Alecto, a fantastic hag, stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel, a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. She says: "Come on my brave Lad, take this bounty-money, & enter into my Company of Gentlemen Volunteers enlisted in the cause of Liberty - I'll find you present pay and free quarters, & I'll lead you where you shall fill your knapsack with Plunder; - nay Man, never talk about your old Master the Farmer, I'll find you Hundreds of Masters as good as he; Zounds I'll make you one of the Masters of England yourself: - come on, I say, keres riches for you, - come on; the glorious 14th of July is approaching, when Monarchs are to be crush'd like maggots, & brave men like yourself are to be put in their places - here hold your hand, enter boldly in the cause of Freedom, & cry Huzza - Vive la Nation! Huzza". John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. He answers: "Wounds, Measter Sarjeant, an I should enter into your sarvice, what'll Varmer-George say to I, for leaving of 'en without warning? - and yet I is half in love with the sound of your drum; & wishes to leave off Ploughing & dunging, & wear one of your vine cockades, & be a French Gentleman; - & yet, dangs it, it goes against ones heart to leave the Varmer; - ah Varmer George has been a rare good Measter to I! - but, am I to have all them fine paper Moneys - but to leave my old Measter! Ah me! I dozes'nt know what to do, not I!" -- British Museum catalogue
Alternative Title:
Recruiting sarjeant enlisting John Bull into the Revolution's Service, Alecto and her train at the gate of pandaemonium, and Alecto and her train at the gate of pandaemonuim, or, The recruiting sarjeant enlisting John Bull into the Revolution Service
Description:
Title inscribed in brown ink below image., 'Imprint statement' inscribed in brown ink above title: Pub. July 4th, 1791 by S.W. Fores, N. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7889., Wright, T. Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times, p. 130., Wright, T. Description of published Gillray print in Historical and descriptive account of the caricatures by James Gillray, no. 56., and A 'counterprint' or transfer in brown ink from another print on verso of mount: The hopes of the party prior to July 14th.
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Revolution Society (London, England)
Subject (Topic):
John Bull (Symbolic character), Drums (Musical instruments), Demons, Witches, and Fire
In a churchyard, tombstones, adorned on top with the heads of prominent politicians, are engraved with epitaphs in their memory
Alternative Title:
Political churchyard
Description:
Title from caption etched above image. and Mounted to 30 x 38 cm.
Publisher:
Pub according t [sic] Act by B. Pownall. No. 6 Pallmall
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Burke, Edmund, 1729-1797., Pitt, William, 1759-1806., Keppel, Augustus Keppel, Viscount, 1725-1786., Conway, Henry Seymour, 1721-1795., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., Wray, Cecil, Sir, 1734-1805., Cavendish, John, Lord, 1732-1796., Sheridan, Richard Brinsley, 1751-1816., Melville, Henry Dundas, Viscount, 1742-1811., Lansdowne, William Petty, Marquis of, 1737-1805., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., and Mansfield, William Murray, Earl of, 1705-1793.
Charles Fox, dressed as an Asian prince, stands in an arrogant pose looking over his right shoulder. In his left hand is a rolled document, perhaps the India Bill
Description:
Title from item., Sheet trimmed within plate mark., and "Plate 1" above design on the right.
In front of St. James's Palace and with the King watching from a window, the members of the newly elected ministry eagerly pick up loaves of bread and fishes spilled on the ground by a fish-wife frightened by American buffalo in the lower right corner of the image
Alternative Title:
Gambols of the American buffalo in St. James's Street and Amusement for John Bull and his cousin Paddy
Description:
Title from item. and From "A dialogue between John Bull and his cousin Paddy, in St. James's Street" in The European magazine, 1783, p. 296.
Publisher:
Published 1st. May 1783, by I. Fielding, Pater-noster Row
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820., Pitt, Thomas, Baron Camelford, 1737-1793., Keppel, Augustus Keppel, Viscount, 1725-1786., Lansdowne, William Petty, Marquis of, 1737-1805., Cavendish, John, Lord, 1732-1796., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., North, Frederick, Lord, 1732-1792., Fox, Charles James, 1749-1806., Thurlow, Edward Thurlow, Baron, 1731-1806., and Saint James's Palace (London, England)
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: prisons -- Leg irons -- Containers: jug -- Furniture: three-legged stool -- Bonnet rouge., and Watermark: Strasburg lily with date 1797 below.
Publisher:
Pubd. Octr. 4th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and O'Connor, Arthur, 1763-1852
Fox hides under a four-poster bed hung with curtains, his hand resting on his chin with a speech balloon above his head: "They'll do nothing at last!" A bare-breasted woman [Catherine II of Russia] wearing a nightdress, a crown on her head, and pearls at her throat, holds a dagger in her hand as she addresses Pitt who stands before her: "Which you please, young man. If your instrument entered it would make no impression that I'd care a fig for." Pitt also in a nightdress and holding a dagger, asks, "Shall we or shall we not?"
Description:
Title etched below image., Possibly by Richard Newton. See The Lewis Walpole Library card catalog., The female figure was formerly mis-identified as Britannia (?). For correct identification of Catherine the Great see: Dawson, R. Catherine the Great and the Culture of Celebrity in the Eighteenth Century, page 160., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. For copy after George Moutard Woodward published 15 June 1791, see British Museum Registration number: 1948,0214.468., and Watermark: fleur-de-lis and countermark I V.
Publisher:
Pubd. June 20, 1791, by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Great Britain
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Politics and government, Bedrooms, Daggers & swords, Canopy beds, and Sleepwear
Title from text above image., Plate numbered '68' in upper right corner., Plate from: A political and satyrical history of the years 1756, 1757, 1758, 1759 and 1760. London : M. Darly, 1763., One line of text below image: Only £15400 - 17 s. pr. ann., and Mounted to 21 x 30 cm.
Publisher:
publisher not identied
Subject (Name):
Holland House (London, England),, Holland, Henry Fox, Baron, 1705-1774, and Fox, Charles James, 1749-1806
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Title from item., Attributed to Ansell in the British Museum catalogue., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Containers: saltbox -- Tools: pitch-forks -- Allusion to taxation., and Watermark: J Whatman.
Publisher:
Pubd. Augt. 13th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Egypt.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Campaigns, Gout, John Bull (Symbolic character), Crowds, Exhibit booths, Fairs, Musical instruments, and Trumpets
