"A provincial evening party; all the guests are elderly, plain, and unfashionable. Those in the foreground sit in an irregular semicircle. Three men laugh together on the left, one makes a gesture which jerks a woman's tea-cup from her hand; she scowls at him with fury. The scalding tea pours over the leg of her neighbour on the right who flourishes his cane, knocking off the wig of a man who stands behind. This man throws up his arms, his cup and saucer fly into the air, the tea pouring on to the head of the man with the cane. The man losing his wig is struck in the face by a spurt of tea from the mouth of a man on the right, trying to restrain his laughter at the sequence of accidents, and unaware that his own skimpy pigtail is burning in a candle. These last two stand behind the semicircle. Behind it (left) four people are playing cards. In the centre two men stand facing each other in profile, much amused."--British Museum online catalogue
Alternative Title:
Game of consequences just begun
Description:
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., Artist identified by British Museum catalogue., and Cf. British Museum catalogue no. 9822 for description of state without imprint.
Publisher:
Pub'd. May 11th, 1801 by S.W. Fores, 50 Piccadilly corner of Sackville St.
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
"The Prince of Orange (left), dressed like a Dutchman in (English) caricature, kneels with arms extended imploringly at the feet of Princess Charlotte (a good portrait). He wears Apollo's wreath, decorated with small oranges, before him is his clumsy flower-pot hat, containing a paper: 'Rules for the game of ye Dutch Pins' (ninepins); beside this is a Jews' harp, a degraded form of Apollo's lyre. His breeches are enormously bulky, and a tobacco-pipe projects from a pocket. He sings: "Lovely Maid, assuage my Anguish! At your feet your true love sighs; Do not let your Dutchman languish, If you frown, alas he dies!" She answers, pointing to his breeches: "From what I feel, and what I see, There's nought about you that bewitches; Unless indeed a charm may be In a Dutchman's great big breeches!!!" She stands beside a table (right) at which she has been sitting. On this are her painting materials, pencil, brushes, cakes of water-colour, porcelain palette, and jar of water, with an open box. Her painting is on a sloping board: a fat Dutchman trudges off, a bundle at his back, in the direction of a sign-post pointing 'To Holland'; he grasps his head despairingly. Behind the Prince a French window with draped curtains gives on to a small balcony. By the window are flowering plants in a jardinière; a sofa stands against the wall; a patterned carpet completes the design."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. June 29, 1814, by Wm. Holland, 11 Cockspur St.
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, William II, King of the Netherlands, 1792-1849, Charlotte Augusta, Princess of Great Britain, 1796-1817., and William II, King of the Netherlands, 1792-1849.
"An elderly suitor in old-fashioned dress (right) and a youngish fashionably dressed woman (left) sit on upright chairs, the only furniture visible in an elegant room. He looks towards her with a gesture of deprecating reproach; she bends towards him, holding at arm's length to the left a cross and chain taken from an open jewel-box which she holds. A French window is behind her, through which appear the tops of hollyhocks. A descending staircase is seen through an open door on the extreme right. On the wall are whole length portraits of elderly husbands in well-known plays: Sir Peter Teazle ['Sch. for Scandal']; Lord Ogleby [Colman and Garrick, 'Clandestine Marriage']; [Da]vid Dawe [Cumberland, 'Wheel of Fortune']."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below image, two on either side of title: When late I attempted your pity to move, why seemed you so deaf to my prayers, perhaps it was right to dissemble your love; but why did you kick me down stairs., Mounted on page 49 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 24.3 x 34.5 cm., and Sheet trimmed within plate mark.
"An elderly suitor in old-fashioned dress (right) and a youngish fashionably dressed woman (left) sit on upright chairs, the only furniture visible in an elegant room. He looks towards her with a gesture of deprecating reproach; she bends towards him, holding at arm's length to the left a cross and chain taken from an open jewel-box which she holds. A French window is behind her, through which appear the tops of hollyhocks. A descending staircase is seen through an open door on the extreme right. On the wall are whole length portraits of elderly husbands in well-known plays: Sir Peter Teazle ['Sch. for Scandal']; Lord Ogleby [Colman and Garrick, 'Clandestine Marriage']; [Da]vid Dawe [Cumberland, 'Wheel of Fortune']."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Four lines of verse below image, two on either side of title: When late I attempted your pity to move, why seemed you so deaf to my prayers, perhaps it was right to dissemble your love; but why did you kick me down stairs.
A young man seated on a chair holds his head up while a young woman sitting astride in his lap shaves his neck. On the floor is an ornate carpet and pictures adorn the walls on either side of an oval mirror
Description:
Title engraved below image., Series numbers in upper left and right corner of plate, respectively: V.3 16., Initial letters of publisher's name form a monogram., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Jany. 1, 1773, by MDarly, 39 Strand
Subject (Topic):
Couples, Floor coverings, Mirrors, Paintings, Shaving, and Shaving equipment
A courtesan sits in a small armchair beside a small round tea-table, holding a cup in an affected manner. Behind her, on the chair, is a cat. A negro foot-boy in livery stands behind the table holding the tap of an urn which is filling the tea-pot. Both look towards the spectator with heads tilted to the left. A picture, freely sketched but apparently pornographic, hangs on the wall. From the ceiling hangs a cage containing a parrot. On the floor is an elegant rug with a scrolled design. See British Museum online catalogue
Description:
Title etched below image; from a farce by John Scawen., Below image: Gentlemens design executed gratis., and Attributed to Kingsbury in British Museum catalogue.
Publisher:
Pub'd Jany. 18, 1787, by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Black people, Birdcages, Cats, Chairs, Floor coverings, Parrots, Servants, Tea tables (Tables), and Teapots
"The fat and florid Lady Buckinghamshire, seated at the head of her faro-table, throws up her arms in dismay, turning towards her husband, who enters through a door (left), saying, "The Bank's stole! - we're ruin'd my Lady! - but I'll run to Bow Street & fix the Saddle upon the right horse, my Lady!" She exclaims: "The Bank stole, my Lord? - why I secur'd it in the Housekeepers-room myself! - this comes of admitting Jacobins into the house! - Ah! the Cheats! Seven Hundred gone smack; - without a single Cock of the Cards!" She fills the centre of the design, and is much larger than her husband. Her guests are crowded together on the right. A pretty young woman, Mrs. Concannon, seated on her left, clasps her hands, exclaiming, "Bank stole! - why I had a Gold snuffbox stole last night from my Table in Grafton Street." Lady Archer, on the extreme right, on the nearer side of the table, turns a corvine and angry profile towards Lord Buckinghamshire, saying, "Stole! - bless me why a Lady had her Pocket pick'd at my House last Monday." Opposite her sits Fox, wearing a hat and putting his hand over his mouth, saying, "Zounds! I hope they dont Smoke me." Sheridan looks over his shoulder, saying, "nor me". Behind Fox, Hanger stands in profile to the left, wearing a hat and holding his bludgeon; he says: "O! if they come to the Mount, if I don't tip them Shelalee" (see BMSat 8889). ... The door (left) resembles that of a strongroom, with two heavy locks and three bolts."--British Museum online catalogue
Alternative Title:
Rook's pigeon'd and Rook's pigeoned
Description:
Title etched below image., One line of quoted text following title: "When Greek meets Greek, then comes the tug of war!", Sheet trimmed within plate mark on bottom edge., and Literature: Quotation from Nathaniel Lee's The Rival Queens, iv. ii.
Publisher:
Pubd. Feby 2d, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, Fox, Charles James, 1749-1806, Hobart, Robert, Earl of Buckinghamshire, 1760-1816, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Sheridan, Richard Brinsley, 1751-1816, and Hanger, George, 1751?-1824
Subject (Topic):
Jacobins, Card games, Floor coverings, Gambling, Robberies, and Tables
"A macaroni dressed in a grotesque exaggeration of the prevailing fashion. His hair is in a high pyramid with side curls, an enormous club hangs down his back. A small three-cornered hat is perched on the top of his hair. He wears a large nosegay. He stands in a mincing attitude by a toilet-table, draped with muslin on which are boxes and toilet jars, the latter inscribed "essence" and "Rose". The wall is panelled and ornamented with mouldings; the floor is carpeted and there are two cane-seated chairs of an unusual pattern [This probably represents the dress of 'Lord P-----' as a macaroni buck at the Pantheon masquerade of 12 May 1773. See 'Oxford Magazine', x. p. 179, where his dress is described]."--British Museum online catalogue, description of a proof state
Description:
Title from item., State with letters, as described in the British Museum catalogue from a print not in the British Museum collection. For a proof state before letters, see No. 5221 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed to plate mark., and Temporary local subject terms: Male fashion, 1773 -- Macaronies -- Dressing room -- Furniture -- Carpet.
A woman sits at a table in front of a window, a patterned rug beneath them. She looks at a kitten walking towards her on the table and points with her left hand to a bird raised away from the table in her right hand. The two chairs and windows are covered in stripped fabric. An oval mirror is hung on the wall behind her
Description:
Title from item., Description based on imperfect impression; sheet trimmed within plate mark., Temporary local subject terms: Sitting room -- Upholstered furniture or slip covers -- Ladies' costume., and Watermark.
Publisher:
Published Feby. 4th 1788 by Robt. Sayer, 53 Fleet Street
