"View looking across the front of St Paul's School and the east side of St Paul's Churchyard; two men working on the road in foreground to left."--British Museum online catalogue
Alternative Title:
Saint Paul's School
Description:
Title from caption below image. and Plate from: The history of the colleges of Winchester, Eton, and Westminster : with the Charter-House, the schools of St. Paul's ... London : Printed for and published by R. Ackermann ..., [1816].
Publisher:
Pubd. Decr. 1, 1816, at 101 Strand, for R. Ackermann's History of St. Paul's School
Vansittart and Castlereagh, as surgeons, bleeding coins from the arms of John Bull. The coins are collected by Prince Leopold, Princess Charlotte, a tiny McMahon, a Chinese mandarin, and the gouty Regent. Brougham, stands on the left, pointing finger at John Bull, saying, "Retrench! Johnny, Retrench! practise [sic] a little more Economy." and "John Bull sits foursquare in an arm-chair, between two surgeons, his arms extended horizontally and supported by the vertical poles which he clutches; these are spirally striped, like the barber's pole, and are such as were used by practisers of phlebotomy. The one in his right hand is inscribed 'Additional Military Staff to support the Peace'; the other: 'Wellington's Staff'. The surgeon on the left is Vansittart, in his Chancellor of the Exchequer's gown, triumphantly holding up his lancet as guineas spout from the incision in John's right arm. The coin is collected by Prince Leopold in a warming-pan inscribed '60,000 per Ann'. [see British Museum Satires No. 12754] and by Princess Charlotte, who holds out a large receptacle inscribed 'For Wedding Garm[ents] Diamond Trinkets & Baubles'. She looks sideways at the warming-pan; her very décolletée dress has a train, and she wears a small crown or coronet. His military tunic is covered with stars, and he stares intently at the golden shower. Castlereagh, with a cynical smile, operates on the left arm. A tiny McMahon swarms up the pole and holds out his 'Privy Purse', see British Museum Satires No. 11874, to catch a trickle from the wound. The main shower of guineas falls into the enormous jaws of a squatting and grotesque Chinese mandarin (see British Museum Satires No. 12749) whose obese body, in the form of a large bag, is inscribed 'To pay off Arrears of the Civil List'. Over this bag, the biggest of the receptacles depicted, the gouty Regent stoops forward, supported on crutches, his head turned to the left, staring with apprehensive malevolence at Brougham who stands on the extreme left, not caricatured. John Bull, a stout 'cit', wears patched and ragged waistcoat and breeches. His empty pockets are inside out. He registers alarm, and exclaims: "Pray good folks have a little mercy & spare the Vital stream which sustains me!-- Consider what Oceans I have spilt in the late Wars!--I am too much exhausted to Bleed as freely as formerly--You have Open'd so many veins & drain'd me so incessantly that I fear my Constitution is impair'd for ever! My Friends, say that I am Declining fast & will certainly Die of a Galloping Consumption!!!" Two hussars with drawn sabres stand on guard behind his chair, watching the operation with pleased surprise. Behind them, the middle distance and background are filled with soldiers standing at attention with drawn sabres or fixed bayonets, wearing braided tunics and high hussar caps. They have British flags, faintly indicated, one being a Union flag, another the Royal Standard, and a fringed banner inscribed 'Standing Army For the Peace Establishment'. On the right, behind the Regent, the Tsar walks off to the right, looking over his shoulder with a pleased smile; he carries a sack across his shoulder inscribed 'Subsidies Russia'. With him, but less conspicuous, are Francis I and Frederick William; each carries a basket on his head heaped with coins, one 'Subsidies For Austria', the other 'Subsidies for Prussia'. All three wear uniform. Brougham, who wears a long loose coat, with trousers, and holds a top-hat, stands in profile to the right, his right arm extended with admonitory finger pointing at John Bull. He says: "Retrench! Johnny, Retrench!--practise a little more Economy in your present Wretched State, or you'll never Recover!--you have too many Physicians & their constant Employment is very Expensive they will not leave you till they have the last Shilling!--Kick out the Doctors & a fig for the Disease!!" At his feet and in the foreground is a neat box inscribed '37 Styptics [see British Museum Satires No. 12750, &c.] for Curing John Bull's Dreadful Disorder by Brougham & C°.' Near it are the fragments of a broken tub inscribed: 'Property Tax receiver rendered useless by the "ignorant impatience" of John Bull.' In front of John are a jar of 'Leeches' and a book: 'The Red Book or or [sic] a list of Persons Holding Sinecures'. Three tubs heaped with coin stand on the right, each progressively larger in size, inscribed: [1] 'Regency Presents & Yearly Allowance to Bonaparte & the Govenors [sic] Establist at St Helena'; [2] 'To Support the Allied Army in France'; [3] 'Extra Allowance for Commissrs of Dockyards & other fresh-water Agents of the Navy who will on the Peace Establishment of 1816 greatly exceed in expence the War Estabt of 1804 when the British Navy with 140,000 seamen Covered the Ocean.'"--British Museum online catalogue
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by F. Sidebotham, 96 Strand
Subject (Geographic):
England
Subject (Name):
Vansittart, Nicholas, 1766-1851, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, Charlotte Augusta, Princess of Great Britain, 1796-1817, McMahon, John, approximately 1754-1817, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Wellington, Arthur Wellesley, Duke of, 1769-1852., Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
John Bull (Symbolic character), Phlebotomy, Gout, Taxes, and Military personnel
Bennett, W. J. (William James), 1787-1844, printmaker
Published / Created:
[1 February 1816]
Call Number:
Topos L847 no. 43+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image. and Plate from: The history of the royal residences of Windsor castle, St. James's palace ... / By W. H. Pyne. ... London: Printed for A. Dry, 1819.
"Evidently by an amateur. The names of the four Russians who advance from the right in profile are etched below the design. A hugely broad and fat don at the head of a procession of senior, and very ugly, members of the University takes with his left hand the left hand of the 'Duchess of Oldenburgh' who is straight and thin, her head entirely concealed in a huge 'Oldenburgh bonnet', and wearing long hanging sleeves resembling those of the dons' gowns. Behind him (left) is a don holding a (?) Bible. The duchess is followed by two hideous old women, broad and squat, 'Mesds Aladensky & Volochousky' [? the wife of Prince Nikita Volkonsky, A.D.C. to the Tsar]. Behind them walks 'Prince Gagarin', hat in hand, very broad and tall, and heavily whiskered. In the middle distance is a crowd of slim undergraduates, some of whom throw their caps into the air, with a few ladies. Behind is the dome of the Radcliffe Camera with the towers and spires of Oxford."--British Museum online catalogue
Description:
Title from caption below image., Temporary local subject terms: Ekaterina Pavlovna of Russia (Duchess of Oldenburg)., and Watermark: T.H. Monds 1823.
Publisher:
publisher not identified
Subject (Name):
Wolkonsky, Zenaide, 1781-1862. and Gagarin, Nichola, 1784-1842.
"Holiday-making 'cits' drive, ride, and walk (right to left) on a dusty road, in the direction of a sign-post (right) pointing 'To Wimbledon' (left); the opposite arm points (right) to: 'a near Cut to Batter sea'. [An allusion to the retort to a simpleton: 'You must go to Battersea to get your simples cut.' E. C. Brewer, 'Dict, of Phrase and Fable'. Cf. No. 12831.] On the extreme left is the back of a coach, with outside passengers, one with a huge frothing tankard. A fat man trudges between two women, followed by a bloated dog. A 'cit' on a bucking horse follows. Next is a family party: a fat woman carrying an infant, her lean husband holding a bag and a telescope, and dragging a go-cart in which sit four young children, while a chimney-sweep stands on the back of the cart, followed by another hanging to his coat; a child angrily threatens them with a coral and bells. Two meretricious-looking women walk arm-in-arm, closely followed and ogled by two absurd men in extravagant dandy costume, also arm-in-arm. These have enormous bell-trousers as in No. 12840. Driving beside these two groups is John Bull with his wife and four children in a two-wheeled cart drawn by a lean horse, flogged into a gallop. The cart is inscribed 'J.B Tax Cart N° 1816'. Behind him a would-be dandy drives a lady in a gig. In the background is the front of the procession which has turned to the right on to open common, where are tents, a swing, with a large bonfire to which men are dragging a whole tree, just cut down."--British Museum online catalogue
Alternative Title:
Waterloo review!!!!!!
Description:
Title from caption below image., Temporary local subject terms: Cits -- Crowds -- Families -- Fires -- Tents -- Carriages -- Dustmen., and Watermark: 1801.
"One of designs in lines and dots, attributed to G. Cruikshank (British Museum Satires Nos. 12955-12958). Tiny figures, composed of lines, one each for trunk and limbs, with small dots for head, hands, and feet, are generally in violent action. Women are denoted by petticoats. Animals and accessories are as a rule more realistically drawn. A sequence of six designs in two rows, divided by intersecting lines, each with a caption, a number showing the cockney's age, and inscription. 'Fishing at 16 for Turbot, & Salmon, in the New River Islington'. He sits on the bank, his line hanging vertically. A sign-post points (left) 'To Sadlers Wells'; behind, St. Paul's dominates houses and spires. Cf. No. 8939. 'Spouting 18 Performing the Part of Romeo before the Cook & Errand Boy in the Kitchen'. He rants to a fat cook and boy. 'Shooting 20 In practising Sparrow Shooting at Hornsey Wounds a Young Porker'. He fires point-blank at a pig beside a cottage; birds fly off. St. Paul's is in the background. 'Hunting 22 at the Easter Hunt, getting on at a Good rate, ....... not at all behind!' His horse leaps a low fence, he flies over its head, not far from the stag. Cf. No. 10813. 'Sporting 30 In Attempting to kill Game Shoots his Faithful Pompey'. He fires at his dog, which rolls on its back, birds fly off. 'Stuffing 40 At a Civic Feast very lucky indeed! hits the Mark every time'. He carves a plum-pudding, a waiter behind his chair holds two bottles. Two other guests are depicted."--British Museum online catalogue
Alternative Title:
Cockney's amusements and sports
Description:
Title etched above image., Attributed to George Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Smith & Allnutt 1816.
Publisher:
Published according to act by Fores, Sackville Str. Piccadilly
Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Oriental pipes -- Costume: male, Chinese -- Flags: Union Jack -- Swords -- Costume: female, 1816 -- Mandarins -- Bloomfield, Benjamin Bloomfield, 1st Baron, 1768-1846 -- Queen Charlotte's snuffboxes., Watermark: W[?]SS, and Manuscript "189" in upper center of plate.
Publisher:
Pubd. by J. Sidebotham No. 96 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Amherst of Arracan, William Pitt Amherst, Earl, 1773-1857, Hertford, Isabella Anne (Ingream Shepheard), Marchioness of, fl. 1813, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822,, Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Eldon, John Scott, Earl of, 1751-1838, Ellenborough, Edward Law, Baron, 1750-1818, Sligo, Howe Peter Browne, Marquess of, 1788-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Charlotte, consort of George III, King of Great Britain, 1744-1818, and McMahon, John
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Father of the fameily takeing his eldest boy from school and Father of the family taking his eldest boy from school
Description:
Title etched below image., Questionable attribution to John Cawse from unverified data in local card catalog record., Publisher and date of publication from unverified data in local card catalog record., Plate numbered "365" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Crowns -- Devils -- Satan., Watermark: Basted Mill 1817., and Leaf 95 in volume 5.
"In a room at the Pavilion Prince Leopold is introduced to Princess Charlotte, a bashful girl holding a skipping-rope in her gloved hands. She is pushed forward by Queen Charlotte (right), lean, ugly, and wearing court dress with a tiara. The Queen holds a large snuff-box inscribed 'Strasbo[urg]' (see British Museum Satires No. 12066) and says: "Go along Scape grace speak kindly to him." The Regent in the doorway on the extreme left propels the prince forward with the end of a crutch, using the other as a support to his gouty left leg. He says: "Courage Man! don't be bashfull!" A garter inscribed 'Honi soit' holds up the bulky covering of his gouty leg. Prince Leopold wears a braided and fur-bordered hussar tunic with tight pantaloons and spurred Hessian boots. His left hand is on the hilt of a large sabre, and he holds his heavily plumed and tasselled shako before his face. He says: "Madam I have no money, but I'm of the right breed, true German, an blood Royal." The Princess answers: "I had rather you was English! but a German husband is better than none." Both stand with flexed knees and lowered eyes. Behind Princess Charlotte is a much-festooned window looking on to the sea. Dragons dominate the decorations of the room, and, as in British Museum Satires No. 12754, the Regent's crutches. They support the curtains, a window-seat, and a console-table (right) where a large china mandarin sits with his back reflected in a wall-mirror; below it is a large Chinese jar. Bells dangle from the curtain draperies."--British Museum online catalogue
Alternative Title:
Miss out of her teens
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1816 by Johnston, Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, and Royal Pavilion (Brighton, England),
Subject (Topic):
Gout, Interiors, Princesses, Jump ropes, Snuff, Crutches, Doors & doorways, Draperies, and Windows
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a thieves' kitchen or cellar into which a steep flight of steps (left) descends. All the inmates have seen Matthew Wood, the Mayor, followed by constables, coming quietly down the stairs except for a sleeping woman and a watchman seated with his back to the stairs and holding up a glass of gin. He says, with a grin, to a terrified woman who falls over backwards, kicking his hand: "You had like'd to have kick'd the Blue Ruin [gin, generally bad gin, from c. 1810; Partridge, 'Slang Dict'., 1938] out of my hand, come let's have our Old toast! Industrious Thieves, and Idle Magistrates." The woman screams: "Oh the Night Mare!! we're ruind by the Lord." A man wearing top-boots crouches behind her chair, trying to hide his plunder, a watch, seals, &c., under his hat. He says: "We are dish'd Bet by G-- if I escape I'll live honestly as long as this chaps in Office --for he'l ruin the Consarn!" Two men and a woman try to escape through a door: she says: "D-- his Eyes when does he sleep!!" The watchman wears a helmet-like hood, a long coat with his rattle thrust through the belt, his staff and (smoking) lantern lie on the floor. Wood is handsome and fashionably dressed in a long frogged overcoat. He says to the constables: "Here's a pretty fellow for a Guardian of the Night--Blue Ruin shall bring him to the Black hole!"."--British Museum online catalogue
Alternative Title:
Night mare, or, Magistratical vigilance, Nightmare, or, Magistratical vigilance, and Magistratical vigilance
Description:
Title etched below image; the letters "re" in "mare" are scored through and "yor" is etched above., Printmaker and date of publication from British Museum catalogue., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Three lines of text following title: "Seest thou a man diligent in his business? He shall stand before kings. Prov. xxii. 29. If you enquire not attentively and diligently, you shall never be able to discern a number of mechanical motions - Bacon., Plate numbered "198" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 52 in volume 3.
