A torrent of taxes gushes from the mouth of Lord Henry Petty, chancellor of the exchequer, emptying into the "Unfathomable Sea of Taxation" in which John Bull is drowning in full view of greedy cormorants representing members of the Grenville ministry which was formed after the death of William Pitt
Alternative Title:
John Bull swamped in the flood of new taxes
Description:
Title etched below image., Attributed to Williams in the British Museum catalogue., A copy of a print by Gillray. Cf. No. 10564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and With stamp of S.W. Fores in the lower right corner.
Publisher:
Pubd. May 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Windham, William, 1750-1810, Bedford, John Russell, Duke of, 1766-1839, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, Smith-Stanley, Edward, 1752-1834, and Adair, Robert, Sir, 1763-1855
Subject (Topic):
Taxes, John Bull (Symbolic character), Fountains, Cormorants, and Rowboats
Title from item., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Engraved throughout; illustrated with etching by Cole at top of sheet., For voice and harpsichord. Music on 2 staves with interlinear words. Additional two stanzas below., Opening words: When charming Cloe gently walks ..., and Temporary local subject terms: Mythology -- Outdoor scenes -- Architectural details: fountain -- Follies: garden temple -- Female dress, ca. 1750.
Bodenehr, Gabriel, active 17th century-18th century, printmaker
Published / Created:
[not after 1766]
Call Number:
Print00844
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date of publication derived from printmaker's accepted date of death., Place of publication from item., In margin upper right: 200., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Julius Hospital.
"A John Bull rides a 'Velocimanipede', see No. 13411, round the basin in Bushey Park, which is realistically depicted, with its baroque centre-piece. He is a fat 'cit' mopping his forehead; his wig and hat are on a stick fixed in front of the steering-bar. On the seat, labelled 'J.B', his fat wife sits holding a fan, her arm round a thin little girl holding a doll. In the dickey behind (right) is a little boy working the handles which turn the back wheel. In the background across the water is a similar machine, on a tiny scale, followed by a dandy (see No. 13029) on his 'hobby' (see No. 13399)."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Topic):
John Bull (Symbolic character), Cyclists, Bicycles & tricycles, Dandies, British, Families, Fountains, Lakes & ponds, and Obesity
Three young ladies in the open air among trees grouped on the left, one holding flowers and two holding fans, with a young man who looks at a cupid on a fountain with a sundial
Description:
Title from item., Four lines of verse in two columns on either side of title, begins: Boast not my power (thus Cupid seems to say) ..., One of four plates in an untitled series on the times of the day., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg bend.
Publisher:
Printed for John Bowles & Son at the Black Horse in Cornhil [sic]
Subject (Topic):
Couples, Cupids, Fans (Accessories), Fountains, and Women
Title engraved below image., Imperfect; sheet trimmed within plate mark with loss of imprint and song verses below title. Imprint statement supplied from: A catalogue of 18th-century British mezzotint satires in North American collections., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Cherry venders -- Irishmen -- Female costume: high-waisted dresses -- Reticule -- Miniature portrait as a brooch -- Pets -- Architectural details -- Wrought iron fences -- Songs: Patty O'Blarney.
Publisher:
Published 20th Sepr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Peddlers, Baskets, Hats, Miniatures (Paintings), Dogs, Doors & doorways, Fountains, and Children
"View of the palace from the surrounding formal gardens; a brick wall dividing gardens, a fountain and paths in gardens outside palace to the left; in the foreground two trees to the right, figures strolling amongst it and in formal gardens to the left and beyond."--British Museum online catalogue, description of another print of identical composition
Alternative Title:
Palais Royale de Hampton Court
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Plate numbered "7" in upper right corner., and Leaf 52 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
Richmond upon Thames (London, England)
Subject (Name):
Hampton Court (Richmond upon Thames, London, England),
"From the stage of a theatre, two figures address the audience: Charles Fox (left) with a fox's head, holds under his left arm a tray in which are two doll-like infants in swaddling bands; in his right hand is a paper inscribed, "Norton & Fox Sponsors". He is saying: "Discovered by the Secret Committee". In the centre is another man with a wide open mouth, whose head is perhaps intended for that of a dolphin. He holds a paper inscribed "The Child of the People". On the right. of the stage is part of a fountain supported by a satyr. On each side of the stage are two tiers of boxes; in the lower box on the right. Punch is talking to a lady."--British Museum online catalogue
Alternative Title:
Legacy for the House of Commons
Description:
Title etched above image., Dated in the British Museum catalogue from a report in the Oxford magazine, v. 6 (1771), p. 157., and Temporary local subject terms: Theater: boxes -- Architectural details: fountain -- Satyrs (Greek mythology) -- Punch, as member of audience -- Masks: ass's head -- Dolphin's head -- Children: infant foundlings -- Lighting -- Boots: one spurred, one Roman -- Reference to the House of Commons' Secret Committee, April 1771.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Norton, Fletcher, 1716-1789
"Illustration to 'The Empire of the Nairs', pp. 175-9, referring to verses published in the 'Scourge', iii. 313-18, 456-61, 'The H- [Hertford] Dynasty, or the Empire of the Nairs', suggested by the romance of J.H. Lawrence, 'The Empire of the Nairs', 1811 (published in German in 1811, and afterwards in French), with an introduction seriously advocating the introduction of these customs into England. The Nairs (or Nayars) were a military caste of Malabar who practised polyandry. The plate is not elucidated. Lady Hertford reclines in an ornate bath, into which water gushes from the jaws of a monster which decorates the pedestal of a Venus. The bath is raised on a triple dais and backed by the pillars and canopy which frame the Venus forming the centre of the design. The Regent, in royal robes, ascends the steps of the dais, poised on his toes like a ballet-dancer, and places a crownlike marquis's coronet on the head of Lady Hertford who leans towards him, her enormous breasts appearing over the edge of the bath. She says: "I proclaim the Freedom of the Sex & the Supremacy of Love." Lord Hertford, who bestrides the pedestal, looks down delightedly from behind the statue of Venus. He has horns, and holds his Chamberlain's staff. The water pours from the bath through the nostrils of a bull's head with which it is ornamented, and falls in a triple cascade into a circular basin in the centre foreground. On each side of the statue of Venus and flanking the dais is a statue in a niche: 'Aspasia' (left) and 'Messalina' (right); both are disrobing. Near the fountain (right) a hideous hag, naked to the waist, crouches before a tall brazier in which she burns a 'Mantle of Modesty'. The building appears to be circular, an arc of the wall forming a background on each side of the centre-piece. On this are tablets inscribed respectively 'Hic Jacet Perdita' [Mary Robinson, the Prince's first mistress, see No. 5767, &c.]; 'Hic Jacet Armstead' [Mrs. Fox, who had been the Prince's mistress, cf. No. 10589]; 'Hic J[acet] Vauxhall Bess' [Elizabeth Billington, see British Museum Satires No. 9970; her mother sang at Vauxhall, see British Museum Satires No. 6853]. In the foreground on the extreme right a buxom young woman puts her arms round the Duke of Cumberland, saying, "I'll go to Cumberland"; he walks off with her, to the fury of an admiral just behind the lady who clutches his sword and is seemingly her husband. Cumberland wears hussar uniform with a shako and fur-bordered dolman, with a star and a large sabre. A meretricious-looking young woman (? Mrs. Carey) puts her arms round the Duke of York, saying, "And I to York." The Duke, who wears uniform with a cocked hat and no sword, looks down quizzically at her. Behind him a tall thin officer in hussar uniform bends towards Princess Charlotte, taking her hand; he says: "Sure & I'll go to Wales." She runs eagerly towards him. As a pendant to these figures, Grenadiers stand at attention on the left, holding bayoneted muskets; they have huge noses, and smile at a buxom lady wearing spurred boots who addresses them with outstretched arm, saying, "And you for Buckinghamshire." At her feet is an open book: 'Slawkenberges Chapr on Noses' [from Sterne's Slawkenbergius, imaginary author of a Rabelaisian fantasy in 'Tristram Shandy']. They have a standard with the word 'Buckin ...' on it. Behind the Prince (left) stands Tom Moore, looking up at the coronation; he holds an open book: 'Little Poems / Ballad . . .' He says: "I'll give you one Little Song More [see British Museum Satires No. 12082]." Behind him stands Mrs. Jordan, placing a chamber-pot on the head of the Duke of Clarence, who wears admiral's uniform with trousers."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (September 1812), page 173., and Sheet trimmed within plate mark.
Publisher:
Pubd. September 1st, 1812, by W.N. Jones, No. 5 Newgate St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquess of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Charlotte Augusta, Princess of Great Britain, 1796-1817, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, Robinson, Mary, 1758-1800., Fox, Elizabeth Bridget, 1750-1842., Billington, Elizabeth, 1765-1818., and Venus (Roman deity),