Manuscript, on vellum, in several hands, containing several Middle English devotional texts. The Abbey of the Holy Ghost is followed by The Meditation of St. Anselm; The Five Sorrows of the Virgin; and an explanation of how to say the Psalter of the Virgin. These are followed by a poem to the VIrgin ("Mari moder well [th]e bee"); a six-line political poem referring to Edward IV ("The lyon sens thre days"); and a recipe for a medicine for pestilence, in a later hand
Description:
In Middle English., Script: several hands., Decoration: Abbey of the Holy Ghost has initials in blue with red penwork., and Binding: modern full red morocco.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Edward IV, King of England, 1442-1483 and Mary, Blessed Virgin, Saint
Subject (Topic):
Allegory, Devotional literature, English (Middle), English literature, English poetry, English prose literature, Manuscripts, Medieval, Women, and Conduct of life
Manuscript fragment, on vellum, in a single hand, containing Book I, verses 455 and following of this long narrative poem
Description:
In Middle English., Layout: double columns of 56 lines., Script: cursive English bookhand., and Decoration: two large initials in gold; numerous smaller initials in red or blue.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript, on vellum, in a single hand, of a complete version of this long narrative poem
Description:
In Middle English., Layout: double columns of 35 lines., Script: English bookhand., Decoration: decorated borders at the beginnings of Books II-IX; numerous gold initials., and Binding: early nineteenth-century vellum; leather spine labels, gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript fragment, on vellum, in a single hand, of Book III, verses 1717-1913, of this long narrative poem
Description:
In Middle English., Layout: double columns of 49 lines., Script: cursive English bookhand., and Decoration: two initials in burnished gold on colored grounds, with foliate sprays.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript, on vellum, in a single hand, of portions of Books I, VII, and VIII of this long narrative poem
Description:
In Middle English., Layout: double columns of 98 lines., Script: English bookhand., Decoration: illuminated initial on f. 1; numerous penwork initials., and Binding: modern wrappers; modern case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
No title page; title from caption., Date of publication from ESTC., First lines of introductory verse (with single rule above and below): To all and sundry be in known, The lines that are hereafter shown; ..., First lines of main verse: Where are the days that we have seen, When Phoebus shone fu' bright, man; ..., Detached from volume, laid in front cover., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
s.n.
Subject (Geographic):
Scotland and Verse satire, English
Subject (Topic):
Political poetry, English, Political aspects, and English poetry
Date of publication supplied by cataloger., Verse - "Young lovers lend an ear, I'm sure you'll shed a tear,"., In four columns with the title above the first two; the columns are not separated by rules. The title is in one line and ends with a full stop., Mounted on leaf 57. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
s.n.
Subject (Geographic):
England, Northamptonshire, and Northamptonshire (England)
Verse begins: "You maidens all, I pray give ear,", In four columns with the title and illustrations above the first two; the columns are not separated by rules; the imprint is at the foot of the last column, beneath a single rule., In this edition the two woodcuts from left to right depic a child and a woman playing a piano., Imprint below fourth column., Mary Bowley is not recorded as printing before 1799. See Maxted, I. London book trade, 1775-1800., Mounted on leaf 16. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed by M. Bowley, No. 96, Aldergate Street, London
Manuscript on parchment (thick, furry) of 1) Richard Rolle, The Fire of Love. 2) Poem added, 16th century, by Richard Hutton. 3) Richard Rolle, The Mending of Life. 4) Verse life of John of Bridlington (d. 1379). Written in a Northern dialect; numerous marginal and interlinear notes in hands of 16th-17th centuries illustrate that the text was being read for comprehension in this period. Annotations include corrections (often by one individual on comments made by another), glosses on particular words, and whole passages transcribed in the margins
Description:
In English (Northern dialect)., Script: Written by a single scribe in bastard Secretary script. Marginal and interlinear glosses by several hands, 16th-17th centuries., Blue initials, 2-line, with elaborate pen-work flourishes, in red: zigzags along the margin and foliage designs in and around the body of letter. Underlining, initial strokes, and simple helical line-fillers, in red., and Binding: Fifteenth century. Original, wound sewing on seven small, double, tawed-skin supports laced into grooves on the inside of oak boards and pegged. Covered in pink, tawed skin with two strap-and-pin fastenings, flower-shaped pin bases on the lower board. Fastenings wanting and supports breaking. Original pastedowns from an antiphonal (England, 13th century) with parts of the office for Stephen at Matins and at Lauds; musical notation on 4-line red staves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Antiphonaries, Devotional literature, English (Middle), English poetry, and Manuscripts, Medieval
Manuscript on paper in English verse with a Latin verse prologue of Thomas Norton of Bristol's Ordinall of Alchemy, written in 1477
Description:
In English and Latin., Script: Written by a single English hand writing a very fine and regular italic sloping to the right., No color, no illustration., Watermark: arms of Austria with the golden fleece, similar to Briquet 2291., and Binding: Original English binding of white, limp parchment, the covers blocked in gold with the armorial stamp employed by Henry Percy, ninth Earl of Northumberland: the badge of the Percy house, the white or crescent moon, within the representation of the garter, surmounted by an earl's coronet; fore-edges of each cover with overhanging flaps and with remains of two original green linin ties; flat back with four thongs used in the sewing-in exposed at regular intervals on each side of the backstrip, with traces of original lettering at head of backstrip now illegible, later writing in old style below probably the work of a modern repairer, possibly covering an original inscription; plain edges; a strip of parchment, cut from a manuscript in Latin, ca. 1100, is visible surrounding the back of the quires of the manuscript, used in the sewing-in, with writing visible at the front of the volume only.
