Half length portrait of Henry Angelo as a fencer, directed towards the right, facing and looking towards the left, with long hair and a double-breasted fencing jacket (formerly misidentified as a Guernsay jacket). He holds a foil in his right hand
Description:
Title from caption below image., After a portrait by Mather Brown in the National Portrait Gallery, London, oil on canvas, NPG 5310?, Questionable date of publication from ms. annotation preceding imprint: Oct. 1st, 1791., Sheet trimmed within plate mark on upper edge., and Mounted to 29 x 23 cm.
Publisher:
Publish'd by B.F. Scott, No. 18 Broad Court, Long Acre
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 137. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of a large room showing two sash windows, through one of which (left) is seen part of the south side of the Senate House, through the other, the tower of St. Mary's Church, both drawn with topographical accuracy. Between the two windows is a niche in which is a statue of Athene holding her shield; in her outstretched left hand is held out a laurel wreath towards some men beneath her who have entered from a door on the right. Her owl sits beside her on the stump of a tree. Beneath the title is etched, "dedicated to the illustrious Inheritress of her fame in Professors of Arts & Sciences, the University of Cambridge O Matre pulchra Filia pulchrior!" Immediately below Athene, and concealing the lower part of her draperies a man stands on a high rostrum covered with a cloth. He wears a furred academic gown and bands, and holds out a rolled document in his right hand. Immediately below the rostrum a man, not in academic dress, is seated at a table writing. He is in profile to the right looking towards four men who have entered from the right through an open door, apparently 'professors of Arts and Sciences', whose names he is recording. The foremost of these is a dancing-master who stands holding a bow in his right hand, a kit or small fiddle in his left. Next is a rough-looking elderly man wearing a round hat and long coat. The other two are middle-aged, one holding his hat and a cane and accompanied by a dog. On the left, and behind the chair of the man writing, are two other 'professors'; a fencing-master, wearing a fencing-jacket, stands in back view, turning his head in profile to the right, his left arm raised, holding his foil horizontally. Behind him stands a thin man wearing a hat, one hand in his waistcoat pocket, the other thrust in his waistcoat."--British Museum catalogue
Description:
Title etched below image; the letters "n" in "Athens", "inheritress", and "University" are etched backwards., Sheet trimmed within plate mark., and Mounted on page 137 of: Bunbury album.
"Portrait seen half-length slightly to right holding rapier in his right hand, and resting his right arm on ledge before music manuscript and violin, eyes to front, wearing red coat, cravat and wig; sky behind."--British Museum online catalogue
Description:
Joseph Bologne, Chevalier de Saint-Georges, a champion fencer, violinist and conductor in Paris; son of George Bologne de Saint-Georges and Nanon, his African slave. First classical composer of African ancestry; also known as the "Black Mozart"., Title etched below the image in dotted letters., and Ten lines of French verse in two columns below title: Dans les armes jamais on ne vit son egal ...
Publisher:
Publish'd April 4th, 1788, by Bradshaw, No. 4 Coventry Street
Subject (Name):
Saint-Georges, Joseph Bologne, chevalier de, 1745-1799,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 135. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of a large room showing two sash windows, through one of which (left) is seen part of the south side of the Senate House, through the other, the tower of St. Mary's Church, both drawn with topographical accuracy. Between the two windows is a niche in which is a statue of Athene holding her shield; in her outstretched left hand is held out a laurel wreath towards some men beneath her who have entered from a door on the right. Her owl sits beside her on the stump of a tree. ... Immediately below Athene, and concealing the lower part of her draperies a man stands on a high rostrum covered with a cloth. He wears a furred academic gown and bands, and holds out a rolled document in his right hand. Immediately below the rostrum a man, not in academic dress, is seated at a table writing. He is in profile to the right looking towards four men who have entered from the right through an open door, apparently 'professors of Arts and Sciences', whose names he is recording. The foremost of these is a dancing-master who stands holding a bow in his right hand, a kit or small fiddle in his left. Next is a rough-looking elderly man wearing a round hat and long coat. The other two are middle-aged, one holding his hat and a cane and accompanied by a dog. On the left, and behind the chair of the man writing, are two other 'professors'; a fencing-master, wearing a fencing-jacket, stands in back view, turning his head in profile to the right, his left arm raised, holding his foil horizontally. Behind him stands a thin man wearing a hat, one hand in his waistcoat pocket, the other thrust in his waistcoat."--British Museum catalogue, description of a later state
Description:
Title from later state., Artist, printmaker, and date of publication from statements of responsibility on later state: T.O. invt. & delt. ; Js. Bretherton f. 3d Jany. 1778., Proof before letters. For a later state with lettering, see no. 5510 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark., and Mounted on page 135 of: Bunbury album.
