"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. ..."--British Museum online catalogue, description of a larger version of the same design
Alternative Title:
Prudence produceth esteem and Keep within compass and you shall be sure, to avoid many troubles which others endure
Description:
Title from text above and below circular image at center of design., Alternative title from text etched within circular border of center image: Keep within compass and you shall be sure, to avoid many troubles which others endure., After a watercolor drawing by Robert Dighton; see British Museum online catalogue, registration no.: 1859,0709.57., Reissue, with new imprint and date removed, of a print published by Carington Bowles in 1785; see no. 6908 in the Catalogue of prints and drawings in the British Museum, v. 6. For a larger mezzotint version of the same design with more extensive verses below, see no. 6907 in the Catalogue of prints and drawings in the British Museum, v. 6., Date based on the partnership of Bowles and Carver from 1793 until 1832., Sheet trimmed to plate mark., Four lines of verse in two columns at bottom of plate: Attend unto this simple fact, as thro' this life you rove, that virtuous and prudent ways, will gain esteem and love., and Plate numbered "347" in lower left corner.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Paul's Church Yard, London
Title from item., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez N Langlois, rue St. Jacques à la Victoire Avec privilege
Manuscript on paper of 1) Martinus Oppaviensis OP (Martinus Polonus, Martin of Troppau, d. 1279), Chronicon pontificum et imperatorum, with continuations up to pope Clemens VI (1342-1352). 2) Accounts and other documents from the years 1385-1403, dealing with farms in Germany
Description:
In Middle High German and Latin., Script: Art. 1 is probably copied by one hand writing Gothica Cursiva Libraria becoming more rapid towards the end. Art. 2 is written at various moments by one hand writing Gothica Cursiva Antiquior Currens in compressed and irregular lines, sometimes difficult to decipher., In art. 1 the headings have not been executed (instructions for the rubricator in the lower margins in the first quire). Neither have the 2-line initials been executed, for which there are guide letters; the first initial only (a 3-line plain initial in black), f. 1r, has been made. Art. 2 is undecorated., Many pages water-stained and damaged, especially the lower margins. F. 1 and art. 2 badly spoilt by the use of a reagent., and Binding: Fifteenth century. Quarter red leather (pigskin) and oak boards with rounded edges; the leather fixed on the boards with iron nails; sewn on three split leather thongs. Remnants of one strap attached to the rear board, with a brass pin in the front board. Part of the iron attachment for a chain preserved at the top of the rear board. Yellowish leather pastedowns, now detached.
Subject (Geographic):
Germany., Connecticut, New Haven., and Holy Roman Empire
Subject (Name):
Martinus, Polonus, -1279.
Subject (Topic):
Accounts, Farms, Manuscripts, Medieval, Papacy, and History
"Pitt and Dundas (in tartan), back to back, vigorously ply long whips against a herd of swine with human faces whom they drive through broken palings from the enclosure in which they stand (right). On the extreme left is the corner of a pound through which poke the heads of two (normal) swine, ringed and shedding tears. The swine who are being flogged have, beside their human heads, ringed snouts, both heads being enclosed in a wooden triangle. The leaders are Fox, with Norfolk (cf. BMSat 9205) on his right and Bedford (cf. BMSat 8684) on his left, the others are less prominent: Erskine, Tierney, looking over Fox's back, Burdett, Derby, and Nicholls (left), while M. A. Taylor (right), smaller than the others, scampers to right instead of left. Beside the pound (left) stands a grinning yokel (John Bull); on its post is a placard: 'London Corresponding Society - or the Cries of the Pigs in the Pound'. The background is a row of conical haystacks behind which is a thatched and gabled farm-house. ..."--British Museum online catalogue
Alternative Title:
Swine flogg'd out of the farm yard and Swine flogged out of the farm yard
Description:
Title etched below image., Three columns of verse etched below title: Once a society of swine, liv'd in a paradice [sic] of straw, a herd more beautiful & fine, I'm sure Sir Joseph never saw ..., and Temporary local subject terms: Allusion to George III as Farmer George -- Allusion to the London Corresponding Society.
Publisher:
Pubd. June 22d, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, and Taylor, Michael Angelo, 1757-1834
Subject (Topic):
John Bull (Symbolic character), Farms, Haystacks, and Swine
"Satire on a drunken farmer in Worcestershire accompanying a letter from "S. P." published in the Oxford Magazine. A portly farmer is shown assisted home from the tavern (in the background) by two thinner men and is greeted by his angry wife, daughters and various farm animals. On the wall of the farmhouse are two nesting 'bottles' designed for birds."--British Museum online catalogue
Description:
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 4 (1770), p. 25., Temporary local subject terms: Fowl: rooster., and Mounted to 28 x 41 cm.
Publisher:
publisher not identified
Subject (Topic):
Dogs, Donkeys, Farmers, Farms, Intoxication, and Swine
"A farm-yard scene with Windsor Castle in the distance (right). In the centre four pigs feed at a trough; George III (right) and Queen Charlotte (left) stand on each side of it facing each other in profile, both slightly caricatured. At the King's feet are a bucket and a young pig. The Queen scatters grain to chickens and ducks. On the right a guardsman walks off carrying a bundle of turnips across his shoulder (see BMSat 6946). In the background (left) are haystacks and farm buildings; from one projects the sign of a royal crown inverted. A young woman (probably one of the princesses) advances with a basket (cf. BMSat 7897). On the right is a large placard on a post, 'Mantraps & Spring Guns'. Behind it are sheep."--British Museum catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Attributed to Kingsbury in Angelo's Reminiscences, 1904, v. i, p.326., Watermark in center of sheet: J Whatman., and Queen Charlotte and George III identified by ms. note in a contemporary hand.
Publisher:
Pubd. Aprll [sic] 29, 1786 by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Windsor Castle,
Subject (Topic):
Farms, Farmers, Poultry, Sheep, Haystacks, Military uniforms, British, Signs (Notices), Swine, and Troughs
A farmer sits on a bench outside a building, his body composed of sheaves of wheat, pails, and farming implements; beside him are a barrel (labled "Home brew"), a ladder, a rake, and a mug of beer. He holds a pipe in his left hand. In the distance on the right is a field with men working, a horse and wagon, and a farmstead in the background
Description:
Title from caption below image.
Publisher:
Pubd. by T. McLean, 26 Haymarket and Printed by G.E. Madeley, 3 Wellington St., Strand
Subject (Topic):
Arcimboldesque figures, Agricultural equipment, Farms, and Farmers
"Satire on the clergy; a farmer and his wife offering their tythe to a clergyman by the tithe barn at the gate of his rectory; the man holds a sucking pig, the woman holds out an infant, saying that if the clergyman wants the former he must also take the latter; the clergyman turns away looking back over his shoulder in distaste."--British Museum online catalogue
Alternative Title:
Tithe pig and Dime
Description:
Title engraved below image., Caption at top of image: La dime., Two columns of verse below title: In country village lives a vicar, fond--as all are!--of tythes and liquor ..., 'Price 6d.', and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title engraved below image., Publication date inferred., Two columns of verse below title: In country village lives a vicar, fond--as all are!--of tythes and liquor ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Strasburg lily with initials L V G below., and Mounted to 34 x 23 cm.
In a farmyard, a man pushes a wheelbarrow. The farmhouse stands behind the man. Tree branches and tools for cutting wood are scattered throughout the farmyard
Description:
Title from inscription in graphite pencil on verso: Hunt, William Henry, 1790-1864. A farmhouse, man with barrow in pen and watercolor., Inscription in graphite pencil on verso: Brought from attic to print room by WSL, 1-16-75., and William Henry Hunt, English watercolor painter, 1790-1864.
