Volume 2, page 20. Etchings by Henry William Bunbury, Esq. and after his designs. Page 9. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog, while the nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy; in a roundel; after Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed to plate mark., Two lines of verse below title: He had a rose into his hand, he gae it kisses three, and reaching by the nut-browne bride, laid it on fair Annett's knee., Illustration to the folk ballad 'Lord Thomas and fair Annett'., and Mounted on page 20 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 22d, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
A handsome young man embrasses a pretty young woman wearing a fashionable hat as the stand in a grove of trees; he leans toward her, their checks touching. To the right, another pretty young woman peaks out from behind a tree and watches the pair with a distressed look on her face
Alternative Title:
Love and learning and Oxford scholar
Description:
Title etched below image., Sheet trimmed within plate mark., Below title and above imprint statement, six lines of verse in two columns: Beauty invites and love & learning plead; The Oxford scholar surely must succeed, Yet Oh, ye blooming soft inclining fair, Of his too fatal eloquence beware; For see a slighted fair one is behind with jealous eye & most distracted mind.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 12th May 1786, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Topic):
Courtship, Couples, Envy, Kissing, Students, and Young adults
One elderly man clutches to his breast a frothing jug, grinning triumphantly at his companion who reset his chin on his stick gazing at it covetoulsy. Both are gap-toothed countrymen
Alternative Title:
Possession and envy
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '12' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Variant issue, with plate number, of no. 11667 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
The fifth of a series of six scenes showing a courtship between two monkeys in human clothing. A second monkey dressed as a fine gentleman prepares to cut off the tail of the suitor as his paramour looks on with arms raised in distress
Description:
Title from caption below image. and Publication date from unverified data from local card catalog record.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Adultery, Envy, Gardens, and Revenge
A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: ending in a round game". In the second row: "In love I perceive", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Unidentified artist., Date conjectured from that of the published print of the same design., Similar to a print, published by G. Blackman in 1817, and attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: proceeding to a round game". In the second row: "In love I pereceive [sic]", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of all women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Similar prints, also published by G. Blackman in 1817, are attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 30, 1817, by G. Blackman Junr., 362 Oxford Strt
Two women stand on either side of a male figure who stands on a small stool, his head obscured in the mouth of the one on the right. The woman on the left exclaims: I have lost him forever I shall never see the dear little creature more
Description:
Title from item., Plate is numbered 'No. 137' in the upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
The infant Shakespeare is seated on the train of Nature's gown. He is surround by the passions. On either side are Joy and Sorrow. Behind them are, on the right, Love, Hatred, and Jealousy; on the left, are Anger, Envy, and Fear
Description:
Title etched below image., Sheet trimmed slightly within plate mark at lower right., Two lines of text on either side of title: Nature is represented with her face unveiled to her favourite child, who is placed between Joy and Sorrow. On the right hand of Nature, are Love, Hatred, & Jealousy, on her left, Anger, Envy, & Fear., Plate from: Boydell's Shakspeare gallery, vol. I, no. II, large format., and Original painting is in the Folger Shakespeare Library collection.
Publisher:
Pubd. Septr. 29, 1799 by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90, Cheapside, London
The infant Shakespeare is seated on the train of Nature's gown. He is surround by the passions. On either side are Joy and Sorrow. Behind them are, on the right, Love, Hatred, and Jealousy; on the left, are Anger, Envy, and Fear
Description:
Title etched below image., The word 'Shakspeare' between the figures at the top of image, mostly burnished from plate., Two lines of text on either side of title: Nature is represented with her face unveiled to her favourite child, who is placed between Joy and Sorrow. On the right hand of Nature, are Love, Hatred, & Jealousy, on her left, Anger, Envy, & Fear., Plate to Boydell's Shakespeare Gallery, vol. I, no. 2, large format., and Original painting is in the Folger Shakespeare Library collection.
Publisher:
Pubd. Septr. 29, 1799 by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90, Cheapside, London
A pretty young maid seated at a table is flirting with a footman leaning with his arms on the back of her chair. She is petting a cat; two kittens are playing in a basket on another chair. In the background, another maid, busy mending a garment, looks at them with disapproval and jealousy. Behind on the wall hangs a shelf with plates, a warming pan and a placard (playbill?) entitled, "The Rival Maids."
Description:
Title from item., Four lines of verse in two columns on sides of title: His lordship loves the amourous game; His gadding lady does the same ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Domestic service: maidservants -- Footman -- Furniture -- Dish rack -- Warming pan -- Romantic jealousy -- Domestic life -- Dishes: forks and spoons.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, London
Subject (Topic):
Women domestics, Servants, Envy, Baskets, Cats, Chairs, and Tables
