Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of th...
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of th...
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Engraving of William Hogarth’s 1748 painting ‘O the Roast Beef of Old England’ (London, Tate Britain), which he had himself published as a print. The scene is set at the Gate of Calais (after the painting in the Tate Gallery) with a fat monk prodding ...
Alternative Title:
Gate of Calais
Description:
Title engraved below image.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
England
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Foreign public opinion, French, Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
"An Irishman seated on a bull which is galloping across open country towards London, seen in the distance on the right., St. Paul's being visible. He wears a short jacket and ragged knee-breeches, his legs and feet are bare. His hair is dishevelled an...
"An Irishman seated on a bull which is galloping across open country towards London, seen in the distance on the right., St. Paul's being visible. He wears a short jacket and ragged knee-breeches, his legs and feet are bare. His hair is dishevelled an...
A series of crude (and in some cases explicitly racist) lithographed cards numbered 1-16, with scenes relating to political reform on both sides of the Atlantic. On British side, they cover the reforms to the franchise made by the 1832 Reform Act, pok...
Description:
Title from dealer's description.
Publisher:
W.F. Wodson, lith., Pavement, York
Subject (Geographic):
Great Britain and United States
Subject (Name):
Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Ethnic stereotypes, Poverty, and Racism
"One of a set of four: see British Museum Satires No. 7176. France, as an elderly and ugly petit-maître (right), his hat under his arm, holds out obsequiously an empty purse and a snuff-box towards Holland, a stout peasant who kneels at his feet, wee...
Description:
Title from item.
Publisher:
Publish'd Octr. 21st, 1787 by T. Harmar, No. 164 (opposite Bond Street) Piccadilly
Subject (Topic):
Ethnic stereotypes, Sailors, British, Military uniforms, Prussian, Rifles, and Bayonets
