Manuscript on paper. Includes passages from the Lay Folks' Catechism; The Virtues of the Mass; and Symon Wynter's Amplification of the Life of St. Jerome, drawn from the Legenda aurea and from the apocryphal correspondence between Sts. Cyril and Augustine, and supplemented with revelations of St. Birgitta. Also contains excerpts concerning the Virgin Mary and confession
Description:
In English and Latin., Watermarks: unidentified bull's head, small in size, buried in gutter., Script: Written primarily by a single scribe in Secretary script, with additions and corrections added in the 16th century., Edges frayed and upper portion of most leaves stained, with loss of text., and Binding: Nineteenth century. Brown calf, blind-tooled. Title, in gold, on spine: "Life of St. Jerome. M. S.". Remains of early place mark on f. 22.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Catechisms, Confession, Devotional literature, English (Middle), Exempla, and Manuscripts, Medieval
Manuscript on paper (sturdy) of classical Orations, Lives, and Exempla, followed by Excerpts from Valerius Maximus, Excerpts from Xenophon (translated into Latin by Francesco Filelfo), Seneca's Tragedies, Comedies by Terence and Plautus, and other miscellaneous works
Description:
In Latin., Unidentified watermarks buried in gutter include hat, ladder, crossed arrows, cross bow., Script: Written by two scribes: Scribe 1 (ff. 1r-152v) wrote in a careful humanistic script for text and modified capitals for headings; Scribe 2 (ff. 153r-167v) retained the overall format but used a less elegant style of writing., and Binding: Eighteenth century. Plain sheepskin case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Biography, Classical literature, Latin drama (Comedy), Exempla, Manuscripts, Medieval, Speeches, addresses, etc, and Latin drama (Tragedy)
Manuscript on paper containing 1) Ps.-Bernardus Claraevallensis, Planctus beatae Mariae. 2) Ps.-Bernardus Claraevallensis, Contemplationes de passione Domini secundum septem horas canonicas. 3) Excerpts about the Virgin Mary. 4) Extracts from Isaac Syrus, De contemptu mundi. 5) Extracts from various sermons by Ephraem Syrus (d. 373) in Latin translation. 6) Extracts from Bernardus Claraevallensis, De gradibus humilitatis et superbiae. 7) Excerpts from Caesarius, followed by other moral excerpts from the Bible, Aristoteles, Iohannes Chrysostomus, Cicero, Gregorius Magnus, Origenes, Hieronymus, Augustinus, Bernardus Claraevallensis, Basilius, Ambrosius, Hugo de Sancto Victore, Benedictus, Beda, Isaac Syrus, Seneca, Ps.-Boethius, Cassiodorus, Cassianus, etc. 8) Extracts from Antoninus Florentinus (1389-1459), Summa, part 3, tit. 13, chapter 5. 9) Martinus Bracarensis (fl. 556-572; Ps.-Seneca), Formula vitae honestae, without the Prologue and ending incomplete in chapter 4. 10) Iohannes Gallensis (Waleys, John of Wales, d. 1285), Breviloquium de virtutibus antiquorum principum et philosophorum. 11) Moral extracts from Boethius, Isidorus Hispalensis, Galfredus de Vino Salvo, Augustinus, Gregorius Magnus. 12) Excerpts from Hugo de Folieto (d. c. 1174; Ps.-Hugo de Sancto Victore), De claustro animae. 13) Moral excerpts from Hieronymus, Bernardus Claraevallensis, Speculum conscientiae, Leo Magnus, Remigius Autissiodorensis, and the Bible
Description:
In Latin., Script: Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v and ff. 107v-108v) writes peculiar forms of Humanistica Semitextualis Libraria. B (ff. 55r-66v) writes Humanistica Semitextualis Libraria. C (ff. 67r-98v) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r) writes a Humanistica Cursiva Libraria., Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink., The decoration is uneven and differs from section to section. Headings in red ink, red (sometimes yellow) heightening of majuscules, red paragraph marks and red plain initials of various sizes. Sometimes guide-letters without initials. Running headlines (author names) in large Southern Gothica Textualis Formata in some sections., and Binding: Nineteenth century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., John, of Wales, 13th cent., and Mary, Blessed Virgin, Saint.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla, Manuscripts, Medieval, and Sermons
Manuscript on parchment (uneven quality, severely trimmed) of a Florilegium comprised of a series of meditations and prayers. The text, apparently a unicum, is a cento of biblical, liturgical, and patristic citations, with some additional material spuriously attributed to St. Bernard. The most important sources are the Song of Songs, the other Wisdom books, the Prophets, and, in the Trinitarian section, Augustine's De Trinitate
Description:
In Latin., Script: Written by three scribes. Art. 19 (ff. 189r-190r) written by Scribe 3 in an informal gothic bookhand, no later than ca. 1300. Scribes 1 and 2 collaborated on the rest of the manuscript: arts. 1, 3-5, 6 (ff. 124r-125r), 9-18 written by Scribe 1 in a neat, but somewhat irregular gothic bookhand, arts. 2, 6 (ff. 125v-132r), 7-8 written by Scribe 2 in an undisciplined gothic bookhand., The manuscript is outstanding for the quality and complexity of its program of illustration. In its original state it included at least fifty full-page miniatures, of which forty-six survive, one-hundred-and-sixty smaller miniatures, and forty-one historiated initials. Twenty-three tinted drawings were added on blank and added folios at a later date (between 1300 and 1350). The decoration is the work of at least three artists. The miniatures, initials, and marginal decoration are the work of two hands, one of whom contributed only two full-page miniatures (ff. 61r and 64r) that depend on the style usually associated with the name of Master Honore. The other, predominant hand works in a flatter, more linear style associated with Northeastern France. Full-page miniatures, in art. 1 only, some divided into two or three registers, in blue or orange frames, surrounded by a narrow gold band, with orange lozenges at the corners, each with an ivy spray, in black ink with five gold leaves; predominantly blue or vermilion tesselated or tooled gold grounds; two (ff. 25r and 55r) with fleurs-de-lis in lozenges. On each text page in art. 1 there is a smaller miniature, 9- to 5-line, with a witness who gesticulates towards the full-page miniature on the facing page; each miniature in a blue and/or pink frame with gold squares in the corners. Almost every folio in arts. 2-18 with at least one small miniature 10- to 5-line, framed as above. Arts. 11 and 14 illustrated almost exclusively with historiated initials, 6- to 4-line, blue, pink and/or orange against grounds of the same colors, with short ivy branches extending from the serifs, many with grotesque terminals., Illuminated initials, 2- to 1- line, in art. 1 only, gold against irregular blue or pink grounds, with white filigree, edged in black, some of the 2-line initials with ivy borders, as above. The borders, especially in arts. 2-18, are populated with grotesques and other marginal illustrations, the majority apparently non-narrative and without reference to the adjacent texts and miniatures, in the same style as the miniatures by the predominant hand. Names of Hebrew letters in art. 12 in red., Lower outer corners cut from ff. 167-192. Marginal decoration on many folios severely trimmed. Gold has flaked off considerably from the full-page miniatures on ff. 13r, 15r, 19r; some flaking of gold on ff. 6v, 18v, 25r, 34r, 44r, 51r., and Binding: ca. 1966. Bound in two volumes (I: ff. 1-96; II: ff. 97-192) in native tanned vermilion Nigerian goatskin, by J. Greenfield, without any adhesive touching the bookblock itself. Previously bound in brown leather in a single volume.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, Latin (Medieval and modern)., Exempla, Fathers of the church, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval
Manuscript on paper of texts on the Psalms and Canticles, and other texts
Description:
In Latin., Script: apparently four hands: A writing a bold Gothica Hybrida Libraria copied ff. 1r-186r and 201r; B writing Gothica Cursiva Currens copied ff. 189r-199va15; C writing Gothica Semihybrida Libraria/Currens copied ff. 199va16-200v; D writing Gothica Semihybrida Currens copied ff. 203r-299v; the document on f. 226v is probably in the same handwriting. Scribe D is the unrecorded Hinricus Landesberch in Wernigerode., Red underlining, paragraph marks, heightening of majuscules and plain initials, generally 2 lines, at the head of various texts larger. Pointing hands., The manuscript contains: 1) Honorius Augustodunensis (Honorius of Autun, c. 1090- c.1150), Expositio in psalmos CI-CL et in cantica veteris et novi testamenti. 2) Alanus de Insulis (Alain de Lille, c. 1120-1202), Glosatura super cantica veteris et novi testamenti. 3) Notes on the Book of Psalms, its subdivisions, significance, on Ps. 1 and Ps. 150, etc. 4) Extracts on the Psalms from a florilegium of the works by or attributed to St. Augustine, called Summula Florigeri sancti Augustini. 5) Treatise on the virtues and vices arranged according to the course of the sun through the signs of the Zodiac; the names of the months and of the zodiacal signs are given in Latin and in German, with examples from the Bible and legend. 6) Miracles and legends. 7) Copy of a notarial document. 8) Isidorus Hispalensis (Isidore of Seville, d. 636), Quaestiones in vetus testamentum. 9) Vision of the horrors of Hell shown to St. Paul of Thebe (Paulus Eremita, 228-341). 10) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis OP (d. c. 1353). 11) Two sermons on the Immaculate Conception, quoting many exempla. 12) Incomplete legend of St. Catharine of Alexandria. 13) Ps.-Augustinus Hipponensis, De essentia divinitatis: an excerpt from Eucherius Lugdunensis (Eucherius bishop of Lyons, d. c. 450), Formulae spiritalis intelligentiae, chapter 1., and Binding: original undecorated white deerskin over bevelled heavy wooden boards, sewn on three double thongs; spine with plaited headbands; in its upper compartment a paper label with a 17th-century indication of the content; in the second compartment a paper label with the number "VIII". On each cover five small brass bosses on indented square plates; marks of two leather straps attached to the rear cover, the holes of the pins visible in the front cover. At the top of the front cover a contemporary Table of Contents is written in ink in Gothica Hybrida Libraria, now badly legible; at the bottom of the same cover, in a large Gothica Hybrida Formata: "Tractatus Honorii pape" [sic]. The rear pastedown (half detached) consists of a large fragment and scraps on paper from a 15th-century Latin register of personal interdicts attached to persons with German names; the handwriting is Gothica Cursiva Currens.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alanus, de Insulis, -1202., Catherine, of Alexandria, Saint., Honorius, of Autun, approximately 1080-approximately 1156., Isidore, of Seville, Saint, -636., Paul, the Hermit, Saint, -approximately 341., Pseudo-Augustinus., and Samuel, Marochitanus.
Subject (Topic):
Christian hagiography, Exempla, Manuscripts, Medieval, Theology, and History
Manuscript on paper (coarse, thick) of 1) Commentary on selections from Seneca the Elder, Controversiae, beginning imperfectly in I.3. 2) 300 exempla. 3) Gualterus Angelicus, Fabulae. 4) More than 100 extracts about the Virgin Mary, and other topics. 5) Extracts about virtues and vices derived primarily from Gregory the Great, Dialogi. 6) Exempla drawn from Walter Burley, De vita et moribus philosophorum. Arts. 7-18: collection of epitaphs
Description:
In Latin., Watermarks, in gutter: similar to Briquet Monts 11854 and unidentified mountain (?)., Script: Written by a single scribe in semi-cursive gothic bookhand, above top line. Arts. 8-18 added by one or more contemporary hands., 2-line plain initials, paragraph marks and headings, in red, throughout; some marginalia in red., Folio 151 damaged, with loss of text., and Binding: Nineteenth century, Italy (?). Limp vellum case made from a document; text not legible, but docketing note visible under ultra-violet light on upper cover: "N. 167".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Burlaeus, Gualterus, 1275-1345?, Gregory I, Pope, approximately 540-604., Mary, Blessed Virgin, Saint., and Seneca, Lucius Annaeus, approximately 55 B.C.-approximately 39 A.D.
Subject (Topic):
Conduct of life, Epitaphs, Exempla, Manuscripts, Medieval, and Scholia
