Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
An album of twenty watercolors recording the 1826 journey to England by the Delahaye family of Pierrefitte, France. A family friend, Gaudissard traveled with them from their home near Saint-Denis, carefully recording the sights they saw across the Channel. His drawings include landscapes, cityscapes, and various views, each inscribed with a caption. Scenes of London include a depiction of a typical city street, St. James's Palace from the Pall Mall, the interior of the Tower of London, and the interior of the Henry VII Chapel at Westminster Palace. He captured the countryside near Richmond, the seaside at Brighton and the Royal Pavilion there, Windsor Castle and a view of London as seen from Windsor, and Christopher Wren's Monument in London, as seen from Greenwich. Gaudissard shows his pictorial range with a night scene of Brighton and a depiction of a strenuous boat race on the Thames. Among other images are the Duke of Devonshire's menagerie at Chiswick House, only in existence between 1811 and 1836, featuring an elephant and a monkey, and an Anglican priest in the pulpit at Canterbury. Two drawings depict friends at Pierrefitte wave goodbye to the Delahaye carriage as it departs, and then welcoming the family with open arms upon their return home. The album's frontispiece features a classic coach-and-four alighting into the English mist, and at the end a record of the family's departure from Dover, its White Cliffs in the background, aboard an early steamship and Accompanied by a 16-page letter dated 1826, written in French, addressed by Madame L. Delahaye to her friend Alexandrine upon the Delahayes' return from England. The letter recounts the family's journey in great detail from start to finish, and includes several mentions of the lively participation of Gaudissard. Also present is a single leaf, written approximately 1850, describing the genesis of the album and brief biographical sketch of the artist
Alternative Title:
Souvenirs de l'Angleterre
Description:
The caricaturist Michel René Gaudissard (1774-1848) used the pseudonym Godissart de Cari (or G de Cari...). He was called the "French Hogarth" and "the greatest master of French caricature during the early 19th century" (Deberdt). He is principally known for his biting caricatures of the English and their odd habits, especially as seen in his collection of engravings Le Musée grotesque (1816-1820)., In French., Title gold stamped on front cover and from text in the first drawing entitled "Frontispiece.", Bound in contemporary brown sheep, gilt spine and gilt cover borders with title stamped on front: Souvenirs de l'Angleterre. With binder's ticket on inside front cover: Rue de Cléry, no. 7 pres celle Montmatre, Binant, Md. de Papiers, Fournitures de Burcaux de Paris., and For further information, consult library staff.
An album of illustrations by various artists, probably compiled by a member of the Mordaunt family. The album contains views of coastlines and ports including Port Eliot, home of Mordaunt friends the Eliots of Port Eliot, in the Parish of St. Germans, Cornwall, drawings of ruins, rural scenes with livestock, and a pencil portrait of a girl aged about 10.
Description:
Charles Mordaunt (1771-1823), 8th Baronet, was a member of Parliament representing the constituency of Warwickshire. A Catholic and Whig, he married Marianne, daughter of William Holbech of Farnborough Hall, Warwickshire in 1807; the couple lived at Walton where they raised one son and two daughters: John Mordaunt (1808-1845), Mary Mordaunt Acland (ca. 1811-ca. 1851), and Emma Acland (1813-)., Title devised by cataloger., Drawings are dated from 1815 to 1829 and laid on 29 leaves of various colored paper. Two undated watercolors are signed by Lady Marianne Mordaunt; two other illustrations are initialled S.C.E., possibly Susan Caroline Eliot who was born in 1801. The pencil portrait is signed "M.E. by Miss Masters, 1824." A pencil sketch of a ruin on a cliff is signed F.J. as are two other watercolors with another three unsigned views. Other drawings are signed C.E.W (1824 and 1828) or C.W. Another drawing is signed "M.H. 1829"., Signed and dated drawings include: the William Tell in the market place of Altdorf, Canton of Uri, Switzerland, and Bound in original dark blue grained calf, initialled ‘T.[or C.]S.M.’ on front board, dated 1833 at foot of spine. Armorial bookplate initialled C.J., 1919, on front pastedown; later pencil book label of J.D. Derry, 1947, on first leaf.
A series of eight, small watercolor drawings depicting castles and country houses in England and Wales. The views show: Brancepeth Castle near Durham; Enville Hall in Staffordshire; New Weir on the river Wye, Herefordshire; Hagley Hall, Worcestershire; Hereford Cathedral from across the river Wye; St Paul’s Walden Bury, Hertfordshire; Lumley Castle near Durham; and Chirk Castle near Wrexham, north Wales
Alternative Title:
Drawings by De Wint
Description:
Title devised by cataloger., Attributed to Peter DeWint., Date based on DeWint's visits to Wales between 1829 and 1835. See Oxford dictionary of national biography., Drawings are mounted an album of thirty-four unnumbered blank leaves; each drawing is captioned by the artist below in ink, some are numbered in pencil. Bound in nineteenth-century half black roan over marbled boards with the spine lettered in gilt ‘Drawings by De Wint’; marbled endpapers and edges; old bookseller’s description pasted at foot of first page., and For further information, consult library staff.
Subject (Geographic):
England and Wales
Subject (Topic):
Cathedrals, Dwellings, Estates, and Castles & palaces
