"View of the Jubilee Fair in Hyde Park; in foreground to left a small stage erected with a band playing and jesters performing, a small crowd stands in front, a few tents in central foreground with signs such as "Duke of Wellington Whitbreads Intire", and on a lamp "Dancing and Singing Here"; beyond a crowd stands by river bank watching a sham sea fight, many sailing ships on water with smoke billowing from the scene, on the opposite river bank the fair continues."--British Museum online catalogue
Description:
Title etched above image., Text below image: This fair and naumachy or sham sea fight in Hyde Park was in honour of peace. This jubilee on Augt. 1, 1814, was to celebrate the return of peace and the centenary of the reign of the illustrious House of Brunswick and to commemorate the glorious Battle of the Nile., With lettered key (from A to D) etched on either side of text below image: A. The Naumachy, representing the Battle of the Nile. B. The Serpentine River. C. The fair, which lasted upwards of a week. D. The fireworks in Kensignton Gardens let off at eleven at night., Sheet trimmed within plate mark., and Print glazed; removed from contemporary frame (53 x 62 cm) which is stored separately.
Publisher:
Published Sept. 10, 1814, by J. Pitts, No. 14 Great St. Andrew Street, Seven Dials
Subject (Geographic):
Hyde Park (London, England), England, and London
Subject (Topic):
Festivals, Buildings, Temporary, Parks, Banners, Crowds, Eating & drinking, Fairs, Fireworks, Fools & jesters, Historical reenactments, Musicians, and Show tents
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A confused scene. A beadle, cane in hand, grasps the side of an overturned barrow, from which a basket, scales, and black puddings (coloured green) have fallen. A powerful young woman grasps his nose, and prepares to use her fist; an older woman clutches his back and belabours him with a basket. Both are shrieking termagants with bare breasts. A dog between the beadle's legs barks. The spectators, all close to the fray, are amused: a butcher, shouldering a tray of meat, stands outside his stall (left), which is immediately behind the combatants; from it dangle large joints and a carcase. A woman passes, pushing a barrow (left). A man's grinning face watches from the right. Behind (right) is a shop placarded 'Bob Giblet Poulterer', its ancient front hidden by bunches of hares and turkeys."--British Museum online catalogue, description of an earlier state
Alternative Title:
Barrow women basting a beadle
Description:
Title etched below image., Later state; former plate number "310" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pub. Feb. 10th, 1814, by T. Tegg, 111 Cheapside. Cf. No. 12401 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "283" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 274-6., Temporary local subject terms: Butcher -- Poulterer -- Beadle., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35 x 24.8 cm, on sheet 41.8 x 25.6 cm., and Leaf 92 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A confused scene. A beadle, cane in hand, grasps the side of an overturned barrow, from which a basket, scales, and black puddings (coloured green) have fallen. A powerful young woman grasps his nose, and prepares to use her fist; an older woman clutches his back and belabours him with a basket. Both are shrieking termagants with bare breasts. A dog between the beadle's legs barks. The spectators, all close to the fray, are amused: a butcher, shouldering a tray of meat, stands outside his stall (left), which is immediately behind the combatants; from it dangle large joints and a carcase. A woman passes, pushing a barrow (left). A man's grinning face watches from the right. Behind (right) is a shop placarded 'Bob Giblet Poulterer', its ancient front hidden by bunches of hares and turkeys."--British Museum online catalogue, description of an earlier state
Alternative Title:
Barrow women basting a beadle
Description:
Title etched below image., Later state; former plate number "310" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pub. Feb. 10th, 1814, by T. Tegg, 111 Cheapside. Cf. No. 12401 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "283" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 274-6., and Temporary local subject terms: Butcher -- Poulterer -- Beadle.
"Lady Perceval sits at an ornate writing-table, pen in hand. A serpent issues from her breast, coils round her arm, and darts its fang at the tip of her pen. She frowns meditatively, saying, "Now then for something strong but not libellous, I hate half measures we must rush upon the enemy--suprise [sic], astound him--and unhorse him by Terror--John Bull have at you! I'll open your eyes--." The table is littered with papers and books; some are docketed: 'For the Star', 'To the Editor of the Star', 'For the News', 'Extracts from the Book', one is 'Copy', a book is 'Politicks', and a large paper is displayed: 'Select Scraps from Shakespeare--with my own comments "Some achieve greatness "some have greatness thrust upon them .... Querie was this not the case with Nunky [Spencer Perceval], why not happen .... Son--.' Other papers and books lie on the floor: newspapers are 'The News' and 'The Star', a paper is headed 'Memorandums Billy Austin [see British Museum Satires No. 12027]--the Will--' Books are 'Life of Lord Nelson', 'A very Woman by Massinger', 'Machiavael', 'Johnson', 'Indiscretion a Novel', 'Don Quixote'. On the left John Mitford, identified by a letter in his coat-pocket 'To John Mit--', stands facing the wall, and hanging one picture over another: he places a view of a country inn, 'The Tigers Head' above one of '[War]burton's Mad House', saying, "Come this is a prettier picture than the other [left] shall catch some fish in this neighbourhood." He is fashionably dressed, wearing Hessian boots. This picture is on the left of a row: a large picture of 'Alecto' (cf. British Museum Satires No. 7721), naked, wreathed in serpents, and brandishing scourge and fire-brand, with a background of flames hangs between three-quarter length portraits of 'Lady Douglas' and 'Lady A Hamilton'. The former covers her face with a tragic gesture; a dagger lies on a table beside her, she seems to contemplate suicide. The latter clasps her hands. Over the chimneypiece (right) is a three-quarter length portrait of 'Lord P . . . . val' concealing his face with his hat; below, and partly hiding the frame, is a statuette of a knight killing a dragon. On the chimney-piece there is also a bottle labelled 'Cephalic' (for diseases of the head). Papers are burning in the grate, one inscribed 'To[o] Libellous'."--British Museum online catalogue
Alternative Title:
Lady Paragraph championizing
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Text following title: - vide Letters., Imperfect; sheet trimmed within plate mark with loss of text following title. Missing text supplied from impression in the British Museum., Temporary local subject terms: Pictures amplify subject., Watermark: C. Ansell 1807., and Formerly mounted with remnants on verso.
Publisher:
Pubd. March 4th, 1814, by S.W. Fores, No. 50 Piccadilly
Title from caption below image., Date of publication from British Museum catalogue., Variant lacking plate number. Cf. No. 12388 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Sheet trimmed within plate mark.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Elba is represented by a flat-topped rock emerging from the sea only a little above the waves. Napoleon, much burlesqued, sits on a huge chamber-pot inscribed 'Imperial Throne'. He is ragged and bare-legged but wears a large (damaged) feathered bicorne; under his arm is a clyster-pipe. He turns his head in profile towards a demon rising from the sea (left) who holds out a large pistol, saying, "If! you have one Spark of Courage left! take this." Napoleon answers: "Perhaps I may if you'll take the flint out." The demon is nude and emaciated, with a spiky backbone; flame issues from his mouth. Behind Napoleon is the trunk of a decayed tree; on a branch hang (right) a (torn) pair of breeches and two tattered stockings. On the trunk, above Napoleon's head, a crow is spreadeagled to represent the imperial eagle; from its splayed legs hangs a gorget inscribed 'Imperiel Crow'. On the ground by Napoleon's throne are a large jar of 'Brimstone', an open book: 'A Triti [sic]--on the Itch! by Doctor Scratch', a small-tooth comb, a pipkin, and three medicine-bottles. On the right is a cannon made out of a jack-boot as in British Museum Satires No. 12255, and mounted on a gun-carriage. A pole topped by a turnip and two carrots has a little wooden sword tied to it, in imitation of a trophy. At its base lies a syringe."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "331" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 32 in volume 5.
Publisher:
Pubd. May 12th, 1814, by Thos. Tegg, No. 111 Cheapside
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "316" in upper right corner., and Temporary local Medical Library subject terms: Proprietary medicines -- Macassar Oil -- Rowland's Oil.
Publisher:
Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An obese, elderly man, completely bald, sits in an arm-chair while a shopman pours oil from a bottle (straw-covered like a Chianti flask) on to his scalp, pressing down his head with the left hand. At his feet is a basin to receive the overflow. On the ground is a tall 'Fools Cap', with ears. Behind them stands a woman with a shock of red hair standing on end; she looks in horror at its reflection in a wall-mirror (right). On the wall above her head is a placard: 'Wonderful Discovery Carrotty or Grey Whiskers Changed to Black Brown or Blue--' High on the wall are shelves where bottles of the oil are closely ranged, one inscribed 'Wig Oil One Guinea Pr Bottle'. Behind the shopman (left) stands a big Ali Baba jar. Across the wall is a large placard inscribed: 'Macassar Oil, for the Growth of Hair is the finest invention ever known for encreasing hair on bald Places, Its virtues are pre-eminent for improving and beautifying the Hair of Ladies and Gentlemen--This invaluable Oil recommended on the basis of truth and experience is sold at One Guinea Pr Bottle by all the Perfumers and Medicine Venders in the Kingdom'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "316" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 15th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12405 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate numbered "265" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., Temporary local subject terms: Macassar oil., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.7 cm, on sheet 41.8 x 25.6 cm., and Leaf 87 in volume 4.
