A drunken soldier stretches out in a chair by a table on which sit a punch bowl and empty glass. A young woman in large hat is taking his money and watch
Description:
Title engraved below image. and Numbered '192' in lower left corner of plate.
Publisher:
Printed for Robert Sayer, Chart and Printseller, No. 53 Fleet Street, as the act directs
Two ladies and two gentlemen play at cards in a richly furnished room while another lady and a gentleman look on. In the background on the left a serving maid prepares tea with the help of a black boy in livery
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Furniture: card table -- Furnishing: carpet -- Domestic service: serving maid -- Black child -- Card playing: quadrille -- Reference to Vauxhall Gardens.
Publisher:
Robert Sayer
Subject (Topic):
Interiors, Card games, Tea tables (Tables), Floor coverings, Tea services, Servants, and Women domestics
"Three revellers sit at a small round table on which is a large punch-bowl, each holding a full glass. A fat man in an arm-chair (right), full-face, each gouty bandaged leg supported on a stool, his left hand bandaged, and wearing a dressing-gown, with jovially contorted features, declaims the first part of the title. His neighbour, a young woman with her hand clasping her waist, declaims the second part. A wretched invalid (left), with stick-like limbs, looking on the verge of the grave, repeats the last part. The words, inscribed in scrolls, form the only title. They are the words of an old catch which continues: 'And is by all agreed the very best of physic' A patterned carpet, and cast shadows on a plain wall, complete the design."--British Museum online catalogue, description of the print of which this is a copy
Description:
Title from text in speech balloons within image, transposed right to left., Printmaker from unverified data in local card catalog record., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827]., A reduced copy of a print by Gillray published 13 July 1799 by H. Humphrey. Cf. No. 9449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Cf. Wright, T. Works of James Gillray, the caricaturist, page 265., Cf. Wright, T. Historical and descriptive account of the caricatures by James Gillray, no. 453., and Temporary local Medical Library subject terms: Cholic -- Punch.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Topic):
Gout, Drinking vessels, Eating & drinking, Floor coverings, Alcoholic beverages, Intoxication, Living rooms, Medicine, Songs, and Singing
"Three revellers sit at a small round table on which is a large punch-bowl, each holding a full glass. A fat man in an arm-chair (right), full-face, each gouty bandaged leg supported on a stool, his left hand bandaged, and wearing a dressing-gown, with jovially contorted features, declaims the first part of the title. His neighbour, a young woman with her hand clasping her waist, declaims the second part. A wretched invalid (left), with stick-like limbs, looking on the verge of the grave, repeats the last part. The words, inscribed in scrolls, form the only title. They are the words of an old catch which continues: 'And is by all agreed the very best of physic' A patterned carpet, and cast shadows on a plain wall, complete the design."--British Museum online catalogue, description of the print of which this is a copy
Description:
Title from text in speech balloons within image, transposed right to left., Printmaker from unverified data in local card catalog record., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827]., A reduced copy of a print by Gillray published 13 July 1799 by H. Humphrey. Cf. No. 9449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Cf. Wright, T. Works of James Gillray, the caricaturist, page 265., Cf. Wright, T. Historical and descriptive account of the caricatures by James Gillray, no. 453., Temporary local Medical Library subject terms: Cholic -- Punch., 1 print : etching on wove paper, hand-colored ; sheet 22.6 x 31.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge., and Mounted to 23 x 32 cm.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Topic):
Gout, Drinking vessels, Eating & drinking, Floor coverings, Alcoholic beverages, Intoxication, Living rooms, Medicine, Songs, and Singing
"Three people sit at a round table playing push-pin. The Duke of Queensberry (right) leans on the table, pushing the pin. In his right hand is a double lorgnette over which he leers at his vis-à-vis, a very corpulent woman in a flowered dress who stares through spectacles at the pins. A younger woman, spinsterish and demure, watches the game with down-dropped eyes. Both wear hats. The chairs are decorated with ormolu, and on the back of Queensberry's is his crest (without the coronet): a heart between wings. The floor is carpeted."--British Museum online catalogue
Description:
Title etched below image., Also with the figure of Mother Windsor, procuress., Sheet trimmed within plate mark resulting in loss of imprint., Imprint from untrimmed impression in Caricatures of Gillray at the Yale Center for British Art L296.32 (Folio A))., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827]., and Reduced copy of a print with the same title etched by Gillray and published by Hannah Humphrey in 1797.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Title from item., Publication date inferred from Carington Bowles's separation of his business from his father's in 1764. See London book trades, 1775-1800 / Ian Maxted, p. 25, Sheet trimmed to plate mark on top and sides., and Temporary local subject terms: Furniture: card table -- Tea table -- Tea service -- Maidservant -- Domestic service: black boy -- Chairs -- Furnishings: carpet -- Window curtains.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill, and Carington Bowles in St. Pauls Church Yard, London
"Satire on fashion: a French hairdresser mounts a ladder to arrange with tongs the curls of a lady with an enormous coiffure, while another man with a long queue, evidently her husband, holds a sextant to measure the height."--British Museum online catalogue
Alternative Title:
Ladies absurdity
Description:
Title engraved below image., Initial letters of publisher's name in imprint form a monogram., Temporary local subject terms: Macaronies -- Headdresses -- Naval officers -- Military uniforms -- Naval officer's uniform -- Trades: hairdressers -- Furnishings -- Carpet -- Pictures amplifying subject -- Hairdressing implements: curling tongs -- Step ladders -- Naval instruments: quadrant., and Watermark: countermark W.
Publisher:
Pubd. accordg. to act of Parllt., July 15th 1771, by MDarly, No. 39 Strand, & R. Sayer at the Golden Buck, Fleet Street
Subject (Topic):
Dandies, French, Hairstyles, Hairdressing, Mirrors, Floor coverings, Ladders, and Sextants
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A room in a Scottish inn: two travellers sit at a round breakfast-table; the man looks round in horror at a barelegged slattern who stoops to blow at a fire from which smoke pours; he says: "Sounds. we will be suffocated with dust & smoke". The girl says: "The Dee'l blaw this Fire w'e his Muckle A-se for ise na Fash mysel mair we't". Broken bellows and a shovelful of coal lie on the carpet. A barelegged fellow wearing a Scots cap pours water from a kettle over a tea-pot; the astonished lady exclaims: "Mercy on us look here my Dear the fellow is pouring hot Water on the top of the Tea Pot without taking the lid off & before he has brought Tea to put in it". The man says: "Feggs, you may skirll & Waloch as lang's ye like--there's nane O the House will put themsel's out o' their ain gude Auld Gaits". A savage-looking mongrel befouls the carpet and an 'Essay on Cleaness' [sic]. Through a doorway (the door broken from its hinges) is seen a woman (right) seated by a kitchen fire, a dram-bottle beside her, keys hanging from her waist. She says: "Aye, Aye. ring till ye're tired, I canna be Fash'd". Everything in both rooms denotes squalor but not poverty."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker identified as Isaac Cruikshank in description of earlier state in the British Museum online catalogue., Later state; date in imprint statement has been obscured with etched cross-hatching., Date of publication based on imprint with legible date on earlier state: Pubd. b[y] T. Tegg, 111 Cheapside, London, Sepr. 1810. Cf. No. 11650 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Companion print to: The Scotch cottage of Glenburnia., and Sheet trimmed to plate mark on top edge.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A room in a Scottish inn: two travellers sit at a round breakfast-table; the man looks round in horror at a barelegged slattern who stoops to blow at a fire from which smoke pours; he says: "Sounds. we will be suffocated with dust & smoke". The girl says: "The Dee'l blaw this Fire w'e his Muckle A-se for ise na Fash mysel mair we't". Broken bellows and a shovelful of coal lie on the carpet. A barelegged fellow wearing a Scots cap pours water from a kettle over a tea-pot; the astonished lady exclaims: "Mercy on us look here my Dear the fellow is pouring hot Water on the top of the Tea Pot without taking the lid off & before he has brought Tea to put in it". The man says: "Feggs, you may skirll & Waloch as lang's ye like--there's nane O the House will put themsel's out o' their ain gude Auld Gaits". A savage-looking mongrel befouls the carpet and an 'Essay on Cleaness' [sic]. Through a doorway (the door broken from its hinges) is seen a woman (right) seated by a kitchen fire, a dram-bottle beside her, keys hanging from her waist. She says: "Aye, Aye. ring till ye're tired, I canna be Fash'd". Everything in both rooms denotes squalor but not poverty."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker identified as Isaac Cruikshank in description of earlier state in the British Museum online catalogue., Later state; date in imprint statement has been obscured with etched cross-hatching., Date of publication based on imprint with legible date on earlier state: Pubd. b[y] T. Tegg, 111 Cheapside, London, Sepr. 1810. Cf. No. 11650 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Companion print to: The Scotch cottage of Glenburnia., Sheet trimmed to plate mark on top edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 31 in volume 1.
"Two men sit beside a blazing fire in a well-furnished room, overcome by drink, and fast asleep. One, a stout officer in regimentals, wearing a cocked hat, seated in an arm-chair (right), has thrust his wooden leg into the fire, where it is burning. The ashes of his pipe fall on to the tail of a dog asleep under his chair. His companion sits (left) supporting his head on his elbow, which rests on a round table on which are a punchbowl, glasses, and a candle, in which his wig is burning. On the wall (left) is a framed plan of fortifications."--British Museum online catalogue
Alternative Title:
Bon companions
Description:
Title engraved below image., Printmaker identified by the repository based on the original drawing in the Huntington Library., One of a series of 'Drolls.', and Watermark (partial): fleur-de-lis.
Publisher:
Published Septr. 15th, 1790, by Robt. Sayer, No. 53 Fleet Street, London
