"Fox as Guy Vaux kneels on one knee beside a pile of three barrels which he is about to fire with a lighted paper inscribed 'Rights of Man', holding up a dark lantern in his left hand. Burke, dressed as a watchman, rushes towards him and seizes Fox's left wrist, turning the rays of the lantern on his face, while he springs the rattle in his outstretched right hand. His long staff rests on his shoulder and he wears a long coat with a triple collar, badged on the left sleeve with a crown. He says, ""Hold Miscreant - I arrest thee in the name of the British Constitution, which thou art undermining - I arrest thee in the name of human nature, which thou hast most cruelly outraged; - I arrest thee in the name of that Monarch whom thou dost wish to deprive of dignity, & of that people whom thou hast most basely deluded! - Nay, no fawning: - thy Tears & thy hypocrisy make no impression on the mind of truth & Loyalty: - therefore, Enemy of all good! yeild to that punishmt which has long waited those "crimes which are left as yet unwhipt of Justice"". Fox, who wears a slouch hat and a long cloak buttoned over his mouth, says, "O Lord! O Lord! that ever my aim should be discover'd when I had taken such pains to disguise myself - for Heavens sake, Watchman, what have I done that I should be apprehended? - what have I done only answer me that! - dare you accuse me only for what you think I intended to do ? - have I ever assassinated the King, or blown up the Lords ? - as to this Gunpowder here, I only intended to set fire to it merely to clear the Nation of Buggs: - for goodness sake do let me go: - or if I must suffer do let it be without holding up my own dark Lanthorn in my Face, for my Eyes are so weak with crying to think I should be charged with such Villainy, that I cannot bear the Light." Large tears fall from his eyes. The barrels are inscribed 'Gunpowder', one 'for the King', another 'for the House of Lords'. Behind, Sheridan escapes up a flight of steps, he follows another conspirator whose leg is visible on the extreme right. He says, I must be off while I can; as to my Friend there, why, if he does go to pot there's the more room for me! - I wish I could squeeze out a Tear or two as well as he, it might impose on the Mob, if they should stop me: - but I've come that humbug so often before, that my Eyes - Da-n my Eyes! there's not one drop left in them." ..."--British Museum online catalogue
Description:
Title from text in lower right corner of image., Printmaker from British Museum catalogue., Text below title: NB his associates were all taken afterwards & executed., Sheet trimmed leaving thread margins., Temporary local subject terms: Charles Fox as Guy Vaux -- Allusion to George II, King of Great Britain, 1738-1820 -- Plot against House of Lords -- Gunpowder Plot, 1604 -- Dark lantern -- Watchman's rattle -- Burke as watchman -- Watchman's staff -- Denounced coalition -- Quarrel: Fox and Burke, 1791 -- Puns: 'Vaux' for Fox -- Burke's spectacles., and Watermark: Turkey Mills J. Whatman.
Publisher:
Pubd. May 14th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Sheridan, Richard Brinsley, 1751-1816
Pitt, looking terrified, stands in a barrel inscribed 'Perquisites of Office'. He is surrounded by dogs who all look up at him. On the left is a dog with the collar 'Greyhound Breed'; he says to Pitt: 'Don’t be alarmed I shall only pretend to growl - keep quiet and I'll bring you through. Next to the greyhound is 'Wy[n]dhaminian or Bull Dog Breed'. To the right of the barrel is 'Fox Breed', 'Norfolk Breed' and one other dog without an inscription on its collar
Alternative Title:
Great man badger'd!! and Great man badgered!!
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Feby. 1804 by W. Holland, Cockspur Street, London
Subject (Name):
Pitt, William, 1759-1806, Grey, Charles Grey, Earl, 1764-1845., Grenville, William Wyndham Grenville, Baron, 1759-1834., Windham, William, 1750-1810., and Fox, Charles James, 1749-1806.
"A design in two compartments; between the two titles is etched: ['Fatal Effects of the French Defeat']. On the left Fox hangs himself in a ramshackle garret. His neck is in a noose which hangs from a beam, his right foot rests on a low stool, his left hand holds the rope. He leans back with an expression of terror, dropping an 'Account of the Republican Overthrow'. On the wall (left) is a half length portrait of 'Pichegru' holding a sabre. The poverty of the room is indicated by peeling plaster showing patches of bricks, by the raftered roof, and a small casement window (right). On the right Pitt and Dundas drown themselves in wine. Both are on the floor; they have overturned a round table behind them from which the sliding bottles pour their contents over Pitt, who holds up a brimming glass in his left hand. He leans against an overturned chair holding a paper: 'News of the Victory over the Carmagnols'; he looks up smiling. Dundas sits behind and on the right, in profile to the right, more serious and more intent. He drinks with concentration, spilling his wine and waving his wig above his head. He wears a plaid over his coat. On the wall is an oval bust portrait of 'George IIId', the head cut off by the upper edge of the design."--British Museum online catalogue
Alternative Title:
Drowning and Fatal effects of the French defeat
Description:
Title etched at bottom of images., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Suicides -- Interiors: garrets -- Furniture: footstools -- Drunkenness -- Pictures amplifying subject: portrait of Gen. Pichegru -- Pictures amplifying subject: portrait of George III.
Publisher:
Pubd. Novr. 9th, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Pichegru, Charles, 1761-1804
Title from item., Publisher's advertisement following the imprint: Where may be seen the completest collection of caricatures &c. in the kingdom. Admittance one shilling., Temporary local subject terms: Allusion to City Remonstrance -- Escutcheons: parody of Ashburton's escutcheons -- Allusion to the Battle of Ushant -- Elections: Westminster, 1790 -- Electors -- Clergy: dissenting minister -- Ships: man-of-war -- Monsters -- Headdress: ships as headdress -- Demons -- Hell -- Emblems: gambling -- Allusion to Test Act -- Barrels -- Tankards., and Mounted to 31 x 46 cm. and mounted again to 33 x 47 cm.
Publisher:
Pub. Aprill [sic] 20th by [S.]W. Fores, No. 3 Piccadilly
Subject (Name):
House, Samuel, -1785, Keppel, Augustus Keppel, Viscount, 1725-1786, Dunning, John, Baron Ashburton, 1731-1783, Holland, Henry Fox, Baron, 1705-1774, Fox, Charles James, 1749-1806, and Hood, Samuel Hood, Viscount, 1724-1816
"The Duchess of Devonshire (left) carries a fat butcher (right), both her arms round his waist, his right arm is round her waist, their faces are in profile looking at each other. She says, "I'll try all measures to bring the matter to a proper Issue"; he says, "Oh! - who can withstand such charms". She wears a large hat trimmed with a 'Fox' favour, laurel branch, and four fox's brushes inscribed respectively, 'Love and \ Liberty \ Delicacy and \ Decorum'. A crudely drawn hand on a signpost (right) points with a thumb 'To Covent Garden'. Behind the Duchess (left) is the corner of a building inscribed 'Newport Market'."--British Museum online catalogue
Alternative Title:
Her Grace carrying a plumper for Charly
Description:
Title etched below image., Watermark (partial) right side of sheet: J Whatman., and Mounted to 32 x 25 cm.
Publisher:
Pubd. as the act directs, for the proprieter [sic], by T. Bun, St. Martins Lane
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Butchers, and Signs (Notices)
"Fox, naked and hairy, sits despondently at the foot of a willow tree, from which a lyre hangs by a tricolour ribbon. His eyes are closed, his head is supported on the hand which holds a large book: 'The Beauties of St Ann's Hill'. He sits on the skin of an ass masquerading as a lion (with a lion's tail); before him are the apples of the Hesperides, rotten. His club, inscribed 'Whig Club', lies across a (blunted) arrow and a bow with a broken string. In the background Fame staggers from the temple which crowns Parnassus."--British Museum online catalogue
Description:
Title etched below image., No. 1 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet trimmed to plate mark., and Temporary local subject terms: Parnassus -- Hercules -- Reference to Hercules's labors: skin of an ass as the skin of the Nemean Lion -- Reference to the Whig Club -- Weapons: clubs -- Bow and arrow -- Musical instruments: lyre -- Emblems: tricolor ribbon -- Books -- Reference to St. Ann's Hill.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"Bond Street, the pavement receding diagonally from left to right, is thronged with fashionable pedestrians. In the foreground five fashionably dressed men advance, forming a phalanx which pushes on to the cobbled roadway a lady, dressed rather for the ball-room than the street, to whose arm clings a little girl; both are in back view. The men smile or leer. The lady's neck diminishes to a point, tresses of hair hang from her turban (cf. BMSat 8755), which is trimmed by a gigantic erect feather. Her over-dress hangs from her shoulders and swells into folds which sweep the ground. She holds a fan. (Small copy in Grego.) Behind (right) three ladies walk arm-in-arm in the roadway: a fat woman in a riding-habit, looking through an opera-glass, and two younger women, one with her face covered by a transparent veil reaching nearly to the (knees, the other looking demurely down. Among the crowd in the background a man arm-in-arm with a military officer in back view (? Lord Moira) resembles Fox."--British Museum online catalogue
Alternative Title:
Politesse du grande monde
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 27th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Clothing & dress, Crowds, Etiquette, Show windows, and Window displays
"Fox, scarcely caricatured, stands before the door of the Treasury (right), which is closed with an enormous padlock. He looks to the left, holding a dagger in his right hand, the key of the padlock in his left. Beside him (right) is his watchdog, with the head of North, his star attached to his collar. In the background (left) is a wall, perhaps the wall of the Privy Garden, in front of some buildings. Ballads for sale (or placards) are strung along the wall, a man sits beside them, three others stand on the pavement."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 46 x 32 cm.
Publisher:
Pubd. Iany. 19th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Keys (Hardware), Locks (Hardware), Watchdogs, Daggers & swords, and Street vendors
"Captain Morris (left) sits in profile to the right, singing from a broadside which he holds out in his left hand: 'A new Song to the Tune of the Plenipoy'. In his right hand is a full glass. He wears a round hat and fashionable half-boots; his coat, breeches, and stockings are tattered. From his pocket projects a pamphlet: 'Captain Morris's Songs by Subscription' (cf. BMSat 9240). Fox and Sheridan sit on opposite sides of a small round table, on which is a decanter of 'Brandy'. Sheridan, left, with Bardolph's fiery face, cf. BMSat 7528, &c, holds his glass and looks delightedly at Morris, as does Fox (as Falstaff), who says: "Come sing me a Boosey-Song, [A misquotation from 'I Henry IV', III. iii, where Falstaff says, "Come, sing me a bawdy song; make me merry."] to make me merry". Part of the face of a fourth man appears on the right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Furniture: chairs -- Wine bottle and glasses -- Spirits: brandy -- Literature: Shakespeare's Henry IV, Part I -- Allusion to the secession of the Opposition.
Publisher:
Pubd. June 16th, 1797, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Morris, Charles, 1745-1838
"Design in an oval. half length portrait of Pitt in the House of Commons, standing at the table on which are books and two documents inscribed 'Parliamentary Reform' and 'Commutation Act'. Three shadowy seated figures watch him: Fox (left) says, "Oh that I had him at Brooks's! I'd Reform him". Next, a man wearing a hat says, "If I had him at Deal I'd soon Smuggle him - Oh that poor Charley had continued in, He'd never suppress our trade". The third says, "He has made a Bankrupt of me. Oh that I could Adulterate". (The smuggled tea had been much adulterated.) Above the design is etched, 'Save, oh Save my Country!!! My Fathers' dying words I never can forget.'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Tax: Commutation Tax, 1785 -- Parliamentary reform, 1785 -- Allusion to Pitt's suppression of smuggling -- Allusion to Pitt's suppression of tea adulteration -- Literature: quotation from William Pitt, 1708-1778., and Mounted to 26 x 19 cm.
Publisher:
Pubd. Feby. 18, 1785, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Fox, Charles James, 1749-1806
