V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue
Alternative Title:
Magistrates mistake
Description:
Title etched below image., Reissue, with date burnished from end of imprint statement and plate number changed. For an earlier state numbered "33" in upper left and with the date "15th Decr. 1807" at end imprint, see Beinecke Library call no.: Auchincloss Rowlandson v. 8., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Plate numbered "150" in upper left corner., "Price one shilling coloud.", Watermark: 1817., and Leaf 5 in volume 3.
Publisher:
Published by Thos. Tegg, 111 Cheapside
Subject (Topic):
Gout, Hearing aids, Deafness, Criminals, Ethnic stereotypes, Judges, and Spouses
A racist and complex print purports to show a dinner held at the African Institution, becoming increasingly drunken and debauched as the evening progresses. Cruikshank employs many common 19th-century racist stereotypes of black people - drunkenness, aggressiveness, and sexual promiscuity - and lampoons the idea that black people could aspire to behave like white people. In the print, the white abolitionists are portrayed as unsuspecting and bewildered innocents who find themselves entirely out of their depth. Cruikshank seems to suggest that their association with black people has corrupted them - that they are being 'uncivilised' rather than black people becoming 'civilised'. Meanwhile, the idea of relationships between races is ridiculed. Many familiar and important figures are represented. Abolitionists like Wilberforce, Stephen and Macaulay appear next to the street entertainer Billy Waters and the radical Robert Wedderburn ... See a full description at Royal Museums Greenwich online catalogue and A design based on Gillray's 'The Union Club' with the roistering fraternizers being English and negroes, in place of English and Irish. The chairman's raised throne with its canopy is on the extreme left, at the head of the table which extends to the right across the design. The throne is an infant's chair, or commode, supported on a round tray based on two casks, one above the other. Wilberforce has risen from the chair, so far as the front bar will permit, his chairman's hammer held between flexed knees ..."--British Museum online catalogue
Description:
Title etched below image. and Place of publication transposed from end of publisher's statement.
Publisher:
Pud. July 19th 1819 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Baartman, Sarah., Henri Christophe, King of Haiti, 1767-1820, Lyon, G. F. 1795-1832. (George Francis),, Macaulay, Zachary, 1768-1838, Marryat, Joseph, 1757-1824., Smith, William, 1756-1835., Stoddart, John, 1773-1856., Stephen, James, 1758-1832., Parr, Samuel, 1747-1825., Wedderburn, R. (Robert), Wilberforce, William, 1759-1833, and Anti-slavery Society (Great Britain)
Subject (Topic):
Antislavery movements, Political satire, English, Politics and government, Caricature, Clubs, Ethnic stereotypes, Intoxication, and Racism
"Prince Leopold (right), in uniform, puts his head through a glassless aperture in a window in the door of his 'Grecian Establish[ment]--Co[burg]', to look intently at a fat Turk who stands in profile to the right, elaborately dressed and holding a long pipe with smoking bowl. The door, partly cut off by the right margin, is flanked by a Corinthian pillar and set in a wall on which are placards: 'This . Shop!!! will shortly open under entire new Management--Vivant [sic] Rex'; a Union Jack poster (partly covered); the Russian eagle, and a fleur-de-lis, the two last inscribed 'Loan'. The Turk: 'What have you taken the Shop? well if you take my advice you will not give Your Customers too much Credit for I can tell you they are a queer set to deal with by the bye they nearly ruined me--and mind that you look sharp after your Shopmen'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 50 x 36 cm.
Publisher:
Pub. April 10, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Léopold I, King of the Belgians, 1790-1865
Subject (Topic):
Turks, Ethnic stereotypes, Doors & doorways, National emblems, and Signs (Notices)
"Boruwlaski or Boruslawski (left) plays the violin, he stands (left) before an immense Turk (right) seated on the floor, an arm round each of two ladies of the harem who recline against him. The Sultan (Abdul Hamid) smokes a long pipe. Behind him stand two fierce-looking guards. In the background three other ladies listen rapturously to the slim, erect, and well-dressed dwarf, who is in marked contrast with the massive Turk and the voluptuous ladies of the seraglio. A draped canopy completes the design."--British Museum online catalogue
Description:
Title etched below image., Plate originally published in 1781. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 186-187., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement. Imprint supplied from British Museum catalogue., Watermark., and Mounted to 23.3 x 30.7 cm.
Publisher:
Publish'd March 1786 by E. Jackson, No. 14 Marylebone Street, Golden Square
Subject (Geographic):
Turkey.
Subject (Name):
Borusławski, Józef, 1739-1837 and Abdülhamid I, Sultan of the Turks, 1725-1789
Subject (Topic):
Ethnic stereotypes, Sultans, Harems, Guards, Dwarfs, Violins, and Pipes (Smoking)
publish'd September the 16th, 1746, according to act of Parliament.
Call Number:
746.09.16.01++
Image Count:
1
Resource Type:
still image
Abstract:
A broadside, anti-Jacobite, anti-Catholic and anti-French. The illustration portrays a coat of arms, flanked by a priest and a Highlander; below the etching in letterpress are three columns beginning with the text: "The explanation." The lilies of the French Royal arms changed to upside down frogs and the legitimacy of the Stewart line questioned by the inclusion of the bed-pan child over the priest's shoulder. The text begins: "The three toads are the French Old Coat of Arms, their heads downward, in a sable fields; the coat revers'd denotes treason in perfection. The supporters are a Popish priest on one side in his habit, with a warming-pan on his shoulder, with the lid open and a young child in it. In his right hand is a bloody pen-knife in a posture ready privately to execute the cruelty their religion teaches them to exercise on Protestants ...
Alternative Title:
Traitors coat of arms
Description:
Title engraved at top of image., Three columns of letterpress text below image., A satire against James Charles Edward Stuart, the Old Pretender., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Scotland
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788.
Subject (Topic):
Jacobite Rebellion, 1745-1746, History, Coats of arms, Ethnic stereotypes, Frogs, and Priests
A song sheet, all engraved, with an oval image of an obese clergyman with a pipe in hand walking beside the caricatured figure of Jewish man, who carries a lantern, printed above two staves of music with the first verse, above 16 verses in three columns. On the left behind them is building with a lean-to while on the right in the distance across a body of water is a church with a steeple
Description:
Title engraved above image., Other editions attribute the text to George Alexander Stevens (1710-1784) in English short title catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Publish'd July 2nd, 1784, by J. Binns, Leeds, and J. Wallis, No. 16 Ludgate Street, London
Subject (Topic):
Clergy, Ethnic stereotypes, Intoxication, Pipes (Smoking), and Lanterns
Four ugly old women try to scrub a black man white with brushes, a kettle of boiling water, as steam billows around the room. A fifth woman brings buckets of hot water. A sixth, in the center background, drinks gin. The black man squats in a big tub, with a pained expression on his face
Description:
Title inscribed beneath central image., Attributed to George Cruikshank., Date inferred from the 1827 publication date of George Cruikshank's Illustrations of time, plate 3 of which includes a smaller version of the central image. Cf. No. 15472 in the Catalogue of prints and drawings in the British Museum, v. 10., Image also used in Plate 3 of Cruikshank's 'Illustrations of Time'; the attempt to 'wash a black man white' was a traditional example of an impossible task., and On paper watermarked "J. Whatman 1821".
Subject (Topic):
Black people, Ethnic stereotypes, Racism, Wash tubs, and Brooms & brushes
Caption title., Illustration at top of sheet is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
Publisher:
Printed by R. Shaw, Silver-Street, White-Friars, Fleet-Street
Capt. Ord's Independent Company of Volunteer Rangers
Description:
Title from first line of text., Illustration at top of sheet (plate mark 9.2 x 13.8 cm) is a copy of a French soldier from Hogarth's Gate of Calais., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3050., and On page 145 in volume 2.
