"Fox reclines in an armchair of Gothic shape, his vast swathed legs resting on a cushion, his head against a pillow. He wears a dressing-gown and night-cap. His friends and colleagues stand round him. On his right. is Mrs. Fitzherbert, a meretricious 'Abbess' (cf. BMSat 5181, &c), holding a rosary and placing her hand under his chin; her face and breasts are covered by a large veil of transparent black. On his left. stands a bishop in lawn sleeves and mitre, a rosary hanging from his waist; he puts one hand on Fox's arm, and raises the other in admonition, saying, "O Tempora, O Mores! - Charley! dear Charley! - remember your poor Soul! - & if you're spared this time give us Emancipation - or!!!" His head is concealed, but he is identified by Lord Holland as O'Beirne, Bishop of Meath, educated as a Catholic, and a Whig pamphleteer. Mrs. Fitzherbert says: "Do confess your Sins Charley! do take Advice from an Old Abbess [cf. BMSat 10404] & receive Absolution! - here is Bishop O'Bother, 'twill be quite snug among Friends you know!" Fox says: "I abhor all Communion which debars us the comfort of the Cup! - will no one give me a Cordial?" Facing Fox, and in back view, stands the Prince, holding a handkerchief to his face; he says: "Alas! poor Charley! - do give him a Brimmer of Sack, 'twill do him more good Abbess, than all the Bishop's nostrums!" In his left hand he holds his cocked hat; in a coat-tail pocket is a pamphlet: 'Letter from N. Jeffreys'. Sheridan on the extreme right., furtive and bloated, puts his hand on the bishop's shoulder, saying, "Emancipation! - fudge! - why Dr OBother I thought you knew better!" In his pocket is a paper: 'Scheme for a new Administra[tion]'. Behind him stands Howick, in the extremity of grief, throwing back his head, and holding his handkerchief to his face. Three men stand, on the Prince's l., looking towards Fox, all weeping with raised handkerchiefs. Their heads rise one above and behind the other from the short Petty who wears a laced coat and bag-wig and has a large roll under his arm: 'New Taxes for 1806'. He says "Ah poor me! - If my Dancing-Days are over!" Windham says: "O Lord! what side can I tack round to Now!" The tall Moira says: "I must get back to Ballynahinch! Och! Och." [The allusion is to Moira's Irish estate and to Canning's verses, 'Ballynahinch' in the 'Anti-Jacobin', 9 July 1798, cf. BMSat 9235.] The three '(Ministerial) Grenvilles stand in the doorway (l.) apart from the mourners. Lord Grenville turns to Sidmouth, who is just within the room, putting a hand on his arm, and saying, "Well Doctor, have you done his business? - shall we have the Coast clear, soon?" Sidmouth answers, with sly satisfaction, "We'll see!" He holds a bottle labelled 'Composing Draft' [cf. BMSat 9849]. The spectacled Marquis of Buckingham looks round to say "O! Such a Day as This! so renown'd so Victorious"; his son, Lord Temple, continues: "such a day as This! was never seen!" In the foreground (l.) the fat Mrs. Fox faints in a small ornate chair; under her chair is a square spirits-bottle of 'True Maidstone', with a broken glass beside it. Lord Derby, wearing top-boots, bends over her, holding a bottle to her nose. He says: "My dear old Flame Bet, dont despair! - if Charley is pop'd off - a'nt I left to Comfort you - ?" On a stool at Fox's r. hand is a urinal decorated with Britannia, standing on a scroll: 'Negotiations for Peace between Great Britain & France'. On the ground beside him are a broken dice-box and dice. Behind the back of Fox's chair heavy fringed curtains are festooned, giving an impression of ducal magnificence, the scene being the Duke of Bedford's house in Arlington Street (or Stable Yard, St. James's)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Catholics -- Furniture: Gothic armchair -- Rosaries., Temporary local Medical Library subject terms: British politics., and Mounted to 29 x 41 cm.
Publisher:
Pubd. July 28th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
O'Beirne, Thomas Lewis 1748?-1823, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Elizabeth, 1750-1842, and Smith-Stanley, Edward, 1752-1834
"The Prince and Mrs. Fitzherbert, dancing to the fiddle of George Hanger (right), advance towards an open door (left) through which is seen a large bed, the curtains raised; above the pillows are a crown and triple plume. The feathers are repeated on a chamber-pot under the raised valance of the bed. They are more elaborately dressed than in BMSat 6924; their arms are round each other's waists, the Prince holds with his right hand the left hand of Mrs. Fitzherbert. She wears a small crown, with flowers and ribbons, and triple ostrich plume. George Hanger is dressed as in BMSat 6924; he stands in profile to the left, watching the couple fixedly; a bludgeon hangs from his wrist. An open music-book at his feet shows that he is playing the 'Black Joke'. On the floor (left) are an open book, 'Matrimony', and a torn paper, 'Cirtificate'. Over the door is a picture of Cupid with his bow turning away from Danaë receiving the shower of gold."--British Museum online catalogue
Alternative Title:
Wedding night, or, The fashionable frolic, Fashonable frolic, and Fashionable frolic
Description:
Title etched below image., In lower right corner: Price 2 sh. 6., Temporary local subject terms: Morganatic marriages -- Pictures amplify subject -- Emblem: Ostrich feathers for Prince of Wales -- Music books -- Song: 'The Black Joke' -- Furniture -- Colonel's uniform, Light Infantry -- Violin -- Danae -- Mythological characters -- Lighting: Chandelier -- Sticks: Bludgeon., and On verso in pencil: George T. Stubbs attrib. by J. Riely, 7-29-83.
Publisher:
Publish'd by J. Phillips, No. 164 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Hanger, George, 1751?-1824
Subject (Topic):
Beds, Chamber pots, Crowns, Cupids, Dancers, Military uniforms, British, and Musical instruments
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: Trades -- Tailors -- Symbols of tailor's trade -- Catherine Wade.
Publisher:
Published 5th April 1786 by S.W. Fores, at the Caricature Warehouse, No. 3, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, and Motherhill, John
"The interior of a large church or cathedral. Burke, dressed as a Jesuit (cf. BMSat 6026), standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted as in BMSat 6026. On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue, with altered imprint statement, of a print originally issued with the publication line: Publish'd by Willm. Holland, No. 66 Drury Lane, London, March 27, 1786. Cf. No. 6932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 6., Companion print to: "The morning after marriage, or, A scene on the Continent.", Sheet trimmed within plate mark., Temporary local subject terms: Morganatic marriage of Prince of Wales and Mrs. Fitzherbert -- Allusion to Bible stories: Adam and Eve -- Allusion to Bible stories: David and Bathsheba -- Allusion to Bible stories: St. Anthony tempted by monsters -- Allusion to Bible stories: Judas kissing Christ., and Formerly matted with a counterproof of: The morning after marriage, or, A scene on the Continent. (See LWL 788.04.05.01++ Impression 2).
Publisher:
Publish'd by Willm. Holland, No. 50 Oxford Strt., London
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, and Weltje, Louis, 1745-1810
"The interior of a large church or cathedral. Burke, dressed as a Jesuit, standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted ... On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Title etched below image., Printmaker from British Museum catalogue., Companion print to: The morning after marriage, or, A scene on the Continent., and Watermark: Strasburg bend & lily / W and J Whatman.
Publisher:
Publish'd by Willm. Holland, No. 66 Drury Lane, London
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, and Weltje, Louis, 1745-1810
Subject (Topic):
Marriage, Churches, Clergy, Monks, Royal weddings, and Sleeping
