"A sequel to British Museum Satires No. 10518, Gillray's 'Tiddy-Doll'. Napoleon, haggard and desperate, wearing tattered uniform without the former apron and sword, walks in profile to the left, carrying on his head a large tray. On this stand three gingerbread kings, burlesqued and mutilated, with two queens, a detached head (crowned), and (right) a pile of imperial emblems: crowns, mitre, sceptre, eagle, flag, &c. On the left a bonnet rouge hangs from a staff. In the middle stands an imperial eagle with a tricolour flag to which is tied a broom showing that the contents of the tray are for sale. Napoleon says (with grimly closed mouth): "Buy my Image! Here's my nice little Gingerbread Emperor & Kings Retail and for Exportation!" Behind him is a tumbledown thatched hovel; over an aperture where more gingerbread figures are displayed is a board: 'Tiddy-Doll Gingerbread Baker. NB Removed from Paris.' Above fly three of the (carrion) birds associated in these prints with Elba. Napoleon walks towards the sea; across the water (in France) tiny figures dance holding hands round a white flag inscribed 'Vivent les Bourbons' and topped by a fleur-de-lis. Behind them is the gable-end of a rustic inn: 'The Kings Head New Revived'. A fiddler capers on the edge of the cliff, watching Napoleon."--British Museum online catalogue and "One of many satires on Napoleon's banishment, see British Museum Satires No. 12229, &c., and on the fall of the Bonaparte kings, the 'Corsican Kinglings' of British Museum Satires No. 10518. The Kings must be Joseph, Louis, and Jérôme, see British Museum Satires No. 12225, the Queens either their wives or Napoleon's sisters; they symbolize the fall of the dynasty and no precise identification is necessary. The other kings of British Museum Satires No. 10518, those who owed their crowns to Napoleon, are absent; they are now his enemies."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., Sheet trimmed within plate mark., and On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis.
Publisher:
Pubd. April 21st, 1814, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Louis Bonaparte, King of Holland, 1778-1846, and Jérôme Bonaparte, King of Westphalia, 1784-1860
Subject (Topic):
Elba and the Hundred Days, 1814-1815, Military uniforms, French, Baked products, Trays, Kings, Queens, Crowns, Scepters, Miters, Liberty cap, Flags, Brooms & brushes, Birds of prey, Bodies of water, and Cliffs
A collection of theatrical costume drawings from a variety of sources in a variety of mediums on paper and pasteboard, mostly unidentified but some signed: two by Lucien Besche, one by Herbert Norris, one by C.A. Stothard, two by Charles Wilhelm and two idenitified only by the initials T.O., with dates ranging from the last quarter of the 18th century through 1925. Also includes one print of Charles Kean. The 18th century drawings show women's costumes for a variety of unidentified productions in a variety of period dress, including a group of five drawings of classical Roman figures and deities, a drawing for a costume for Lady Macbeth, and Stothard's drawing for Henry V. Later costume drawings include three pen drawings of mid-19th characters, one of whom is in a train carriage, a "Wood Gatherer" costume from London Lyceum Theatre's 1893-1894 production of 'Cinderella' , Bosche's 1892 drawing of a female warrior for "The 40 thieves". Some drawings include notes about the fabric and colors to be used, address of vendors, etc
Description:
For further information, consult library staff.
Subject (Geographic):
Great Britain.
Subject (Name):
Garrick, David, 1717-1779. and Kean, Edmund, 1787-1833
Subject (Topic):
Costume design, Actors, English, and Costume design drawings
"Two men (half length), one full-face, fat and jolly, wearing a night-cap, and holding his sides with laughter; the other (right), behind, in profile to the right, lean and sour, looking down at his folded hands."--British Museum online catalogue
Alternative Title:
Contrasted sketches of mirth and ennui
Description:
Title from caption below image. and Sheet trimmed within plate mark.
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate numbered "317" in upper right corner., and Watermark: Edmeads & Co.
Publisher:
Pubd. March 1, 1814 by Tho. Tegg No. 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see British Museum Satires No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "317" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12404 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "261" in upper right., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 176-7., Watermark: 1817., and Leaf 85 in volume 4.
"A bedroom scene. Joanna Southcott sits in an arm-chair, attended by three women and four doctors. Between her legs is a large tub inscribed 'Living Water', into which water gushes from a tap projecting from under her petticoats. She leans back with extended arms, exclaiming: "Shiloh! let not this groupe dismay thee | Come forth into the World I pray thee!" One doctor, Reece, superintends the flow of water, kneeling in profile to the left on a large volume: '[R]eec's Medical Guide'. In his pocket is a paper: 'Account of Wonderful Pregnancies'. Behind him a second doctor sniffs at a tumbler of water, saying, "This is a very pretty rig! | Nothing but water d .... n my Wig!" Two others talk together on the right, one peers through a microscope into a goblet; the other asks: "What do you see in the water, Doctor!" He answers: "Bubbles Doctr "the earth hath bubbles, as the water hath ['Macbeth' I. iii]". I said it was all my eye." Behind him, on the chimney-piece, are a medicine-bottle and the bust of a lank-haired man wearing clerical bands. Three women stand behind Joanna's chair and in front of the curtains of a bed. One (left) holds out a lace cap, saying, "Doctor here is Shiloh's cap! bless me! why he has got a watery head! The next says: "Pray Doctr take care of the cawl if there is one." The third, offering a steaming bowl, says: "Come my blessed Lady sip some of this heavenly caudle I have made you." In the foreground (left), Tozer, dressed as an artisan, sits on a three-legged stool, corking up bottles of water. He is identified by a paper hanging from his pocket: 'Tozer Preacher to the Virgin Johanna'. In front of him are a basket of corks and a paper: 'Sermon on the Birth of Shiloh', Corked bottles are on the left, uncorked ones on the right."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to on right edge., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 8 (November 1814), before page 321., and Temporary local Medical Library subject terms: Anecdotes -- Religious mania.
Publisher:
Pubd. Novr. 1st, 1814, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
Southcott, Joanna, 1750-1814, Reece, Richard, 1775-1831, and Tozer, William, approximately 1770-1828
"Portrait of John Stuart, 3rd Earl of Bute, half-length, directed to front, with head tilted to left, looking towards the viewer; wearing wig, peer's ermine robe with chain, and neckerchief; in an oval, bordered by line, surmounted by five-petalled flowers, with tablet below behind; below, allegorical image, showing three female figures on a platform in a tent, and a fourth seated at left, holding a cornucopia; ship at sea in background at left; illustration to Thornton's 'A New Illustration of the Sexual System of Carolus von Linnaeus' (1805); from a drawing by Uwins, after Ramsay."--British Museum online catalogue
Description:
Two images, each separately titled below., Below image of the Earl of Bute is the allegorical representation of sitter's life's work. Statement of responsibility from second image., and Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text.
Plate 1: The body-less figure of Mr. Nobody steps out of a circle or letter "O".
Description:
Title from text above image., Place and date of publication extrapolated from book; see British Museum catalogue., One of 14 plates from: Something concerning nobody / edited by Somebody. London : R. Scholey, 1814., Sheet trimmed within plate mark., and Plate "No. 1".
"In the foreground is the riverside in Southwark, with spectators, and a vendor of 'A hot Mutton Pie or an Apple Pie'; a gangway placarded 'The New City Road' leads from the pavement to ice. In the background is a detailed view of riverside buildings, the north ends of Blackfriars Bridge (left) and London Bridge (right), St. Paul's, many spires, and the Monument (right). Letters on the print refer to a key in the lower margin. Tents are dotted over the ice, with a group of three in the centre of the design: 'The City of Moscow' has two other placards, 'Barclays Intire' and 'Good Gin Rum &c.' It flies a Russian flag and on its summit is the effigy of a man. Behind this is the 'Lord Wellington for Ever', with a Union flag, and on the left the 'Orange Boven' [see No. 12102] with 'Good Ale Porter & Gin'; it flies the striped flag of the Stadtholder. In front of this people are dancing while a fiddler plays ('H, Dancing and Fidling'). Behind these tents there is a curving line of spectators and pedestrians along the stream of the river, inscribed 'I, The main walk'. At intervals along it are various attractions: 'B, Copperplate Printing' (the press is being worked), 'The Wiskey Shop' (a small booth), a printing-press with a placard 'Frost Fair Printing Office' ('A, Letterpress Printing'), and, farther on, another press: 'Thames Printing Office' (also marked 'A'). Other incidents are skittles (two games, 'F, playing at Skittles'); 'G, Throwing at Gingerbread', with sticks, the slabs being placed on upright sticks. Two boat-shaped swings, one placarded 'High Flyer' ('E, Swinging'); two 'Ballad Singers' ('D'), a man and woman; the carcase of a sheep, hanging from a gibbet-like erection ('C, A Sheep to be roasted'). In the distance a barber shaves a man who is seated in the open ('K, Shaveall at work')."--British Museum online catalogue
Description:
Title etched below image., "Printed on the River Thames February 4th, in the 54 year of the reign of King George the 3d, Anno Domini 1814."--Below image., Text below image, in lower left corner: Copy of a verse printed on the Thames - Amidst the arts which on the Thames appear, to tell the wonders of this icy year, printing claims prior place which at one view, erects a monument of that and you., and Sheet trimmed within plate mark.
Publisher:
Published Feby. 14, 1814, by G. Thompson, No. 43 Long Lane, West Smithfield
Subject (Geographic):
London (England), England, and London.
Subject (Topic):
Social life and customs, Fairs, Cityscapes, Tents, Street vendors, and Winter
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowded scene, broadly caricatured, on the frozen Thames just above London Bridge, which forms a background, with coaches passing and spectators looking down. In the foreground (right) a jovial waterman straddles behind his ninepins at which an artisan is about to throw. Men and women drink and fight in an open tent inscribed 'Shannon', where a large pot cooks on a brazier. A man's wooden leg plunges through the ice; a fat woman falls on her back on breaking ice, dragging down a man by his pigtail and terrifying and tripping up a fiddler and a raffish man in a furred and braided overcoat with a flamboyant top-hat. Customers (left) buy souvenirs from a printer who inks a block: behind is a press placarded 'The Thames Printing Office--Copper Plate printg done in the Best Style by J water-- Wagtail & Co.' There are two makeshift tents on the left: one placarded 'Gin and Gingerbread Sold here Wholesale'; the other: 'The Nelson'. In the middle distance revellers drink or dance, and a woman at a stall cries "Here's my smoking Hot sasengers a penney a peic"."--British Museum online catalogue
Alternative Title:
Gambols on the River Thames : February 1814
Description:
Title etched below image., Plate numbered "312" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., and Temporary local subject terms: Coaches -- Printer -- Wooden leg -- Ninepines -- Frost fair -- London Bridge.
Publisher:
Pubd. Feby. 1814 by T. Tegg, 111 Cheapside, London
