V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Ten Odd Fellows with grotesque faces watch a sailor who stands, arms akimbo, wary and pugnacious. The chairman sits in a raised armchair, smoking and drinking, behind a small table on which are two lighted candles. On the back of his chair are three small but realistic heads, seeming to watch the proceedings. A man in a dressing-gown, introduces the sailor, doffing a night-cap: "Most worthy Chairman Mr Benjamin Block of Wapping Old Stairs - attends to be made a Member of the Ancient and honorable Society." The sailor, who wears round hat, short blue jacket, a petticoat (as in earlier prints), and buckled shoes, says: "Avast my Hearties, - before I've proceeded any further on the voyage let me know what course you are steering - if you mean to frighten a British sailor with your goggle eyes, and queer faces you are d------dly mistaken - besides it appears to me that you have got masks on which is like fighting under false colours, and that wont do for an English Jack Tar!"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Probably a second reissue, with imprint removed, of a plate first published in 1806. For earliest state, see Lewis Walpole Library call no.: 806.12.01.01., Publication information inferred from earlier reissue with the imprint: London, Pubd. by T. Tegg, Cheapside, Decr. 1, 1812. Cf. No. 10899 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satire, v. 8., Plate numbered "109" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Watermark: 1817., and Leaf 50 in volume 2.
May the devil take them that brought you and me together
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 30 x 21 cm., and Mounted on: Map of the lands of Kilbradran in the county of Limerick, the estate of the knight of Kerry / J. J. Byrne. Dublin: Forster & Co., 1852.
A view from behind: a man rides a horse that is equipped with two side chairs in which are seated his wife and duaghter
Description:
Title from caption below image., Artist from earlier print of which this is a copy., Questionable date of publication from unverified data in local card catalog record., A copy with a slightly different title of a plate originally published in: Annals of horsemanship ... / communicated by various correspondents to Geoffrey Gambado, Esq. [pseud.] London: Printed for W. Dickinson, 1791., Description based on imperfect impression; text, probably a statement of responsibility, erased from lower left corner of sheet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Five horses with human heads, ridden by jockeys, race for the half-open door of the Treasury (left), across a wide cobbled pavement. The Regent and Lady Hertford with Lord Hertford standing behind holding his Lord Chamberlain's wand, stand on the pavement (left) watching the finish. The winning horse, Liverpool, is a piebald, with an earl's coronet round his neck, and branded 'H'. Next is Wellesley, a marquis's coronet round his neck, ridden by a jockey in oriental dress with a jewelled turban, who looks over his shoulder, saying: "Come Grey push on you'll let Pye Ball win else." Next is Moira, a blue ribbon round his neck representing the Garter granted on 12 June (which he had refused on 28 Feb., see 'Corr. of George IV', i. 29, 34-5), close behind is Grey; last is Grenville. Lady Hertford, as umpire, exclaims: "Bravo Pye Ball you have fairly won." Lord Hertford cries: "Huzza Pye Ball for ever." The Regent turns to a stout John Bull, to say: "Come Johny out with your Cash your favorite has lost you see." John puts out a protesting hand, saying, "No No D--e if I do! I'm off, why its a proper cross and Jostle I d'ont like the Umpire neither." John wears a top-hat and top-boots, his pockets bulge with money-bags, and he holds a cudgel. In the roadway is a cob or pony with the face of Sheridan, branded 'P R', ridden by the stout Yarmouth, from whose pocket projects a paper: 'The Milling Hero a Poem', see No. 11746, &c.; he is too large for his mount, and says: "Softly! Softly! poor Old Sherry, Oh my poor bones are in danger!" The animal kicks, saying: "It's a d--d dirty Job to carry such a -- but as I carried your Master [the Regent] through before you hold fast and I'll take you to the end." In the foreground (right) a man stands full-face, shouting; he holds a tall pole on which is a placard: 'The Treasury Sweepstakes for high-bred Hunters 4 Heats The M-ch-ss of H--s Pyebald Colt Liverpool ------- 1, dr, dr, 1 Iohn Bulls favorite ch. f. Moira -------dr, 2, 1, 3 The Fox Clubs b. f ----Grey ----4, 3, 2, dr The East-India Company's Oriental filly Wellesly 3, 1, 3, 2 The well known Pit [Pitt] bred horse Grenville 2, 4, 4, 4 This match was very hardly contested, the Jockey Club decided that the first heat was unfairly won, and the last it is supposed will be subject to a similar decree; but the P-- R-- to whom the decision of the Club was referrd overruled the first objection. Bets at starting 2 to 1 on Moira; and at the commencement of the third heat 2 to 1 on Moira against the field Same Day The Exchequer plate for Colts half bred The Earl of Liverpool's black Colt Vansittart 1, 3, 3, 1 Marquis of Wellesleys gr C. Grant 3, 1, 2, 3 Earl Moirds ch. G Huchisson 2, 2, 1, 2 This Race like the preceeding one has excited much difference of opinion amongst the members of the Club. N.B A match will be made before the Club breaks up between the R--s old Hack and any Noted Horse that may be chosen to start against him, the Hack will carry double and any bet staked on his winning Mac Sycophant [McMahon] Secty.' Beside this notice are betting men. Three say: "How pye Ball dashes in, he has jockey'd them there he goes!"; "Da--me Johny seems in a Passion"; "Aye he 's [word scored through] Humbugg'd! The other spectators: Why the knowing ones are taken in"; "dish'd by Jupiter" [the Prince], and, "I rather think they are dish'd by Juno, she seems to be umpire." In the background are other spectators, on foot, on horseback, and in a coach."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Plate from: Town talk; or, Living manners, v. 2, page 437.
Publisher:
Pubd. July 1st, 1812, for the proprietors of Town talk
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Hertford, Francis Ingram Seymour, Marquess of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Wellesley, Richard Wellesley, Marquess, 1760-1842, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Great Britain. Treasury
Subject (Topic):
Buildings, John Bull (Symbolic character), Horse racing, Jockeys, Signs (Notices), and Staffs (Sticks)
"A fat woman laden with basket, bottles, bundle, &c. descends steps to the waterside, blown by the wind and beset by five bawling watermen, who point towards their boats. Behind (right), other men hail an approaching passenger. The bows of two Thames wherries are on the left; in one a young waterman stands punting his boat. The watermen wear short full-skirted coats with knee-breeches and have large oval badges on the arm. Part of an old timber building forms a background to the group on the stairs. It has a large placard: 'Wapping Old Stairs'. From a projecting upper floor a man and girl look down, amused, the man smoking a long pipe. In the foreground (right) a chubby fisherman's boy sleeps in a dinghy on a pile of nets. There is a background of ships at anchor, a riverside church flying a flag, and a timber building with a large beam projecting over the water from which hangs a barrel."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Entering upon any of the bridges of London, or any of the passages leading to the Thames, being assailed by a groupe of watermen, holding up their hands and bawling out. Oars Sculls. Sculls. Oars Oars., Sheet trimmed within plate mark., and Temporary local subject terms: Fish nets -- Watermen.
Publisher:
Designd. & pubd. July 14, 1812, by T. Rowlandson, N. 1 James St., Adelphi
"A fat woman laden with basket, bottles, bundle, &c. descends steps to the waterside, blown by the wind and beset by five bawling watermen, who point towards their boats. Behind (right), other men hail an approaching passenger. The bows of two Thames wherries are on the left; in one a young waterman stands punting his boat. The watermen wear short full-skirted coats with knee-breeches and have large oval badges on the arm. Part of an old timber building forms a background to the group on the stairs. It has a large placard: 'Wapping Old Stairs'. From a projecting upper floor a man and girl look down, amused, the man smoking a long pipe. In the foreground (right) a chubby fisherman's boy sleeps in a dinghy on a pile of nets. There is a background of ships at anchor, a riverside church flying a flag, and a timber building with a large beam projecting over the water from which hangs a barrel."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Entering upon any of the bridges of London, or any of the passages leading to the Thames, being assailed by a groupe of watermen, holding up their hands and bawling out. Oars Sculls. Sculls. Oars Oars., Sheet trimmed within plate mark., Temporary local subject terms: Fish nets -- Watermen., 1 print : etching with stipple on wove paper, hand-colored ; sheet 33.9 x 24.8 cm., Sheet trimmed within plate mark on right and left sides., and Mounted on leaf 14 of volume 12 of 14 volumes.
Publisher:
Designd. & pubd. July 14, 1812, by T. Rowlandson, N. 1 James St., Adelphi
Print of Molyneux in a fighting stance, likely during his fight against English champion Tom Cribb of 1810 or 1811
Description:
Thomas "The Moor" Molineaux, although usually called Tom Molineaux (which is sometimes spelled Molyneaux) was an African-American bare-knuckle boxer and former slave. He spent much of his career in Great Britain and Ireland, where he had some notable successes. He arrived in England in 1809 and started his fighting career there in 1810. It was his two fights against Tom Cribb, widely viewed as the Champion of England that brought fame to Molineaux, although he lost both contests. His prizefighting career ended in 1815. After a tour that took him to Scotland and Ireland, he died in Galway, Ireland in 1818, aged 34., Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top and bottom., and Leaf 16 in an album with the spine title: Characatures by Dighton.
Publisher:
Pubd. by Dighton, Spring Gardens
Subject (Name):
Molyneux, Tom, 1784-1818, and Molyneux, Tom, 1784-1818.
Subject (Topic):
African American boxers, Prints, and Boxers (Sports)
A man on horseback rides awkwardly towards the left
Description:
Title from caption below image., Artist from earlier print of which this is a copy., Questionable date of publication from unverified data in local card catalog record., A copy with a slightly different title of a plate originally published in: Annals of horsemanship ... / communicated by various correspondents to Geoffrey Gambado, Esq. [pseud.] ... London: Printed for W. Dickinson ..., 1791., Description based on imperfect impression; text, probably a statement of responsibility, erased from lower left corner of sheet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
