At the center of the sheet stands John Bull, hands clasped in prayer, as Sheridan and Fox force the bread of liberty into his wide open mouth as they pick his pocket. On either side of the three stands a gallows and the Temple Bar. In each of the four corners in similar scenes, labelled clockwise from upper left, Holland, Savoy, German & Prussia, red-capped French sansculottes try to force the bread of liberty down recognizable national stereotypes from these four nations as they loot the terrfied citizens
Alternative Title:
Sansculottes feeding Europe with the bread of liberty
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark on bottom edge.
Publisher:
Pubd. Jany. 12st [sic], 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
France
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
John Bull (Symbolic character), Girondists, Sansculottes, Liberty, Liberty cap, Popes, History, and Foreign relations
Additional scene for act 3, composed for the 1909 revision, holograph, with printer's markings. Accompanied by a blank sheet of score paper with notes identifying the manuscript, numbered "308" on verso
Description:
Jules Massenet, French composer., Opera, with text by Henri Cain and Arthur Bernède, after Alphonse Daudet. First performed 1897 (first version), 1909 (revision); published 1898? (vocal score), 1909? (full score)., Available on microfilm, Title from cover., and Pl. no.: H. & Cie. 18.814 (manuscript printer's marking).
Subject (Geographic):
France
Subject (Name):
Daudet, Alphonse, 1840-1897, Massenet, Jules, 1842-1912., and Heugel (Firm)
Manuscript on parchment (shiny) of Juvenal, Satirae I-XVI. Many lacunae in text, but missing passages often added in by 15th-century hands
Description:
In Latin., Script: Written by a single scribe in a small bookhand; interlinear glosses and scholia by same scribe in a cramped and abbreviated script, ff. 2 and 4 in two sizes of humanistic bookhand., Red initial, 4-line, infilled with modest arabesque motifs; spaces left for other initials at beginning of each satire; rubrication for scholia on ff. 2. Simple drawing of racecourse in circus appears on f. 9r., and Binding: 18th-19th centuries (?). Brick-red goatskin, blind-tooled.
Manuscript on parchment (greatly trimmed) of a fragment of a Book of Hours. The twenty-six folios are the only fragment known to remain of the Book of Hours of Blanche of Burgundy (d. 1348), Countess of Savoy and granddaughter of Saint Louis of France, which was executed in Paris in the atelier of Jean Pucelle. The manuscript received additional texts and miniatures in the third quarter of the fourteenth century, when it was owned by Charles V, King of France, 1364-80.
Description:
In Latin., Script: Written in gothic bookhand; ff. 1r, 1v, 4r, and 4v added in the third quarter of the fourteenth century by Jean L'Avenant., Contains fifty of the original two hundred and fifty-five miniatures, the majority executed between Pucelle's death in 1334 and Blanche's death in 1348, the remainder between ca. 1370 and 1378, the terminus ante quem being the death of Charles's wife, Jeanne de Bourbon, represented on one of the destroyed leaves. All of the miniatures are in tricolor quatrefoils, the first, earlier set against pink or blue grounds with white filigree, gold frames and gold leaves on hair-line stems, the later miniatures with the grounds in pink or blue imitation relief., Each folio with a 3/4 bar border, detached from initial, pink, blue and gold with ivy terminals, or a single bar with ivy attached to initial, in inner margin; some with grotesque terminals, and birds and hunters in the margins and bas-de-page. 2-line initials, with heads, ivy, the arms of Savoy (ff. 2r, 14r, 18v, etc.) or the arms of Burgundy (f. 3v); blue or pink with white highlights on gold grounds. 1-line initials, blue or gold with red or black penwork. Line endings, red, blue and gold, on ff. 1 and 4 only. Rubrics throughout., and Binding: Eighteenth century. Red-brown sheepskin heavily gold-tooled with floral borders and corner fans, the center filled in with a circle made up of fan tools.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pucelle, Jean, fl. 1320. and Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
A collection of James Sayers' prints, mostly political satires and caricatures, mounted on blue paper and assembled by an unknown collector; topics include, in addition to general political topics of the late 18th century, the Warren Hastings trial, the East India Company, and the French Revolution. Mostly black ink, with one in brown and one in blue. Prints were published by C. Bretherton, Ja. Bretherton, Thomas Cornell, and H. Humphrey
Description:
Title from spine., Bound in three quarter red morocco with spine title: Sayer's caricatures., and Accompanied by a typed list of titles bound in, with page numbers.
Subject (Geographic):
Great Britain and France
Subject (Topic):
Politicians, Political satire, English, Politics and government, and History
Title from item., Place and date of publication from an unverified card catalog record., Sheet trimmed within plate mark., Design divided into four compartments, each containing an oval frame with an image of a character from commedia dell'arte and the name etched below it., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 19 x 13 cm.
Score of Satie's nine scènes nouvelles, holograph, with corrections by Satie and brief annotations written by dancer Serge Lifar and in unidentified hands. Appended are a transposition of Gounod's quintet from act three, written in holograph by Georges Auric, and a vocal score of the final octet, written in an unidentified hand, possibly that of Edouard Flament. Laid in are a text of the quintet, typescript, and an excerpt in vocal score showing the transition to the final scene, written in holograph by Satie
Description:
Charles Gounod's opéra-comique Le médecin malgré lui, with a libretto by Jules Barbier and Michel Carré, based on Molière's play, was first performed in 1858. For a revival at the Festival Français in Monte Carlo, Serge Diaghilev commissioned recitatives by Satie to replace original spoken dialogue. A final vocal octet was adapted by Georges Auric from Gounod's quintet in act three. Le médecin malgré lui, with nine "scènes nouvelles" by Satie and the final scene by Auric, was conducted by Edouard Flament at the Casino Theater, Monte Carlo, on January 5, 1924., Available on microfilm, Staff notation., Vocal text in French., Title devised by cataloger., Date of creation supplied by cataloger., and "Médecin malgré lui: opéra comique de Gounod" -- caption title, written in an unidentified hand.
Manuscript on parchment of Petrus Comestor (Manducator), Historia Scholastica
Alternative Title:
Historia scholastica
Description:
In Latin., Script: copied by two scribes (Scribe 1: ff. 1r-47r; Scribe 2: ff. 47r-179v) in proto-gothic script., Large initial on f. 1v embodying 9 miniatures (depicting, top to bottom, God the Father enthroned, Noah and the Ark, Abraham and Melchisidech, Abraham and Isaac, Elijah pouring water around his altar, a king kneeling before an altar, a prophet, David playing the harp, and Petrus Comestor at work). 19 large decorative initial letters in light green, dark green, yellow, blue, and red with interlace and leafy decorations, often employing zoomorphic ornamentation. Hundreds of smaller painted initials., and Binding: 18th century. Brown calf, with gilt embossed ornamentation on spine and the legend: "Historia | Scholastica | Petri | Manducatori" and a label with the printed number 3742.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, active 12th century
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
A scrapbook of advertisements, broadsides, single sheet verse, newspaper clippings, with some manuscript materials laid in, somewhat organized topically, with material covering over a 95-year period, from the 1740s to 1838, but mostly dating from the last quarter of the 18th century. Topics included are: Gallantry, matrimony, conjurers and fortune tellers, clubs and societies, places of entertainment, spectacles such as exotic animals, curiosities of nature, freaks, etc. ; sporting events; advertisements for apparel; medical remedies and cosmetics; plays, ballets, and performances; obituaries and accounts of strange deaths; schools for gentlemen; balloon flights; puppets, mechanical inventions; comic poetry, epigrams, epitaphs, odes, ballads; jokes; accounts of ghosts and spiritual magic; auctions; religion; want ads; cooking; army recruiting; real estate; advertisements for books; strange accounts of bizarre crimes; traps; fire-fighting; accounts of the Thames; tobacco ads; shoes; public notices; election posters; fugitives from justice; wills and last testaments; lottery ads; notices relating to the Bonapartes; and other ads and reports including a print of a mummy
Description:
In English, with some entries in French., Title assigned by cataloger., Signed on inside front cover: "Beauchamp 1837.", and Imperfect impression of "A view of the menagerie in the King's Private Road," with bottom half of plate missing; laid in; not digitized.
Subject (Geographic):
England., England, and France
Subject (Topic):
Ballooning, Beauty, Personal, Clothing and dress, Entertainment events, Freak shows, Ghosts, Lotteries, Medical instruments and apparatus, Menageries, Sports, Violent crimes, Social life and customs, and Foreign public opinion, British
Scrapbook kept by Anne Scafe, containing clippings from London newspapers and magazines, with some clippings from regional and Scottish publications as well as manuscripts and letters from the Spencer and Devonshire family members, including a letter from Georgiana, Duchess of Devonshire; from Lady Sarah Lyttelton announcing her marriage; a manuscript poem written by "Caroline Lamb's page" with a watercolor portrait, dated 1807 at Holywell House; a letter recounting the visit of the Grand Duke Nicholas to Chatsworth in December 1816; an account of the death of Lady Charlotte Finch. Many of the clippings center around the announcements of births, marriages, deaths, and the settlement of the estates of these two families and their circle as well as announcements of their social engagements, political activities, scandals, etc. The clippings include references to Horace Walpole; the theatrical world; new inventions; style; foreign travel; domestic and foreign politics, especially the revolution in France and reports on the French royal family and later the Bonaparte family. Also included are autographs of prominent British nobility, including the King, and foreign dignitaries and royalty, In addition to the clippings, the scrapbook includes a variety of ephermal items given to Scafe by members of the extended family such as as well as ephemeral items from their travels, political, and social activities; calling cards and letters of introduction given to Sir William Ponsonby by members of the Russian aristocracy in 1805 and similar items from his trip to Spain in 1809; autographs of foreign royalty; invitations to the funeral of William Pitt a memorial to Lord Nelson, and the trial of Lord Viscount Melville (1805)., Scafe also includes clippings and ephemera of a more general nature: humorous anecdotes, reports on curious events, jokes, odd behaviors; epitaphs, poems, epigrams; advertisements for employment as well advertisements by tradespeople; announcements and broadsides of events such as lottery drawings; several promissary notes; and etchings, Scafe includes two lengthy test: one from The Morning Post's account of the writing of "Modern characters by Shakespear" (published later the same year); and, a transcription of "The butterfy's ball and The grasshopper's feast"., and An engraving entitled "Sunday's amusement" is mounted on a leaf tipped in opposite the front paste-down, a note in pencil indicating that it was formerly pasted over the material on the lining of the front cover (but moved by bookbinder G. Bissell in 1966). Depicted in this satirical print is a family (man, woman, and boy) riding to the left in a carriage in the countryside, a mile marker seen in the lower right; verses are etched on either side of title, beginning "The wealthy cit grown rich by trade ...". Pasted on the following leaf, which is tipped in before the front free endpaper, are trimmed portions of various plates, including plate III (page 805) from Gentleman's magazine, v. 59 (September 1789), which depicts coins and other antiquarian items. Several additional prints are pasted on the verso of the front free endpaper, including four plates (plates 1, 3, 6, and 16) from "The talking bird: or, Dame Trudge and her parrot" which show an old woman's pet parrot being mischievous in various situations; the first plate has the title "The talking bird" at top and the imprint "Publish'd August 20, 1806, by J. Harris, corner of St. Pauls Church Yard, London" at bottom
Description:
Anne Scafe, maidservant of Georgiana Spencer Cavendish, Duchess of Devonshire (1757-1806)., Signed by "A. Scafe" on last leaf with a note stating that the volume had been given to her by "the Marquis of Hartingdon", i.e., William George Spencer Cavendish (1790-1858), 6th duke of Devonshire, who also signed and dated the first leaf: "Hartington 1803.", and For further information, consult library staff.
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821., Lamb, Caroline, Lady, 1785-1828., Finch, Charlotte, Lady, 1725-1813., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., Devonshire, Margaret Georgiana Poyntz, Duchess of, 1736-1814., Devonshire, William Spencer Cavendish, Duke of, 1790-1858., Lyttelton, William Henry Lyttelton, Baron, 1782-1837., Lyttelton, Sarah Spencer, Lady, 1787-1870., Melville, Robert Saunders Dundas, Viscount, 1771-1851., Nelson, Horatio Nelson, Viscount, 1758-1805., Ponsonby, Frederick Cavendish, 1783-1838., Ponsonby, William, Sir, 1772-1815., Scafe, Anne., Bonaparte family., and Roscoe, William, 1753-1831.
Subject (Topic):
Nobility, Social life and customs, and Politics and government