Title from item., Printmaker suggested in British Museum catalogue., Sheet trimmed within plate mark., Statement following imprint: ... of whom may be had the new and much admired prints of A trip to Brighton, The jovial crew, or merry beggears, The sudden squall, &c, &c., Temporary local subject terms: Vehicles: Coach and four -- Bellow -- Prince's debts -- Personification: Hope -- Anchor with Prince of Wales' motto: Ich Dien -- Hare -- Flowers, and Mounted to 28 x 42 cm.
Publisher:
Pub'd as the act directs for the proprietor, by E. Macklew, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Weltje, Louis, 1745-1810
"Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed 'Chance'; its centre, a segment of which is visible, is composed of the letters on an 'E.O.' (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, "Push away! that's your sort!" He cries, "Straight Sailing! that's your sort!" Both the horses have human heads; that of the Duke says, "I'm the Sort for Leading; that of the Prince is Fox." The Prince's hat with feathers and the motto 'Ich dien' flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, "No Jealous Fitz - that's your sort!" The other, seated behind her, holds the end of the Prince's shirt, she has a large fox's brush and is probably Mrs. Armistead; she says, "Well done Charley! That's your sort!" The Prince says, "I'm the sort for a Widow - she's done over!" Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed 'Styx', a bridge or culvert beside it is 'Hazard'. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed 'ABC....' In his right hand he holds out a dice-box inscribed 'Oat - ' shaking from it two dice inscribed 'la' and 'nds' (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of 'Tennis Balls' (cf. British Museum Satires No. 7903) which resemble guineas. He says, "I'm the sort! for running out!" For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed 'Lottery Hack'; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed 'Illegal Insurance' (cf. British Museum Satires No. 7750); he says, "That's your sort - I'm in for it - I shall do the deep Ones!" The other two shout, "Go it! Dam'me! that 's your sort!" and "Dam Trade! Life and a Racer! that 's your sort." Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, "We're the wrong side of Temple Bar, my dear, we are only the sort to be laughed at"; she answers, "Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort." By their horse's head is a signpost inscribed 'Rotten Row', with a pointing hand inscribed 'Hoyle' (on Whist), the vertical post inscribed 'Crim. con.' The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed 'Faro'; she carries on her arm a wicker cage containing pigeons and says, "Unplucked Pidgeons! that's the sort." In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, "50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot's de sort." Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by W. Dent
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Fitzherbert, Maria Anne, 1756-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Crouch, Anna Maria, 1763-1805
Subject (Topic):
Gambling, Social life and customs, Horses, and Playing cards
"design in two strips, one headed the intention, the other (below), the fact. Each strip is divided into three compartments of unequal width. [1] Two councils sit, each round a circular table. On the left is 'An Infernal Council'. The Devil, irradiated, presides at a meeting of six demons. He says "Such is the Plan Now choose your Parts". The three on his right hand say (right to left): "Blasphemy Atheism & P-----st-----y [Priestley] are mine. I will assist B--r--g--n [? Barrington] F-----zh------t [Fitzherbert] & the Catholicks in their Bigotry & Ambition. And I Pr------e [Price] & such as are full of Disaffection & Treason". The three on the Devil's left say (right to left): "I will patronize L--ns--y [Lindsey] Speciousness Low Cunning. &c. I will help K-----p------s [Kippis] &c. to furnish the press with suitable Trash. And I will be at hand to assist whenever I am Wanted." The other conclave is 'A Nocturnal Council'. A monk and six ministers sit round a table. A minister resembling Price says, "A Republick is the best Form of Government". On his left is the monk, who says, "All religious Establishment is absurd, (aside) except Popery". On Price's right, and in profile to the left, is Priestley, saying, "And thus we will lay Gun Powder Grain by Grain till we blow up the Constitution". Lindsey, on the extreme right, says, "We must become Bad Citizens before they will grant us the Privileges of good Ones". The other three, who are in back view, say respectively: "We must propose a Test to the Candidates; Meanwhile we must send a Deputation to other Ministers"; and "We must promise Fox our Support at the next general Election". Priestley wrote that he was assisted by friends of the hierarchy in the 'disposition of grains of gunpowder' which would certainly blow it up. 'Letters to the rightev. Edward Burn'. This was quoted by Burke in the debate. 'Parl. Hist.', xxviii. 438. (Cf. BMSat 7632, &c.) But it appears that he quoted from a printed extract circulated with misleading omissions. See 'An Arranged Catalogue of the several Publications . . .' 1790, p. 30 n. (B.M.L. 126, i. g.). The dissenters had agreed to resolutions declaring that at the (pending) general election they would support only men 'Well affected to the cause of civil and religious liberty'. This Pitt denounced as the imposition of a test. 'Parl. Hist.', xxviii. 408-9; see also p. 444. See BMSat 7630. [2] The next design is 'The Deputation Rejected'. A man (left), hat in hand, approaches four ministers wearing bands and three-cornered hats, who turn away from him; their spokesman says: "We plainly perceive that Popery and Infidelity will be the Result of your Measures - therefore - we will not join you." They are probably Methodists. [3] The third design is 'A Future K-----g & Q------n at their Devotion'. A king and queen wearing crowns and royal robes kneel at a console table supported by a harpy, which serves as altar (right). On it is a crucifix, above it hangs a half length portrait of a Pope. Burke in monastic robes (cf. BMSat 6026) enters through a door (left), saying, "Lord now lettest thou thy Servant depart in peace . . for mine Eyes have seen thy Salvation." The king and queen do not appear to be portraits (though probably intended for the Prince of Wales and Mrs. Fitzherbert). Burke, who had absented himself from the House during the debates on repeal of 1787 and 1788, voted against the motion. [4] In the lower strip the first design is 'The Mortifying Report'. Fox (left) holds out to four men standing behind a circular table a large placard inscribed: 'For the Repeal 105 Against It 294 Majority 189' (they are the chief members of the 'Nocturnal Council' above): the monk says "It is our determination never to Rest until we enjoy Civil and Military Power". Stanhope says "I am now resolved to try it in our House". Price, raising his fist, says, "Nothing will be done for us 'till some great Calamity again Alarm our fears, or some great abuse of Power provoke our Resentment". Priestley says: "The Conversion of S--l--s D------n to Atheism was but an Introduction to what I intended to do on ye Repeal". For Silas Deane see BMSats 6288, 6303. He died suddenly, 23 Sept. 1789, 'having ruined himself and family, and deranged France and America with the charming words, Liberty, Constitution and Rights'. 'Gent. Mag.' 1789, p. 867. [5] 'The Death bed Avowal of S--l--s D------e*' A man lies in a large four-post bed; a parson wearing a surplice stands behind it, his hands raised in horror, saying, "No God! who taught you that Doctrine?" He answers "Dr P------s-----y. *The Particulars of this awful & interesting Conversion to Atheism may be seen in a Pamphlet entitled Theodosius, & sold with or without the Print" (marginal note). Deane died on board the Boston packet in the Downs, having intended to visit Canada. In 'Theodosius' is related a supposed conversation and dying confession of Silas Deane. This was quoted in the 'Gent. Mag.' 1790, p. 383 (May) with a contradiction by Priestley, ibid., pp. 384, 385, who stated that he had never had any conversation on religion with Deane. For Priestley and death cf. BMSats 5644, 7892. [6] The last scene is 'FINIS'. A swarm of flying demons with webbed wings drag, by threads attached to their noses, the seven members of the 'Nocturnal Council' towards the flames of Hell (right). One says to Price, the foremost, "Come along most learned Doctor I have always led you by the Nose - so dont mind it now". Another says, "I fear they will set H------l in an Uproar". Three others say respectively: "How the Dogs Quarrel, they'll get to fighting soon"; "Here comes the precious Set, & a fine parcel of Divinity it is"; and "They are such seditious Rascals, they will strive to overturn Our Government". On the extreme left a seventh demon kicks the rearmost (Priestley), saying, "Get along Joey 'tis too late to recant Now besides we love you too well to part with you". Priestley says "O! S-----s D------n! [Silas Deane] Oh Mercy! Pardon! I recant I recant". The next two turn round furiously towards Priestley, saying, "Dog! I'll ease my Tortures by tormenting You", and, "Blasphemous Villain! Your Curs'd Sophistry brought me here." The next two say "Oh Conscience! Horror! - Miserable Wretch!" and "Oh H-----l! H------l! hide me from myself". The monk says to Price, who is the leader of the group, "Curse your Republican Cant - you have ruined the Cause". Price answers, "No - tis admitting ye Whore of Babilon into ye Confediracy have undone us.""--British Museum online catalogue
Description:
Title from caption below images., Publisher's advertisement following imprint: Where may be seen the compleatest collection of comick & satirical prints in the kingdom. Admittance one shilling., Two lines of text below title: This print is humbly dedicated to the Church of England & to the great body of worthy dissenters who refused to join ..., Design consists of six captioned panels in two horizontal strips, the upper strip entitled "The intention" and the lower strip entitled "The fact.", Sheet trimmed within plate mark., Temporary local subject terms: Sedition -- Furniture: Bed -- Acts: Reference to the repeal of the Test and Corporation Acts, March 2, 1790 -- Clergy: Monk -- Popery -- Pictures amplifying subject -- Mythology: Harpies -- Altars -- Crucifixes -- Votes on the repeal of the Test and Corporation Acts -- Horace Walpole refers to subject., and Watermark: J. Whatman.
Publisher:
Pubd. March 18, 1790, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Priestly, Joseph 1733-1804, Fitzherbert, Maria Anne, 1756-1837, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Kippis, Andrew, 1725-1795, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Deane, Silas, 1737-1789, and Rees, Abraham, 1743-1825
Mrs. Fitzherbert in a panniered skirts, a fichu, an enourmous hat and a tartan sash, stands facing us looking down sorrowfully at a writ whcih she holds in her right hand. Above her hang a pair of unbuttoned breeches with 'Honi so' on one garter
Description:
Title from item., Sheet trimmed within plate mark., Not in th Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Horace Walpole refers to subject.
Publisher:
Pub'd May 11, 1787 by S.W. Fores, No. 3 Piccadilly
Title from item., Sheet trimmed to plate mark., Three lines of text following title: NB. in a fewe [sic] days will be given a peep into the pit ..., Publisher's advertisement following imprint: who has just fitted up his exhibition in an entire novel stile [sic], admittance 1 sh. NB. folios of caracature [sic] lent out., and Temporary local subject terms: Theater: theater-boxes -- Spectacles: opera-glasses -- Jewelry: necklace -- Miniature portraits -- Female costume: fans -- Crowns: Earl's coronet -- Reference to George IV -- Playbills.
Publisher:
Pub. May 20th 1794, by S.W. Fores, N.3 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837 and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
"A companion print to British Museum Satires no. 6949. Design in a circle. The Prince of Wales (left) and Mrs. Fitzherbert (right) sit side by side on two upright chairs; she holds on her knee an infant in long clothes, which the Prince watches paternally. Behind her (right) is a cradle decorated with ostrich feathers."--British Museum online catalogue
Alternative Title:
Prince's nursery, or, Nine months after marriage and Nine months after marriage
Description:
Title etched below image; alternative title with filled-in blanks from British Museum catalogue. and Companion print to: An extravaganza, or, Young Solomon besieging Fitzhubbub.
Publisher:
Published 9th May 1786 by S.W. Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
"The Prince's stud, consisting of five asses with human faces, proceeds (left to right) past a signpost (right) pointing 'To Brighthlmstone'. The Prince, the central figure, rides an ass with the head of Mrs. Fitzherbert; he wears very long spurs. He is preceded by three animals, the foremost being George Hanger led by a groom (Captain Morris); on his saddle-cloth are the Prince's feathers, as if to show his privileged position. Next is Fox, his mouth wide open as if braying, next Weltje. Behind (left), apparently doubtful whether to proceed or not, is Lord Derby (or perhaps Lord North). Geese in the foreground (right) hiss at the procession."--British Museum online catalogue
Description:
Title etched below image. and On verso in pencil: George Townly Stubbs.
Publisher:
Pubd. July 20th 1786 by W.S. [sic] Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fox, Charles James, 1749-1806, and Smith-Stanley, Edward, 1752-1834
