Leaf 40. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Titles etched below images., Two images on one plate, each individually titled. "The old maid turned barber" is in the style of Rowlandson and was perhaps etched after one of his drawings. "The pluralist" depicts a clergyman who is reminiscent of the one depicted in the print "The soldier and the pluralist", published in 1762 by M. Darly; Cf. No. 3994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 40 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Leaf 79. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Overthrow of Doctor Slop
Description:
Titles etched below images., Two images on one plate, each individually titled., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. Nos. 5215 and 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1750 ; 59.533.1748., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 79 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Leaf 17. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"North as Mother Cole is seated full-face in an arm-chair, the tips of his fingers sanctimoniously together. Beside him sits Fox, as Loader, a handkerchief in his right hand, his left pointing upwards. North says, "Ay I am agoing; a wasting and a wasting - what will become of the House when I am gone Heaven knows - No - When people are Missed then theyre Mourn'd - Sixteen years have I lived in St Stephens Chaple comfortably and creditably; and tho I say it, could have got bail any hour of the day! no knock me down doings in my house, a set of regular sedate sober Customers - no rioters - Sixteen did I say - Ay, eighteen years have I paid Scott and Lot - and during the whole time nobody have said Mrs North Why do you so? unless twice that I was threatned with impeachment and three times with a Halter!" Fox says, "May I lose deal, with an honour at bottom, if Old Moll does not bring tears in my Eyes." Mother Cole wears a hood and loose gown over her petticoat, her shoes are slashed to ease her bulging feet. By her side is a bottle labelled 'Constitution Cordial'. Fox is dressed in his customary manner; at his side is an overturned dice-box and dice."--British Museum online catalogue and "North is represented as the sanctimonious bawd (for whom Mother Douglas (d. 1761) was the supposed original) who became a follower of Whitefleld, Fox as the sharping gamester. The words of the play are cleverly parodied, the indictments of Mother Cole being changed into the threats of impeachment which Fox had made against North."--British Museum online catalogue, curator's comments
Alternative Title:
Mother Cole and Loader
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6514 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text following title, "See Foots Minor page 29," is an allusion to Samuel Foote's Minor., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 125-6., and On leaf 17 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 10th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Name):
Great Britain. Parliament, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Leaf 19. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The Duchess of Devonshire, carrying Fox on her back, approaches an alehouse. The host, a black man named 'Mungo', stands on his doorstep delightedly filling a glass for the Duchess; a fat disreputable slattern stands behind him. The Duchess, who supports herself by a large staff, holds a full purse in her hand, saying, "For the good of the Constitution give me a Glass of Gin", the suggestion being that she will pay a large sum for the gin to secure a vote (cf. British Museum Satires No. 6548). Her hat with ostrich plumes and fox's brush has a favour inscribed 'Fox ForNi'. Fox, one hand resting on her shoulder, waves his hat; they are both in profile to the right. Over the doorway of the alehouse (or perhaps brothel) is inscribed 'Mungo's Hotel Dealer in British Spirits'; the woman says, "Give the poor Man a Vote my Dear he is a good Man for the Ladies". A dog beside her barks at the visitors. The gabled roofs and casement windows indicated in the background suggest that this is an old and disreputable part of Westminster, resembling Peter Street as in British Museum Satires No. 6548. The crowd, which is very freely sketched, also suggests a low neighbourhood; a man and woman walk or dance along, their arms round each other's shoulders; he flourishes a full tankard. An excited group shout and wave their hats round two tall standards: one, 'Fox and Liberty all over the world', above two crossed executioner's axes, the other, 'Rights of the Commons' and 'No Prerogative', with a cap of Liberty on the pole."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike, with etched lines added to plate to cover the bosoms of both women. For an early reissue of the plate by William Humphrey, see no. 6526 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate originally issued with the imprint "Pub. April 27th, 1784, by E. Darchery, St. James's Street". Cf. New York Public Library, Caricatures collected by Horace Walpole (catalog ID: b16513354), Walpole 64., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 127-8., Temporary local subject terms: Prudery: Plate altered., and On leaf 19 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publishd. by Wm. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, and Great Britain. Parliament
Leaf 32. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two-part satire on the resignation of Lord Bute, April 1763. On the left is a scene of execution, headed "Excise", with Bute, identified by his plaid waistcoat, hanging from an apple tree (referring to the Cider Bill), a devil sitting on the branch above him wears a large boot (a pun on Bute) on one leg, the other ending in a claw; two men below exult. In the centre a man (evidently another representation of Bute as he wears a large boot on one leg and on the other leg wears a garter lettered "Honi ..." as in the scene on the right) lies across a fire while another pumps a pair of bellows to fan the flames; three farmers standing behind the fire and another to the right rejoice at Bute's downfall. On the right, another devil reciting the proverb, "Harm watch, Harm catch", one leg ending in a hammer, sits on top of a gallows from which hangs a fox (Henry Fox) wighted down by money bags tied around his neck. On the right is a scene set in a grand interior, headed "Resignation, in which Princess Augusta sprawls weeping in a chair her breasts partly exposed while a devil delves into Bute's breeches as he drags him through a door through which flames and smoke can be seen, the Duke of Cumberland brandishes a sword in his right hand and pushes Bute with his left; he is encouraged by a nephew, Edward, Duke of York, at lower right, a lusty goat, one of whose hands is a claw, looks on with pleasure."--British Museum online catalogue
Alternative Title:
Give the devil his due, Excise, and Resignation
Description:
Title etched below image, between the verses., Design consists of two images, each with a caption title above., Restrike, with final four lines of title burnished from plate. For original issue, published by J. Williams in 1763, see no. 4026 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse below each image; the verses on the left begin: With greater joy, his L- see, like Judas hanging on a tree ..., and On leaf 32 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
published according to act of Parliament, April 18, 1765 [that is, approximately 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 65. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Quakers showing a woman and two men in a pew; the man in the centre, bare headed and in the throes of an earnest speech, clutches a handkerchief; the other man, his hat low over his eyes, rests his chin on a heavy walking stick."--British Museum online catalogue
Description:
Title engraved below image., Restrike. For original issue of the plate, see no. 4129 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], and On leaf 65 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
Great Britain.
Subject (Topic):
Quakers, Pews, Public speaking, Handkerchiefs, Hats, and Staffs (Sticks)
Leaf 12. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from text below image., Attributed to Rowlandson in the British Museum catalogue., Restrike, with erroneous signature "J. Gillray fecit" added below image in lower right. For original issue of the plate, see no. 5856 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 105., and On leaf 12 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by I. Jones and Field & Tuer
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress
Leaf 14. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"On the right is 'The old Building', an inn of old-fashioned construction with a projecting upper story and attic, representing Great Britain or the Constitution. On the left is the king, apparently asleep, driving off to Hanover in a coach with a crown on its roof. Two men and a barefooted woman who holds up two naked infants kneel beside the coach in attitudes of despairing entreaty. In the upper left corner of the print, above the coach, an eye looks towards the 'Old House' labelled, 'Turn out those Robbers and repair the House'. The robbers in possession are members of the Coalition. The lowest story, stone-built and solid but sinking beneath the weight of the upper floors, is inscribed 'Public Credit', a large padlocked gate being inscribed 'Funds'. Outside it sits Fox, in the form of a fox, on a stone inscribed 'Protector'; he points towards the padlock. A chain attached to his waist is attached to a curving pillar, inscribed 'Coalition', which is the bending support of a balcony. Beside him, seated on a turnstile, is North saying, "Give me my Ease And do as you Please". On the other side of the gateway the crown stands on a block inscribed 'To be Sold'. The first floor is supported by two massive beams or props, one, 'The Lords', being intact (indicating the part taken by the Lords in rejecting the India Bill), the other, 'Prerogative of the Crown', is almost chopped through by one of two lawyers in a first-floor window inscribed 'ye two Lawyers'; he sits with one leg over the sill wielding an axe. Beside him projects from a beam the sign of the house, 'Magna Charta', a torn document with a pendant seal; the signboard is dropping down. He is Lee the Attorney-General, pilloried for his speech on the East India Company's Charter, see British Museum Satires No. 6364, &c. Next him is another lawyer, who shakes his clenched fist towards 'Magna Charta'. He is perhaps James Mansfield (1733-1821) who succeeded Lee as Solicitor-General (Nov. 19) on the death of Wallace. The first-floor balcony, an excrescence on the original structure supported by the pillar Coalition, extends round the corner of the house above Fox and North. It is filled with revellers: a harlequin leans over it, next him is Burke, who blows a long trumpet from which issue the words 'Sheridan Sheridan Sheridan dan Sheridan', pointing towards a group on his left which includes a man (Sheridan?) flourishing a bottle and dressed as a clown or zany (cf. British Museum Satires No. 7273), and two women, one of whom resembles the Duchess of Devonshire. Beside her a large flag projects from the balcony, 'Man of the People'; on it is a fox's brush. On the rails of the balcony is a placard 'Here's the Whore of Babylon the Devil and the Pope'. The wall behind is inscribed 'The old Building'. The projecting windowless attic or cornice is divided, in front of the house into partitions numbered from 1 to 10. Round the corner (right) the wall is inscribed 'The accursed 10 years American War fomented by opposition and misconducted by a timid Minister'. The roof is composed of stones or large irregular slates, on each of which is the word 'Tax', showing that the security of the house is endangered by the weight of taxes. On it sits a bird, probably a raven of ill omen."--British Museum online catalogue
Alternative Title:
View of the old house in Little Brittain and View of the old house in Little Britain
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6384 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Letter "S" in "Strand" in imprint is etched backwards., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 114-5., and On leaf 14 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Ian. 23, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Lee, John, 1733-1793, Mansfield, James, Sir, 1733-1821, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, and Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Politics and government, Taverns (Inns), Foxes, Clowns, and Carriages & coaches
Leaf 72. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of a country 'quack' doctor standing behind an alarmed looking female patient with his fingers in her mouth. A young boy stands on the left holding a dish and pliers. In the background stands a woman wearing a ... cape and holding the side of her mouth whilst exhibiting obvious pain. Suspended from the ceiling is a bird in a cage. A bill on the wall reads: 'Barnaby Factotum / Draws teeth Bleeds and Shaves / Wigs made here, also sausages / wash Balls, Black puddings. / Scotch pills Powder for the Itch / Red Herrings / Breeches Balls / and small beer by the maker / In Utrumque Paratus'."--Royal Collection Trust online catalogue and "Print of a tailor seated cross legged on a table as he irons a garment. Beside him on the table, stands a pewter tankard and shears. A second tailor, also ironing, sits behind the first with a look of surprise cast in the direction of a woman who stands at the door holding a basket of ?cucumbers on her head. The woman resembles Rowlandson's etching of a 'Shrimp Girl' (RCIN 913702). In the foreground, a small boy warms irons by a fire as cat stands next to him, yawning."--Royal Collection Trust online catalogue
Alternative Title:
Toothache, or, Torment and torture, Torment & torture, and Torment and torture
Description:
Titles etched below images., Two images on one plate, each with its own title, signature, and imprint statement., Restrike. For original issue of the left side of the plate, see Royal Collection Trust, RCIN 810964. For original issue of the right side of the plate, see Royal Collection Trust, RCIN 810963., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 375., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 374., and On leaf 72 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published August 1, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
