"Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed 'Chance'; its centre, a segment of which is visible, is composed of the letters on an 'E.O.' (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, "Push away! that's your sort!" He cries, "Straight Sailing! that's your sort!" Both the horses have human heads; that of the Duke says, "I'm the Sort for Leading; that of the Prince is Fox." The Prince's hat with feathers and the motto 'Ich dien' flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, "No Jealous Fitz - that's your sort!" The other, seated behind her, holds the end of the Prince's shirt, she has a large fox's brush and is probably Mrs. Armistead; she says, "Well done Charley! That's your sort!" The Prince says, "I'm the sort for a Widow - she's done over!" Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed 'Styx', a bridge or culvert beside it is 'Hazard'. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed 'ABC....' In his right hand he holds out a dice-box inscribed 'Oat - ' shaking from it two dice inscribed 'la' and 'nds' (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of 'Tennis Balls' (cf. British Museum Satires No. 7903) which resemble guineas. He says, "I'm the sort! for running out!" For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed 'Lottery Hack'; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed 'Illegal Insurance' (cf. British Museum Satires No. 7750); he says, "That's your sort - I'm in for it - I shall do the deep Ones!" The other two shout, "Go it! Dam'me! that 's your sort!" and "Dam Trade! Life and a Racer! that 's your sort." Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, "We're the wrong side of Temple Bar, my dear, we are only the sort to be laughed at"; she answers, "Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort." By their horse's head is a signpost inscribed 'Rotten Row', with a pointing hand inscribed 'Hoyle' (on Whist), the vertical post inscribed 'Crim. con.' The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed 'Faro'; she carries on her arm a wicker cage containing pigeons and says, "Unplucked Pidgeons! that's the sort." In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, "50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot's de sort." Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by W. Dent
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Fitzherbert, Maria Anne, 1756-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Crouch, Anna Maria, 1763-1805
Subject (Topic):
Gambling, Social life and customs, Horses, and Playing cards
"The head of Fox, looking to the left and frowning. Fox, often traduced as a would-be dictator, cf. British Museum Satires No. 6380, &c, is compared with Robespierre."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with "No. 1" etched in upper right corner, see no. 8450 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Opposition: Members of the Opposition., and Mounted on page 91 with one other print.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Fox, Charles James, 1749-1806 and Robespierre, Maximilien, 1758-1794.
"The head of Fox, looking to the left and frowning. Fox, often traduced as a would-be dictator, cf. British Museum Satires No. 6380, &c, is compared with Robespierre."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with "No. 1" etched in upper right corner, see no. 8450 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Opposition: Members of the Opposition., and Mounted to 37 x 34 cm.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Fox, Charles James, 1749-1806 and Robespierre, Maximilien, 1758-1794.
"The head of Fox, looking to the left and frowning. Fox, often traduced as a would-be dictator, cf. British Museum Satires No. 6380, &c, is compared with Robespierre."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "No. 1" in upper right corner., Temporary local subject terms: French republicans -- Opposition: Members of the Opposition., Perhaps a later impression from a worn plate; plate number is lightly printed and barely visible., and Mounted on verso of leaf 72 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Fox, Charles James, 1749-1806 and Robespierre, Maximilien, 1758-1794.
Leaf 5. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Admiral Rodney is depicted receiving the submission of the defeated De Grasse after the Battle of the Saints, as English sailors bring ashore the spoils of war, and chagrined politicians Fox, Keppel, and the Duke of Richmond look on from the left, with Sandwich and North behind them. Contrasts the new ministry's hostility to the popular Rodney with the rewarding of the incompetent Keppel (Admiral "Lee-shore.").
Alternative Title:
Admiral lee-shore in the dumps
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5992 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], "Political characters & caracatures of 1782. No. 3"--On left above design., Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 36., and On leaf 5 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 31st, 1782, by E. D'Achery, St. James's Street, London [i.e. Field & Tuer] and Field & Tuer
Subject (Geographic):
England
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Rodney, George Brydges Rodney, Baron, 1719-1792, Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Admirals, French, British, Sailors, and Clothing & dress
Admiral Rodney is depicted receiving the submission of the defeated De Grasse after the Battle of the Saints, as English sailors bring ashore the spoils of war, and chagrined politicians Fox, Keppel, and the Duke of Richmond look on from the left, with Sandwich and North behind them. Contrasts the new ministry's hostility to the popular Rodney with the rewarding of the incompetent Keppel (Admiral "Lee-shore.").
Alternative Title:
Admiral lee-shore in the dumps
Description:
Title etched below image., Printmaker from British Museum catalogue., and On left above design: Political characters & caracatures of 1782. No. 3.
Publisher:
Pubd. May 31st, 1782, by E. D'Achery, St. James's Street, London
Subject (Geographic):
Great Britain and England
Subject (Name):
Grasse, François Joseph Paul de Grasse, comte de, 1722-1788, Rodney, George Brydges Rodney, Baron, 1719-1792, Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Politics and government, History, Naval, Admirals, French, British, Sailors, and Clothing & dress
"Pitt (caricatured), dressed as Rolla, addresses a group of chieftains (left); the ranks of the Peruvian army with erect spears watch from the background. Below the (printed) title is printed Rolla's patriotic speech from 'Pizarro', II. ii, beginning 'My brave Associates', 'and ... we serve a Monarch whom we love . . .' (see British Museum Satires No. 9436). He stands with both arms outstretched, head turned in profile to the left, pointing rhetorically across the sea to the Spaniards, whom Sheridan (in this speech) equates with French republicans, and who are here represented by the Foxites. The Peruvians wear feathered head-dresses and feather kilts in the manner of Red Indians, except Dundas, who wears tartan and feathered head-dress. Dundas (caricatured) sits on the ground holding bow and shield, and looking with cunning scepticism at Pitt; he is the only one of the ministerial group of five who can be identified, though others may be presumed to be Grenville, Portland, and Windham."--British Museum online catalogue and From the printed British Museum catalogue: "(Description and comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VII, 1942) The Foxites, who 'fight for power, for plunder and extended rule', and follow 'an Adventurer whom they fear', all wear or carry bonnets-rouges and have tricolour flags, one inscribed 'Libertas'. They are small comic figures headed by Fox, who urges them towards the water. The others (left to right) are Lauderdale with a flag, Derby with a shield, Bedford wearing a jockey cap, Erskine in wig and gown, Norfolk holding his Earl Marshal's staff, Tierney holding pistols (see BMSat 9218, &c), Burdett, and two unidentified figures. For Pizarro see BMSat 9396, &c. The scene is burlesqued and altered from the play, where it takes place in the Temple of the Sun. The patriotic speech of Rolla (cf. BMSat 9436) made the fortune of the play and was reprinted as a broadside or placard in 1803, see BMSat 9397."
Description:
Title from letterpress text above image., Watermark: 1794., and Matted to 51 x 61 cm.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., Grenville, William Wyndham Grenville, Baron, 1759-1834., Windham, William, 1750-1810., Fox, Charles James, 1749-1806., Bedford, Francis Russell, Duke of, 1765-1802, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Public speaking, Armies, Peruvian, Headdresses, Shields, and Spears
"Catherine II, seated on the throne, eagerly receives the heads of Poles offered to her by a ferocious-looking officer. Three attendants advance behind him with baskets filled with heads of young women and children; the foremost kneels, holding out his basket, the next carries a basket on his shoulders; above it flies a demon. On the extreme right, on a pedestal, is the bust of Fox by Nollekens (see BMSat 7902), looking wryly over his right shoulder at the Empress. The officer, Suvóroff, holds out by the hair to the Empress three heads, one of which she touches with a finger. His sleeves are rolled up; in his left hand is a bunch of heads, under his left arm a long bloody sword and a document: 'Articles of Capitulation Warsaw'. On his short top-boots are enormous spurs. He says: "Thus my Royal Mistress have I fulfilled in the fullest extent your Tender Affectionate & Maternal Commission to those Deluded People of Poland, & have brought you the Pickings of Ten Thousand Heads tenderly detached from their deluded bodies the Day after Capitulation." The Empress answers: "My Dear General you have well Executed your Commission; but could not you prevail on any of the Polish Women to Poison their Husbands?" (An allusion to the murder of Peter III, cf. BMSat 8072.) To the demon she says: "Go my little Ariel & prepare our Altars for these pretty Sacrifices, we must have te Deum on the Occasion." The demon, a nude bat-winged creature, says: "Bravo this outdoes the Poison Scene." The Empress wears ermine-trimmed robes and holds a sceptre, but does not (as usual) wear a crown. Beside her (left) lies a bear, only the head and forepaws being visible."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Earlier state before addition of letter 's' in 'heads' in Suvorov's speech balloon., Earlier state. Cf. No. 8607 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Reference to the Battle of Warsaw, November 1794.
Publisher:
Pub. January 7, 1795, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Praga (Warsaw, Poland) and Russia
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Suvorov, Aleksandr Vasilʹevich, kni︠a︡zʹ Italiĭskiĭ, 1730-1800, and Fox, Charles James, 1749-1806
"Catherine II, seated on the throne, eagerly receives the heads of Poles offered to her by a ferocious-looking officer. Three attendants advance behind him with baskets filled with heads of young women and children; the foremost kneels, holding out his basket, the next carries a basket on his shoulders; above it flies a demon. On the extreme right, on a pedestal, is the bust of Fox by Nollekens (see BMSat 7902), looking wryly over his right shoulder at the Empress. The officer, Suvóroff, holds out by the hair to the Empress three heads, one of which she touches with a finger. His sleeves are rolled up; in his left hand is a bunch of heads, under his left arm a long bloody sword and a document: 'Articles of Capitulation Warsaw'. On his short top-boots are enormous spurs. He says: "Thus my Royal Mistress have I fulfilled in the fullest extent your Tender Affectionate & Maternal Commission to those Deluded People of Poland, & have brought you the Pickings of Ten Thousand Heads tenderly detached from their deluded bodies the Day after Capitulation." The Empress answers: "My Dear General you have well Executed your Commission; but could not you prevail on any of the Polish Women to Poison their Husbands?" (An allusion to the murder of Peter III, cf. BMSat 8072.) To the demon she says: "Go my little Ariel & prepare our Altars for these pretty Sacrifices, we must have te Deum on the Occasion." The demon, a nude bat-winged creature, says: "Bravo this outdoes the Poison Scene." The Empress wears ermine-trimmed robes and holds a sceptre, but does not (as usual) wear a crown. Beside her (left) lies a bear, only the head and forepaws being visible."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on three sides., Later state with addition of letter 's' in 'heads' in Suvorov's speech balloon., Temporary local subject terms: Reference to the Battle of Warsaw, November 1794., Matted to 47 x 63 cm.; printmaker's and subjects' names printed on mat below image., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Pub. January 7, 1795, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Praga (Warsaw, Poland) and Russia
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Suvorov, Aleksandr Vasilʹevich, kni︠a︡zʹ Italiĭskiĭ, 1730-1800, and Fox, Charles James, 1749-1806
