"Two men sit in a dilapidated room, the floor completely covered by water in which three pigs wade, ducks swim and dive, and geese run aggressively towards a dog. Their feet rest on boulders. One stout man in a broken chair sits with his elbows on a small round table, holding up a large watch, the hands showing that it is 9.40, and yawning deeply. On the table are a decanter containing a tiny 'blue devil', cf. British Museum Satires No. 8745, and a guttering candle stuck in a potato at which a rat is nibbling. Another rat runs up the table leg. The other man (right), with closed eyes, and hands on knees, sits on a stool, registering melancholy resignation. One pig (left) devours a 'Racing Calendar' which floats on the water. A fire of sticks burns smokily on a wide hearth; a large pot is overturning, the contents gushing over. Above the chimney-piece hangs a picture in a broken frame of a country house. There is one small casement window, half boarded up, the other half partly stuffed up with a pair of breeches. A ham and a hare hang from hooks in the ceiling. High up on the wall is a small shelf on which is broken china; a cat stands on it."--British Museum online catalogue
Description:
Title etched below image. and Possibly etched after a design by Bunbury; see British Museum catalogue.
Publisher:
Pubd. May 12th, 1812, by H. Humphrey, No. 27 St. James's Street
"Two men sit in a dilapidated room, the floor completely covered by water in which three pigs wade, ducks swim and dive, and geese run aggressively towards a dog. Their feet rest on boulders. One stout man in a broken chair sits with his elbows on a small round table, holding up a large watch, the hands showing that it is 9.40, and yawning deeply. On the table are a decanter containing a tiny 'blue devil', cf. British Museum Satires No. 8745, and a guttering candle stuck in a potato at which a rat is nibbling. Another rat runs up the table leg. The other man (right), with closed eyes, and hands on knees, sits on a stool, registering melancholy resignation. One pig (left) devours a 'Racing Calendar' which floats on the water. A fire of sticks burns smokily on a wide hearth; a large pot is overturning, the contents gushing over. Above the chimney-piece hangs a picture in a broken frame of a country house. There is one small casement window, half boarded up, the other half partly stuffed up with a pair of breeches. A ham and a hare hang from hooks in the ceiling. High up on the wall is a small shelf on which is broken china; a cat stands on it."--British Museum online catalogue
Description:
Title etched below image., Possibly etched after a design by Bunbury; see British Museum catalogue., 1 print : etching with stipple, hand-colored ; sheet 24.4 x 34 cm., and Sheet trimmed to plate mark. Mounted on page 24.
Publisher:
Pubd. May 12th, 1812, by H. Humphrey, No. 27 St. James's Street
"An adaptation of Gillray's 'Comfort to the Corns', British Museum Satires No. 9585. The old hag is altered to a rather younger woman, the wide hearth to a neat fireplace. The Gothic chair is replaced by a chair with a high cane back (of Charles II period). A cat watches the operation."--British Museum online catalogue, description of an etched version of the same design
Description:
Title from text below image., Probably a copy of an etching attributed to George Cruikshank and assigned a date of 1818. Cf. No. 13134 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Temporary local Medical Library subject terms: Corns., and Mounted to 34.2 x 25.4 cm.
Publisher:
publisher not identified
Subject (Topic):
Knives, Feet, Medical procedures & techniques, Cats, and Fireplaces
Caption title., Anonymous. By Hannah More., This form of imprint was used between May 1795 and January 1796 (Spinney)., Verse begins: Near Lechlade town, in Glostershire ..., This edition has all except the price within a border consisting of intertwined ropes, one of leaf-like ornaments, the other of open ornamental dots; the words "Cheap Repository" interrupt the border in the center at the top; the two columns of text are separated by a vertical double rule., Below imprint: Great allowance will be made to shopkeepers and hawkers. Price below the border: Price an halfpenny, or 2s. 3d. per 100.---1s. 3d. for 50.---9d. for 25., Above imprint and below text, in italics: Entered at Stationers Hall., Entered in the Stationers' Register to Hannah More, 31 August 1795., The woodcut shows a family sitting by a fire at night in a room with a candle., This edition not recorded by G.H. Spinney, 'Cheap Repository tracts: Hazard and Marshall edition.' In Library, 4th series, volume 20 (1939-1940) number 3 (no. 35)., Mounted on leaf 26. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Sold by J. Marshall, printer to the Cheap Repository for Religious and Moral Tracts, at no. 17, Queen-Street, Cheapside, and no. 4, Aldermary Church-Yard; and R. White, Piccadilly, London. By S. Hazard, printer to the Cheap Repository, at Bath; and by all booksellers, newsmen, and hawkers, in town and country
Title from caption below image., Probably after a design by Rowlandson; Cf. British Museum online catalogue, registration no.: 1948,0214.796., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification), Intoxication, Skeletons, Crowns, and Fireplaces
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored; sheet 21 x 26 cm., and Imperfect; only lower left design entitled "After dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"View within the dining hall of the asylum in Lambeth; girls dressed in simple purple dresses with white bonnets seated at long narrow tables along sides of plain large room, with flagstones and grey walls; a few more elegantly dressed figures strolling between the tables."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 25., Plate numbered in upper right, above image: Plate 5., Temporary local Medical Library subject terms: Asylum, or House of Refuge., and 1 print : aquatint and etching, hand-colored ; plate mark 242 x 292 mm.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Lambeth (London, England), London (England), Great Britain., England, and London.
"View within the dining hall of the asylum in Lambeth; girls dressed in simple purple dresses with white bonnets seated at long narrow tables along sides of plain large room, with flagstones and grey walls; a few more elegantly dressed figures strolling between the tables."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 25., Plate numbered in upper right, above image: Plate 5., and Temporary local Medical Library subject terms: Asylum, or House of Refuge.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Lambeth (London, England), London (England), Great Britain., England, and London.
Doctor Sangrado relieving John Bull of the yellow fever
Description:
Title from item., Sheet partially trimmed within plate mark., Printseller's announcement following publication statement: who has just fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB Folios lent out for the evening., Temporary local subject terms: Debates: budget debate, 23 February 1795 -- Artisans -- Money -- Medical procedures -- Kettles., Watermark: Strasburg lily with intials GR below., and Mounted.
Publisher:
Pub. Feby 25, 1795, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Windham, William, 1750-1810, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Fireplaces, and Wigs
