Williams., Temporary local subject terms: Scottish dress -- National stereotypes -- Robbers., and Mounted to 31 x 41 cm.
Publisher:
Pubd. by C. Knight, Lambeth and sold at No. 7 Cornhill
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, and Whitbread, Samuel, 1764-1815
Delattre, Jean Marie, 1745 or 1746-1840, printmaker
Published / Created:
1 Septr. 1805.
Call Number:
Folio 724 812 B68
Collection Title:
Plate [55] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Richard II standing and raising his hand to arrest a duel between the Dukes of Hereford and Norfollk, who charge at each other on horseback in full armour with plumed helmets, with nobles sitting watching to either side of the king and two men on foot standing in the centre to stop the horses; headpiece illustration to Bowyer's edition of Hume's 'History of England', chapter XVII; set in a shaded rectangle in a decorated border with plaques below."--British Museum online catalogue
Alternative Title:
Richard the Second suspending the duel between Hereford and Norfolk
Description:
Title from text above image., Sheet trimmed within plate mark on right and left sides., and Plate [55] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Richard II, King of England, 1367-1400,, Henry IV, King of England, 1367-1413,, and Norfolk, Thomas de Mowbray, Duke of, 1366-1399,
Illustration at the head of Henry Carey's poem (also sometimes 'Sally of our alley') in letterpress, shows a scene in a cobbler's work-room. The apprentice has thrown down a shoe on a last to embrace 'Sally', unconscious of his master who stands behind him with lifted strap
Description:
Title from letterpress poem printed below image., Artist from British Museum catalogue., Date from letterpress at bottom of page., Date engraved on print: Published Nov. 1, 1805 by Laurie & Whittle, 53 Fleet Street, London., Sheet trimmed to edge of plate mark on upper side., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Song attribution below title: Sung by Mr. Incledon. Mr. Braham. Mr. Dignum. Mr. Hill. Mr. Taylor, &c. &c., Fifty-six lines of verse arranged in four columns on broadside portion of sheet: Of all the girls that are so smart, there's none like pretty Sally ..., and Plate numbered '411' in the upper left corner.
Publisher:
Published 9th November, 1805 by Laurie & Whittle, Fleet Street, London
Plate [9] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; a suit of armour standing in a pile of flags and weapons on a rock, with harp, Magna Charta and papal tiara at left."--British Museum online catalogue
Description:
Title from text in image., Sheet trimmed within plate mark., and Plate [9] in a volume bound to 50 cm.
"Portrait after Lawrence (Garlick 142); standing half-length to right, head turned in three-quarter profile to left, his arms extended towards the right; curtain above."--British Museum online catalogue
Description:
Title etched within bottom portion of decorative border., Text below image: Engraved by permission from an original picture, the propery of a Gentleman., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted after page 590 (leaf numbered '22' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. as the act directs, April 25, 1805, by J.G. Walker, Hammersmith
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed either by Isaac Cruikshank or Richard Newton., One line of descriptive text below title: Written by T. Dibdin, Esqr. and sung by Mr. Fawcett at Covent Garden in Mr. Colman's comedy, "Who wants a guinea?", Six numbered stanzas of verse arranged in three columns above imprint line: My dear chere amis, I am Solomon Gundy, at mousetraps & razors, I'm thought quite the go ..., Plate numbered '403' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Seper. 2, 1805 by Laurie & Whittle, 53 Fleet Street, London
"In the manner of history painting rather than caricature. ... George III as St. George, in uniform, holds up his sword, about to give a final blow to a scaly dragon with the head of Napoleon. The long convolutions of the dragon are under the horse's feet: Napoleon's head, with a barbed fang and flames issuing from the mouth, looks up despairingly. A sword-cut has gashed his skull, and cut his crown in two. The dragon has large wings and the legs and talons of a beast of prey; it falls backwards: Britannia (left) will just escape being crushed."--British Museum online catalogue
Alternative Title:
Saint George and the dragon
Description:
Title etched below image., Artist identified as Lt.-Col. Thomas Richmond Gale Braddyll in the British Museum catalogue., and Mounted on modern secondary support.
Publisher:
Publish'd August 2d, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George III, King of Great Britain, 1738-1820