Title from caption below image., Letter "J" in "C.J. Grant" etched backwards., and Publisher's advertisement below title: See Tregear's Catalogue of humours.
"Four panels; first panel: woman talking to a policeman while pointing to her hanging husband; second panel: two policemen arresting a man at his door; third panel: beadle arresting an ill-looking man in front of the Station House; fourth panel: at Charing Cross policeman arresting a man pulling a cart full of children and with a child in his arms."--British Museum online catalogue
Alternative Title:
Illustrations of Sir Andrew Agnews new act
Description:
Title from text below image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., 1 print : wood engraving on wove paper ; sheet 34.3 x 25.4 cm., Imperfect; trimmed with loss of series title and numbering from top edge and imprint from bottom edge., and Mounted to 39 x 28 cm.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
"Four panels; first panel: woman talking to a policeman while pointing to her hanging husband; second panel: two policemen arresting a man at his door; third panel: beadle arresting an ill-looking man in front of the Station House; fourth panel: at Charing Cross policeman arresting a man pulling a cart full of children and with a child in his arms."--British Museum online catalogue
Alternative Title:
Illustrations of Sir Andrew Agnews new act
Description:
Title from text below image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., Lower left corner chewed., and No. 5 in a collection bound in blue wrappers.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
"Three vignetted designs, one above the other. [1] 'Dosing'. A couple in a sparsely furnished room sleep back to back in upright chairs, the woman with a fixed frown, and folded arms, her feet on the fender (right); the man snoring with head thrown back, one leg on a chair. An infant sleeps in a cradle (left), napkins dry before the fire. Empty plates, &c. cover the table. A cat (right) and dog (left) sleep beside their respective patrons. [2] 'Draming'. In a ramshackle garret a cobbler and his wife tipsily drink gin; he attempts to fill a glass, she holds out hers. A screaming and neglected infant lies on her lap; a bare-footed child stands by a table. All are ragged and ill-shod. The tools of the man's trade are in the room, bare except for table, empty tankard, and a bed turned up against the wall and covered with patchwork. [3] 'Drowning'. A man struggles in the water, screaming and desperately raising arms and legs towards a watchman, who leans over a rail bordering a canal or riverside terrace of houses, shouting unhelpfully, springing his rattle, and holding up his lantern. Other watchmen run up."--British Museum online catalogue
Description:
Title from caption below images., Shortshanks is the pseudonym of Robert Seymour., Three designs on one plate, each individually titled., and For earlier state lacking imprint and with "dramming" spelled "draming," cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, no. 15653.
Title from published state., Printmaker and artist from statement of responsibility on published state: Engraved by Dean, from a miniature in enamel painted by Zincke & preserved in the collection at Strawberry Hill., Proof before letters of a plate from: Letters of Horace Walpole, Earl of Orford, to Sir Horace Mann ... London: R. Bentley, 1833., and Publisher and date from imprint on published state: London, Published 1833 by Richard Bentley, 8 New Burlington Street.
"Portrait of Mrs Lawson, nearly whole length, seated to front in a landscape, with head slightly tilted to left, looking to front; her right hand resting on a draped piece of furniture, her left hand on her lap; wearing a veil and low-cut dress fastened with two clasps; curtain, tree and fence behind; church in background at left; proof illustration to Mrs Jameson's 'Memoirs of the Beauties of the Court of Charles II' (London: 1833); after Willem Wissing; proof before letters."--British Museum online catalogue
Description:
Title, printmaker, date, and artist, from the Catalogue of engraved British portraits, which also states: "From picture now at Hampton Court. Pl. to Mrs. Jameson's Beauties of the Court of Charles II, 1833."
Title and names of printmaker and artist from the Catalogue of engraved British portraits. and Plate from: Mrs. Jameson's beauties of the court of Charles II, 1833.
"Portrait after Lawrence (Garlick 707); seated almost three-quarter length slightly to left, looking to right, his left arm resting on a round inlaid table beside at right with papers and hankerchief, holding his pen in his left hand and with his walking stick resting against his arm; published state with revised publication line."--British Museum online catalogue
Description:
Title from later published state., Second published state, with imprint statement revised to include month and day of publication. For an earlier state lacking the month and day in imprint, see British Museum online catalogue, registration no.: 1839,1012.85. For a later state with added title and re-etched statements of responsibility and imprint, see British Museum online catalogue, registration no.: 1838,0725.1., and Bound in opposite page 134 (leaf numbered '182' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
