Title from caption below image., Date of publication based on street addresses of publisher and lithographic printer., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by C. Tilt, Fleet Stt and G.E. Madeley, lithog., 3 Wellington Stt., Strand
Title from caption below image., Date of publication from unverified data from local card catalog record and watermark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Design in an irregular oval border to which four scrolls are attached: ‘To the Work House, To the Mad-House, To the Gaol, The Gibbet'. The shop is ornate and pilastered, lit by a double gas chandelier. The customers, dregs of the town, stand at the counter, within the toothed circle of a huge man-trap on the floor. A drunken man in the remnants of fashionable clothes, takes a glass from the barmaid (right). She is outwardly comely, but her fashionable dress, a smiling mask, and gloves, conceal a skeleton, revealed by a skull which grins from her shoulder, and the bones of a foot and ankle. Beside her is a book: ‘Open Gin Shop The Way to Wealth'. An old hag drinks, another gives gin to an infant in her arms; a little girl drains a glass, and a tiny child clamours at the counter. On the counter stands a small cask on which sits a skeleton: Bacchus with bottle and glass. On the left stands Death (who has set the trap), a skeleton dressed as a London watchman; he holds up an hour-glass in place of lantern; he holds a javelin which points ominously to a trap-door in the boards at his feet. He says: ‘I shall have them all dead drunk presently! They have nearly had their last glass'. On the extreme right behind the barmaid is a doorway framing a ring of little demons dancing round a spirit-still; a skull grins from the transparent retort; below the floor is a dark space: ‘Spirit Vaults'. The casks in the shop are coffins. A huge one is ‘Old Tom' [gin, especially if good and strong]. The others are ‘Deady's Cordial' [Deady was a well-known distiller], ‘Kill Devil' [rum, especially if new], ‘Blue Ruin' [bad gin], ‘Gin & Bitters'. On the wall are two placards: [1] a playbill, ‘Drury Lane Theatre, Road to Ruin [cf. British Museum Satires No. 8073] --Life in London [cf. British Museum Satires No. 14320], Devil to Pay' [cf. British Museum Satires No. 7908]; [2] ‘Wanted a few Members to complete A Burial Society'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse below title: "Now oh dear, how shocking the thought is, They makes the gin from aquafortis; They do it on purpose folks lives to shorten, And tickets it up at two-pence a quartern". New Ballad., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, pages 239-240., Temporary local Medical Library subject terms: Drunkeness -- Children and Childcare, and 1 print : etching, hand-colored ; sheet 27.5 x 36.7 cm.
Publisher:
George Cruikshank
Subject (Topic):
Alcoholism, Death (Personification), Alcoholic beverages, Gin, Intoxication, Children, Demons, Stills (Distilleries), and Coffins
"Design in an irregular oval border to which four scrolls are attached: ‘To the Work House, To the Mad-House, To the Gaol, The Gibbet'. The shop is ornate and pilastered, lit by a double gas chandelier. The customers, dregs of the town, stand at the counter, within the toothed circle of a huge man-trap on the floor. A drunken man in the remnants of fashionable clothes, takes a glass from the barmaid (right). She is outwardly comely, but her fashionable dress, a smiling mask, and gloves, conceal a skeleton, revealed by a skull which grins from her shoulder, and the bones of a foot and ankle. Beside her is a book: ‘Open Gin Shop The Way to Wealth'. An old hag drinks, another gives gin to an infant in her arms; a little girl drains a glass, and a tiny child clamours at the counter. On the counter stands a small cask on which sits a skeleton: Bacchus with bottle and glass. On the left stands Death (who has set the trap), a skeleton dressed as a London watchman; he holds up an hour-glass in place of lantern; he holds a javelin which points ominously to a trap-door in the boards at his feet. He says: ‘I shall have them all dead drunk presently! They have nearly had their last glass'. On the extreme right behind the barmaid is a doorway framing a ring of little demons dancing round a spirit-still; a skull grins from the transparent retort; below the floor is a dark space: ‘Spirit Vaults'. The casks in the shop are coffins. A huge one is ‘Old Tom' [gin, especially if good and strong]. The others are ‘Deady's Cordial' [Deady was a well-known distiller], ‘Kill Devil' [rum, especially if new], ‘Blue Ruin' [bad gin], ‘Gin & Bitters'. On the wall are two placards: [1] a playbill, ‘Drury Lane Theatre, Road to Ruin [cf. British Museum Satires No. 8073] --Life in London [cf. British Museum Satires No. 14320], Devil to Pay' [cf. British Museum Satires No. 7908]; [2] ‘Wanted a few Members to complete A Burial Society'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse below title: "Now oh dear, how shocking the thought is, They makes the gin from aquafortis; They do it on purpose folks lives to shorten, And tickets it up at two-pence a quartern". New Ballad., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, pages 239-240., and Temporary local Medical Library subject terms: Drunkeness -- Children and Childcare
Publisher:
George Cruikshank
Subject (Topic):
Alcoholism, Death (Personification), Alcoholic beverages, Gin, Intoxication, Children, Demons, Stills (Distilleries), and Coffins
Title from text above image., Imprint partially burnished from plate but legible; originally published by Thos. McLean, 26 Haymarket, 1829., Three lines of text below image: This is the female of the species, which by a particular action of the body illumines itself ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms.
Title from caption below image., Imprint continues: ... sole publisher of W. Heaths etching., and Text below title: Still ye have predilection for the serpent.
Title from caption below image., Date of publication based on street addresses of publisher and printer., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1827.
Publisher:
Pubd. by C. Tilt, Fleet Street and Printed by G.E. Madeley, Wellington St.
"Lady Conyngham stands directed to the left, feet apart, dressed as in British Museum satires no. 15720; she amusingly combines the ultra-feminine with masculine attributes and stance. She is immensely fat and wide with small cherubic features and curls; under her left arm is a cocked blunderbuss. She wears a wide-brimmed hat, a neckcloth fastened with a jewelled crown, a coach-guard's greatcoat, wide open over her tight-waisted dress. A pouch hangs from her shoulder and two coach-horns from her left arm. Above her head: 'I says to our Governor says I--keep your eye on them ere Leaders George'; i.e. on Lyndhurst and Scarlett, see British Museum satires nos. 15720, 15850. Cf. British Museum satires no. 15716."--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., and Publisher's advertisement below imprint: Caricatuer [sic] daily pub.
Publisher:
Pub. April 28, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Scarlett, James, Sir, 1769-1844.
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[1829]
Call Number:
829.00.00.114+
Image Count:
1
Resource Type:
still image
Abstract:
"George IV, dressed as a sportsman, in a broad-brimmed hat, jacket with many pockets, and gaiters above the knee, walks in Windsor Park beside a deer with a woman's head and wearing a collar inscribed 'Chester'. He puts his arm round her neck, and says, staring at her amorously, '"I'll build you my Dear [altered to] deer a neat Cottage close by, | Where We can retreat unobserved, on the sly, | So be not afraid of the old Cunning Doe, | Whose stale selfish Tricks are become quite So-so.' They are under a tree; bushes screen them from the Cottage (left), just below Windsor Castle on its steep hill."--British Museum online catalogue
Alternative Title:
Head ranger and his fallow dear
Description:
Title etched below image; the word "dear" has been scored through and replaced with the word "deer" etched above., Questionable attribution to Thomas Howell Jones from the British Museum catalogue., and Month of publication is undetermined; the British Museum catalogue suggests June, while the British Museum online catalogue (registration no.: 1868,0808.9128) suggests ca. April.
Publisher:
Pubd. 1829 by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Windsor Great Park (England),
Subject (Name):
Windsor Castle,, George IV, King of Great Britain, 1762-1830, Chester, Eliza, 1799-, and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Title from caption below center image., Five designs on one plate, each individually titled., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 11, p. 239-240.
