Title from heading above image., Publication date from unverified data from local card catalog record., and Caption below image: "And quickly opening a vein in her left arm she proceeded to sprinkle a portion of her blood upon the hideous object muttering a powerful incantation, the corpse became entirely subservient to her will & c."
Publisher:
Published by William Charlton Wright, 7 York Stt., Covent Garden
Subject (Topic):
Cemeteries, Fear, Ghosts, Kettles, and Tombs & sepulchral monuments
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 24.6 x 34.9 cm., Printed on wove paper., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Pss. Charlotte," "Theodore Majocchi," and "Caroline" identified in black ink above title; note "21 - Aug. 1820" added in ink in lower right corner, beneath the pencil annotation "Aug. 1820." Typed extract of fifteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
A young man, three-quarters length (left), screams in horror as he gazes on the apparition (right) with large teeth, wearing a night cap and spectacles (clouded so the eyes are hidden),and whose claw-like hand rests on the young man's shoulder
Alternative Title:
Fright
Description:
Title engraved above image., Plate numbered 'No. 17' in upper right corner., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Three lines of text below image: This passion is frequently excited by dressing up frightful objects to represent sprites, apparitions, &c.: frequently practiced with success in country villages, as delineated in the above sketch of the countryman & the ghost., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 21 Jan. 1800, at R. Ackermann's Repository of the Arts, 101 Strand
Title from heading above image., Date of publication from unverified data from local card catalog record., Twelve lines of text below image: I've seen a ghost! and heard it groan! my blood run cold, at ev'ry tone ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 27 cm.
Frederic in search of Hippolita enters her oratory only to recoil in horror at the sight of a specter wrapped in a hermit's cowl. The specter rests its hand on a book laid open on the altar above which hangs a crucifix. Behind them, two shelves built into the wall are filled with books and an ink well with two feather pens
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
Title from manuscript caption added to mount., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 31 cm.
