Title from captions below images., Date of publication based date of the Great Exhibition: 1 May to 15 October, 1851., Two designs, one above the other; each signed and individually captioned., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Great Exhibition, Crowds, Exhibition buildings, and Exhibitions
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "57" in upper right corner., Restrike for Bohn's "Supressed plates". Cf. no. 7892 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., On same sheet, verso: Alecto and her train at the gate of Pandaemonium ..., and Printed 1851.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Title from letterpress caption below image., Date of publication from unverified data in local card catalog record., Wood engraving with title and two columns of prose in letterpress below, on a broadside., Text below title begins: "A fair day's wages for a fair day's labour" is a very good maxim, and a very favourite one ..., and No. V in a series of five temperance placards; publisher's advertisement for others in the series printed at bottom of sheet.
Publisher:
Printed for W. & F.G. Cash, 5, Bishopsgate Street Without; William Tweedie, 337, Strand
Title from caption below image., Text below image in lower left: Taken on the spot by George Cruikshank., Text below title: The view is taken from the south west gallery at the time when the Archbishop is offering up a prayer for the divine blessing upon the objects of this Great Exhibition., and Sheet trimmed within plate mark.
"A view of the Crystal Palace, crowds of people cheering and waving their hats, guards lining the road and cavalry riding to the right, Queen Victoria, Prince Albert and their children walking towards the entrance guarded by beefeaters, trees to the left and the right, the whole surrounded by laurel leaves, a banner lettered with "The Opening of the Great Hive of the World May 1 1851 or the Industrial Exhibition of All Nations".--British Museum online catalogue
Alternative Title:
Industrial Exhibition of All Nations
Description:
Title from text within banner in top portion of image., Sheet trimmed within plate mark., and Plate from: Mayhew. H. 1851, or, The adventures of Mr and Mrs Sandboys and family. London : David Bogue, [1851].
Title from caption below image., Publication date from unverified data from local card catalog record., Two lines of text below title: In consequence of the great pressure for lodgings, the proprietor of Her Majesty's Theatre, with his usual readiness to meet the wishes and to give every possible accomodation to the public ..., and Sheet trimmed within plate mark.
Title devised by cataloger., Artist from original drawings in the British Museum., Date of publication based on running dates of the Great Exhibition: 1 May to 15 October, 1851., Design consists of large upper image and four rows of small figures below, three of the rows having titles etched within them: The arts and manufactures of France; The arts and manufactures of Turkey; [The arts and manufactures of] China., Text below large upper image begins: In consequence of the diversity of opinion manifested as to the most eligible site for the Great Exhibition ..., and Description based on imperfect impression; sheet trimmed within plate mark with some loss of image or text on three sides.