Manuscript fragment, on parchment, from this Latin grammar text
Description:
In Latin., Layout: single columns of 24 lines, centered, with gloss in a much smaller script surrounding the central text., Script: gothica textualis semi-quadrata, with gloss in littera glossularis., and Decoration: paraph marks in alternating red and blue inks, in both the text and the gloss.
Manuscript on parchment, composed of two parts. Part I (ff. 1-44): Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II (ff. 46-82): Ovid, Epistolae ex Ponto, I.1-IV.16. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin
Description:
In Latin., Script: Both parts written by one scribe (Part I dated 1303) whose hand is characterized by an unusually tall double compartment a. Notes were added to the parchment pastedowns, now the flyleaves, in the 15th century., Decorative initials, 4-line, body split red and blue, with neat penwork flourishes, in red (ff. 1r, 46r); plain initials, 3- to 2-line, alternate red and blue for each letter throughout text; first letter of each verse placed on middle ruling of three vertical bounding lines., Stains in upper margin result in some loss of text., and Binding: Fifteenth century. Caught up sewing on four double, tawed supports. Covers wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Elegiac poetry, Latin, Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript, on parchment, incomplete, of the text of Peter Abelard's Historia calamitatum, followed by the seven epistolae exchanged between him and Héloïse.
Description:
In Latin., Script: compressed gothic book script., Decoration: 2-line initials in red or blue with penwork flourishing in red or purple. Medieval marginalia includes manicules and grotesques., Manuscript is incomplete (circa 50 leaves missing?). Text opens: id secreto fieret (Historia calamitatum). Text concludes: orationum instantiam confessio[ne]m lau[dis?] (Letter 7)., and Binding: modern blind-stamped white leather.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Abelard, Peter, 1079-1142. and Héloïse, approximately 1095-1163 or 1164.
Subject (Topic):
Autobiography, Women authors, Latin letters, Medieval and modern, Love-letters, and Manuscripts, Medieval
Manuscript fragment on parchment of the Penitential Psalms (incomplete), probably written as part of a Book of Hours
Description:
In Latin., Script: Written by a single scribe in liturgical gothic script., Carefully executed initials, 3-line, on blue or pink rectangles outlined in black, mark the beginning of each psalm; partial cusped borders, also in blue and pink, attached to each. Initials infilled with intertwining vines, often on gold ground, sometimes with small animals; modest use of gold dots inside rectangular grounds and borders. 1-line initials of blue with red penwork with blue dots and of gold with blue penwork and red dots. Line-fillers in combinations of red, blue and gold (various linear and flower designs)., and Binding: Nineteenth century. Bound in a piece of blind-tooled brown calf, once part of a 17th-18th century binding. Front pastedown and flyleaf from a Bible concordance, version 3 (France, ca. 1300). Back pastedown from 15th-century antiphonal, with musical notation, containing a portion of the office for Nicolas (6 Dec.).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Antiphonaries, Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a book of hours, decorated with elaborate illuminated miniatures
Description:
In Latin., Script: probably copied by two hands, both writing Northern Gothica Textualis Formata: A copied the Calendar, B all the rest in a more formal script in two sizes, except ff. 102r-103r, which are in a different hand. Rich decoration. Rubrics in gold. Calendar written in blue and gold. Majuscules stroked in yellow. Line fillers in gold and colour. Numerous 1-line versals (dentelle initials). 2-line foliate initials with marginal extensions, or with a one-margin gold and colour foliate bar border, extending into the upper and lower margins; some of them contain a human face, a flower or a geometrical design. 6-or 7-line historiated initials, always accompanied by a full gold and colour foliate bar border. Several marginal portraits of a woman (ff. 21r and 83r) are probably of the original owner., Elaborate illuminated miniatures, decorating a calendar, Short Hours of the Cross, Hours of the Virgin, Penitential Psalms, and the Office of the Dead. The manuscript also includes the beginning of the Gospel according to John, a litany, and petitions., and Binding: 20th century binding by Douglas Cockerell (1926): dark red morocco over pasteboard. Spine with five raised bands, with gold-tooled title “HORAE BEATAE / MARIAE VIRGINIS // MS. SAEC. XIV”. Green silk endbands. Two leather straps with silver clasps and catches engraved with the Hornby crest.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on parchment, in multiple scribal hands, of sections A and B of Part I of the Lancelot series of Arthurian romances. These sections cover Lancelot's birth, upbringing, adventures as a Knight of the Round Table, and passion for Queen Guenevere
Description:
In Middle French., Layout: double columns of 50-53 lines., Script: gothic (multiple scribes)., Decoration: large historiated initial at the opening of each section; smaller initials in red and blue penwork., and Binding: early nineteenth-century? red silk velvet binding; gilt decoration on spine. Gilt leather spine tag: Lancelot du Lac. M S.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancelot (Legendary character)
Subject (Topic):
Arthurian romances, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment, on parchment, of a legal text surrounded by its accompanying gloss
Description:
In Latin., Script: gothica textura., Decoration: rubricated. Decorated marginal capitals in blue ink; small internal capitals in red ink for main text. Gloss contains small capitals in red and blue ink., and Gloss further annotated in a 14th century gothic cursive hand.
Three miniatures, on vellum, from the copy of the Livre du Lancelot du Lac illustrated by the Dunois Master. They depict: 1) the Duke of Clarence and esquire, meeting a knight cutting off a woman's hair; 2) King Baudemagnus leading the battle against the Romans; 3) Lancelot's arrival at the city of Gorre
Description:
In Middle French. and Binding: individually mounted.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancelot (Legendary character)
Subject (Topic):
Manuscripts, Medieval and Arthurian romances in art
Manuscript bifolium, in a single hand, containing text from chapters 34, 35, and 39 of this prose romance
Description:
In Middle French., Layout: double columns of 52 lines., Script: gothic script., and Decoration: Rubricated. Three-line initials in gold against blue and rose grounds.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Arthurian romances, French prose literature, and Manuscripts, Medieval