"Two dark-complexioned money-lenders, Eurasians or Portuguese, sit facing each other at a round table. One (left), with a cane under his arm, appears to be a visitor; he regards his vis-à-vis with a fixed and cunning grin, holding out a bill or cheque, and pointing to an open chest containing money-bags which is on the ground. The other (right) stares angrily, leaning on the table and clutching a large money-bag. He wears a shirt and waistcoat with breeches and shoes; the other wears a short jacket or long spencer, breeches, and boots. The figures are strongly lit, the room is in deep shadow. Apparently a companion plate to No. 11833. Cf. also Nos. 12164, 12165."--British Museum online catalogue
Alternative Title:
Thirty-six percent discount at Calcutta and 36 per cent discount at Calcutta
Description:
Title from caption below image., Text following imprint: of whom all the other caricatures may he had., Watermark: Turkey Mill 1825., and Publication date changed to "1803" from "1811" in manuscript.
Publisher:
Pub. Feb. 1803 by Willm. Holland No. 11 Cockspur Street
"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue and "Evidently Dubois de Chémant who introduced porcelain teeth into England (replacing those of bone and ivory) and published 'A Dissertation on Artificial Teeth in general', 1797, 4th ed., 1804. Cf. earlier prints by Rowlandson on false teeth, British Museum Satires Nos. 7766, 8174."--Curator's comments, British Museum online catalogue
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of plate number from top edge. Plate number supplied from impression in the British Museum., "Price one shilling"--Following imprint., Plate numbered "58" in upper right corner., Temporary local Medical Library subject terms: False teeth., 1 print : etching, hand-colored ; sheet 23.1 x 33.3 cm., and Sheet trimmed within plate mark with loss of plate number from upper right.
Publisher:
Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Dubois de Chémant, Nicolas, 1753-1824
Subject (Topic):
Dentures, Dentistry, Smiling, Hand lenses, and Signs (Notices)
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue, description of an earlier state
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11798 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "58" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Following imprint., Sheet trimmed to plate mark leaving thread margins on top and bottom edges., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 201., Temporary local subject terms: Lorgnette -- Teeth., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.4 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 8 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The heads and shoulders of three persons fill the design, all studies in teeth, facial expression, and caricature. The profile head of the dentist is close to the fat face of his patient, a woman with a wide smiling mouth, open to show two rows of artificial teeth and gums. He smiles, displaying his own artificial teeth, and holds his patient by the chin. Facing him (right) is a man's head in profile, staring up at the woman through a double lorgnette; his open mouth reveals sparse and irregular teeth, in a grotesque jaw. Above his head is a notice: 'Mineral Teeth Monsier De Charmant from Paris engages to affix from one tooth to a whole set without pain. Mouns D can also affix an artificial Palate or a glass Eye in a manner peculiar to himself. he also distills'."--British Museum online catalogue, description of an earlier state
Alternative Title:
French dentist showing a specimen of his artificial teeth and false palates
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Feby. 26, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11798 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "58" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling."--Following imprint., Sheet trimmed to plate mark leaving thread margins on top and bottom edges., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 201., and Temporary local subject terms: Lorgnette -- Teeth.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
French gentleman of the Court of Egalite 1799
Description:
Title etched below image., Date assigned by cataloger., A reduced copy of a print with the same title that was etched by Gillray and published 15 August 1799 by Hannah Humphrey. Cf. No. 9410 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate numbered "98" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 40 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A barrister, haggard and exhausted, yawns over a 'Brief', reclining in an arm-chair, extending his bare legs to the fire (right) where a coffee-pot stands. Beside him is a 'Bill of Costs'. Evidence of overnight dissipation are a (Turkish) masquerade dress and mask on the floor and a young woman, partly dressed, arranging her hair at a mirror placed on the breakfast-table. Her foot rests on a large volume: 'Crim Con Cases'. The room is lined with heavy folios, a serjeant's wig hangs by the window; there is a notice: 'Term begins -- A convenient Sett of Chambe[rs] To Lett'. A bust portrait of a severe old judge is over the chimney-piece on which stand books, bottles of 'Cherry Bounce', and 'Restorative Drops'. On the ground are empty bottles, top-boots, a gun, a dog. Riding-breeches and a jockey-cap hang from a peg."--British Museum online catalogue
Description:
Title etched below image., First half of imprint statement, including date, has been burnished from plate; date of publication from British Museum catalogue., Plate numbered "76" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling.", Sheet trimmed within plate mark on top edge., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 23.5 x 33.9 cm, on sheet 25.6 x 41.8 cm., and Leaf 22 in volume 2.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A barrister, haggard and exhausted, yawns over a 'Brief', reclining in an arm-chair, extending his bare legs to the fire (right) where a coffee-pot stands. Beside him is a 'Bill of Costs'. Evidence of overnight dissipation are a (Turkish) masquerade dress and mask on the floor and a young woman, partly dressed, arranging her hair at a mirror placed on the breakfast-table. Her foot rests on a large volume: 'Crim Con Cases'. The room is lined with heavy folios, a serjeant's wig hangs by the window; there is a notice: 'Term begins -- A convenient Sett of Chambe[rs] To Lett'. A bust portrait of a severe old judge is over the chimney-piece on which stand books, bottles of 'Cherry Bounce', and 'Restorative Drops'. On the ground are empty bottles, top-boots, a gun, a dog. Riding-breeches and a jockey-cap hang from a peg."--British Museum online catalogue
Description:
Title etched below image., First half of imprint statement, including date, has been burnished from plate; date of publication from British Museum catalogue., Plate numbered "76" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling.", and Sheet trimmed within plate mark on top edge.
Title etched below image., Date of publication from Grego., Plate also published in: Caricatures. [London], [1836?], page 41., Sheet trimmed within plate mark., A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 36 cm, on sheet 28 x 39 cm., Imperfect; artist's signature erased from lower right corner of sheet., and Watermark.
Publisher:
publisher not identified
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
"Heading to (printed) verses 'Sung, with great Applause, by Mr. Henry Johnston, in Dublin, Cork, &c. &c.' A pedlar with a wooden leg stands at a street corner, singing, a bottle of 'Irish Whisky' in his left hand, another bottle in his coat-pocket. His open box is slung from his neck, showing a watch, gloves, scissors, seals, watch-keys, ribbons, &c. On the right is a barber's shop: 'T. Trim Hair . . .' with a (torn) paper-covered lamp (as in No. 7605) inscribed: 'Shave well for Penny cut for 2 . . .' In the room above a tailor holding shears and iron looks from the window; a projecting sign is inscribed 'Sam Shred Taylor'. On the pavement outside are a fat doctor, a man leading an ass with paniers, and shouting his wares, a barrister addressing a burly man with a staff. On the opposite side of the road is a puppet-show in the form of a castle, into which children are peeping. A baker's man walks past with a board on his head on which is a pie. The last of six verses: Taylors cabbage all your cloth, Shins of beef are very tough. Flummery is just like froth Mrs. Clarke is up to snuff. Jolly tars are fond of fun, "God save the king", we'll nobly shout. And now, good folks, my song is done, Nobody knows what 'twas about. Right fol de riddle del, &c."--British Museum online catalogue
Description:
Title from text printed in letterpress below image., Below title: Magna est veritas et praevalebit. Truth is great and will prevail., Three columns of verse in letterpress below title begins: Barney Bodkin broke his nose, Want of money makes us sad. Without feet we c'ant have toes, Crazy folks are always mad. A farthing rush-light's very small, Doctors wear large bushy wigs. One that's dumb can never bawl, Pickled pork is made of pigs. ..., Sheet trimmed within plate mark., Plate numbered '521' in upper right corner., and "Cork" in the title altered in ink to "Gork".
Publisher:
Published 2nd Septr., 1811 by Laurie & Whittle, 53 Fleet Strt., London
Subject (Geographic):
England.
Subject (Topic):
Bakers, Barbershops, Peddlers, British, Peg legs, Puppets, and Tailors
"A portrait-painter painting a family group of a man and wife and their little boy. The group (right) is raised on a low semicircular platform, the couple sit on a high-backed settee without arms, the little boy on a stool in front of his mother. The child, though in his ordinary clothes, is holding a cupid's bow and a sheaf of arrows (reminiscent of the family portrait in the 'Vicar of Wakefield'); a large quiver holding arrows is slung across his shoulders, a wreath is on his head; he yawns violently. The man, in profile to the left, is obese and wears a short bushy wig, a dove sits on his left wrist; only the toes of his shoes reach the ground. His wife sits on his right holding a dove on her right hand; she turns towards her husband, looking straight forward with a fixed and painful smile; she wears ringlets and a cap of lace and ribbons on her high-dressed hair. The artist (left) stands at his easel which supports a large canvas and is placed close to his sitters. He wears spectacles, a bag-wig, and ruffled shirt, and holds a palette in his left hand. He looks towards his sitters with an insinuating smile, which, together with his attitude and the figure of the man sketched on the canvas, shows that he is intent on flattery. High up on the wall behind him are two oval bust portraits, one (left) of a clergyman, the other of a lady. Behind the sitters is a tall screen of several leaves."--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date of publication from Grego., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?] : [publisher not identified], [1836?], p. 40., A later copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 10 of a series., Watermark: 1809., and Imperfect; artist's signature mostly erased from lower right corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Artists, Artists' materials, Doves, Easels, Families, Group portraits, Obesity, Wigs, and Yawning
