Title from item., Sheet trimmed within plate mark., Part of a series of reduced copies of prints. Series published by Fores in 1806 and etched primarily by Charles Williams., Printmaker based on other prints from the series., Plate numbered '23' in lower left corner., Temporary local subject terms:, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Feby. 1st, 1806 by S.W. Fores, 50 Piccadilly
Title from item., Plate numbered '442' in lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., One line of text directly below title: (By the author of the Yorkshire Man in London ; or Humphrey Hobnail's Return from the Play.), and Nine numbered verses of a song arranged in three columns above imprint statement: My name's Paddy Whack I came up to this town, to see all the wonders of famous renown ...
Publisher:
Publish'd Octr. 1, 1806 by Laurie & Whittle, 53 Fleet Street, London
"A fight between two robbers, one of them a woman, and three armed runners on the road by a milestone marked as 11 miles from St Giles's Pound."--British Museum online catalogue
Description:
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle series of Drolls were executed by either Isaac Cruikshank or Richard Newton., One line of text directly below title: A burlesque parody on that tender song call'd Love & Glory. Written & sung by Gaby Grim., Twelve lines of verse arranged in three columns above imprint statement: Young Bobby was as blythe a youth, As ever grac'd an attic story ..., Plate numbered '449' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 12, 1806, by Laurie & Whittle, 53 Fleet Street, London
"Portrait after Lawrence (Garlick 611); seated three-quarter length to front, arms resting on the arms of the chair, a curtain above at left."--British Museum online catalogue
Description:
Title from caption below image., Date of publication from the British Museum online catalogue, registration no.: 1841,0403.16., Place of publication surmised from printmaker's known place of activity., and Description based on imperfect impression; sheet trimmed within plate mark.
Title from item., Sheet trimmed to edge of plate mark on one side., Printmaker from British Museum catalogue., Quotation from Milton following title: The world was all before them where to choose their place of rest ..., Temporary local subject terms: Wimbeldon -- Gate of Saint Stephens -- Mellish, William -- Middlesex -- Westminster., Watermark: Edmonds & Pine., and Mounted to 28 x 39 cm.
Publisher:
Pubd. Decr. 1806 by S.W. Fores, no. 50, Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, and Paull, James, 1770-1808
A satire on the impeachment of Lord Melville, with politicans heads on dogs bodies
Description:
Title etched below image., Printmaker from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 30 x 39 cm.
Publisher:
Pubd. June 23rd, 1806, by T. Rowlandson, No. 1 James St., Adelphi
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Smith-Stanley, Edward, 1752-1834, Whitbread, Samuel, 1764-1815, Windham, William, 1750-1810, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Erskine, Thomas Erskine, Baron, 1750-1823
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyers: Magistrate -- Furniture: inkwells -- Crimes: seduction., Watermark., and Mounted to 32 x 42 cm.
"Ministers recline on a large low platform, representing a magnificent state bed, which is completely covered with roses. It recedes in perspective from left to right. On the left is Fox, looking sourly over his left shoulder at his neighbour, Sheridan, to say: "This is the most uncomfortable bed I was ever on in my Life and not the least like a bed of Roses - Zound!! what a thorn is running into me - Oh that Bramble - Sherry my Dear how do you find it - ". Sheridan answers: "My dear Charley, I have not had a wink since I have been on it, - curse that Castle man what did he mean by his bed of roses - I am as sore from the tip of my Nose, to the tip of my Toe - as if I had been roling on a quick set-hedge - or stung to death by a swarm of bees at a Hampshire Farmers [an allusion to Cobbett's pen]". Behind Fox, and in profile to the left, Moira, in uniform, with cocked hat and jack-boots, sits up, very erect; he says: "What are Cannons or Bombs or clashing of swords, compared to the pain I endure." Windham, next Sheridan, registering melancholy, says: "I feel more uneasy than if the whole Volunteer force was upon me." Ellenborough, behind Sheridan and Windham, ill-temperedly puts his hand to his wig. Erskine, also in wig and gown, reclines as if exhausted, his eyes closed, his attitude characteristic of his notorious fainting in court (see British Museum Satires No. 7956). He and Grey (Lord Howick from 11 Apr.), who sits behind him, are in profile to the right; the latter says: "It is just such a bed, as I expected the late bungling bed makers would leave us." On the extreme right little Lord Henry Petty (wearing his Chancellor of the Exchequer's gown) sits up, angrily holding above his head two handfuls of thorn-branches. He says: "I shall never have done clearing the brambles and Nettles from this Bed, my Budget would not hold one half of them." The low frame of the bed is carved and has a valance of fringed and festooned draperies. At the head are the Royal Arms; looped curtains are suspended above it."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Mounted on linen and formerly sewn in an album with only the holes remaining on left edge.
Publisher:
Pubd. April 1806 by Walker, 7 Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Ellenborough, Edward Law, Baron, 1750-1818, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Castlereagh, Robert Stewart, Viscount, 1769-1822., and Cobbett, William, 1763-1835.
Subject (Topic):
Politics and government, Beds, Roses, and Draperies
Title from item., Song attribution directly below title: By John Mayne., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle series of Drolls were executed by either Isaac Cruikshank or Richard Newton., Thirty six lines of verse arranged in thre columns above imprint statement: The troops were all embark'd on board; The ships were under weigh..., and Plate numbered '450' in the lower left corner.
Publisher:
Publish'd Decr. 12, 1806 by Laurie & Whittle, 53 Fleet Street, London
"Scene in an assembly room. A mountainously fat woman stands fanning herself, as she talks to a stout man in old-fashioned dress. She says: "Dear me it is perdigus Hot! which would you advise me to do take a Rubber or Dance." He answers: "Dance first! Madam, and take the Rubber afterwards." A fashionably dressed but vulgar-looking man stands by, looking quizzically at the lady. In the background (left) is a high musicians' gallery, and below it four people dance a (?) country dance. There is a cut-glass chandelier. Through an ornate arched doorway four people are seen playing cards."--British Museum online catalogue
Alternative Title:
Salutary conduct for corpulent dancers
Description:
Title etched below image., Argus is a pseudonym for Charles Williams., Date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark: Cassell.
Publisher:
publisher not identified
Subject (Topic):
Obesity, Fans (Accessories), Dance, and Chandeliers
