Manuscript on parchment (calfskin) of a collection of prayers, passion narratives and hymns
Description:
In Middle French and Latin., Script: Copied by one hand in Gothica Textualis Libraria (Textus Quadratus, approximately Oeser variant II), with a tendency to develop cadels on the top line, in some cases (f. 57v) featuring a human profile., Headings in red. Heightening of the majuscules in yellow. 1-line plain versals alternately red and blue; 2-line plain initials and 4-line initials (plain or of the littera duplex type, but without penwork; 5-line on ff. 2r, 126v and 145r) in red and/or blue. Although the main prayers and hymns generally begin with a 4- or 5-line initial, the distribution of the various kinds of initials often seems at random., and Binding: Seventeenth century. Plain brown leather over pasteboard. The spine gold-tooled, with five raised bands. Paper pastedowns; red sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Hymns, Manuscripts, Medieval, and Passion narratives (Gospels)
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata. Rubrics in Gothica Hybrida Formata (Bastarda). Music notation in Nota Quadrata., Red rubrics. Heightening of majuscules in yellow. Alternately red and blue1-line plain initials on ff. 176r-177r. Flourished initials (height: 1 stave + 1 text line) alternately red with purple penwork and blue with red penwork. Cadels (same size) in a rectangular frame decorated with foliage on a yellow background. On f. 1r damaged large golden initial (2 staves + 2 lines of text) on a blue background containing coat of arms of Hugo Gontard, a canon in the collegiate church of St. Genesius (St. Genez) at Clermont-Ferrand in 1515 and "abbot" of the said church, 1519-1545., Many pages badly damaged and faded, especially f. 1r., and Binding: Nineteenth century. Marbled leather over cardboard, repaired. Gold-tooled spine with title on red leather label: "LIVRE D'HEURES". Brown marbled paper endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Music, and Processionals (Liturgical books)
Manuscript, on parchment, in several hands, containing copies of legal documents, many concluding with notarial signs. Two internal title pages. The first reads: "Recognoissances de noble Pierre de Salles. 1324. Quartrefois B. Recognoi.ces de Noble Bernard de Salles. 1350. Quatrefois C. Recog.ces de Mons.r L'arceuesque de Narbonne. Aux Noble Bernard de Salles. Et Scindic du Chappitre St. Estienne de Narbonne / 1350. Quatrefois D." The second reads: "Recognoissances de noble Jehan de Vidal Conseig.r de Salles. 1514 Quatrefois N."
Description:
In Latin., Manuscript waste used in two internal bindings., Spine titles read: R--ON- / DE / SALLES. 1324. / 1350. / 1439. / 1514, and Binding: 18th century? full patterned calf. Red leather spine tags.
Subject (Geographic):
France, Connecticut, New Haven., and Narbonne (France)
Subject (Name):
Salles, Bernard de., Salles family., Salles, Pierre de., and Vidal, Jehan de.
Manuscript on paper of an oration by Pope Pius II in support of the candidature of Ferdinand I of Aragon for the throne of Naples and Sicily
Description:
In Latin., Script: copied by a single hand writing a small Gothica Hybrida Libraria/Currens under Humanistic influence. Heading in pale brown ink. Opening word in capitals and marginal captions in pale red ink. 3-line pale red initial on f. 1r., The present manuscript was probably copied soon after the oration was held at the council of Mantua in 1459. The Pope had requested the help of the Christian rulers for a crusade against the Turks. The King of France Charles VII refused his support unless the Pope would favour the candidature of René of Anjou to the throne of Naples and Sicily against the pretensions of Ferdinand I of Aragon. In the present oration, the Pope explains why he regrets to deny René's claim and supports Ferdinand., and Binding: 20th century: plain parchment over pasteboard.
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Pius II, Pope, 1405-1464. and Ferdinand I, King of Naples, 1423-1494.
Subject (Topic):
Letters, Papal, Manuscripts, Medieval, and History
Manuscript on parchment of Roman de la Rose. With Poem on Paris of Troy, added in a later hand (15th/16th century); and Poem including the name of the man for whom the volume was copied, Pierre Louvel
Description:
In French., Script: Written in well-formed batarde by one scribe; art. 1 and some marginal notations in a slightly later hand., Inscriptions in almost every miniature to identify the figures. Sixty-six miniatures, 16- to 12-line, framed in gold, on f. 1r with a cusped arch and a full border of blue and gold acanthus at the corners and midpoints, red and blue flowers, and hair-spray with gold leaves, bounded in red and with a gold bar in inner margin. Other miniatures with 3/4 borders in the same style, some with birds. On f. 1r a 4-line initial, blue with white highlights, filled with red and blue ivy against a gold ground. 3- or 2-line initials, gold, with pink and blue grounds with white filigree. Capital at beginning of each verse stroked in yellow., Borders and miniature on f. 1r rubbed. Black ink hair-spray on many borders smeared., and Binding: Nineteenth century. Rigid vellum case heavily gold-tooled, with a red label. Gilt, gauffered edges. Motto on upper cover: "Nobilis ira." Bound by Bevan.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230. and Jean, de Meun, approximately 1240-approximately 1305.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances
Manuscript on parchment of Pope Nicholas IV, Rule of the Third Order of St. Francis (Papal Bull Supra Montem, issued 17 August 1289), in French translation
Description:
In French., Script: copied by one hand in Gothica Textualis Formata, careful but not without inconsistencies. A scribe with initials “F.R.” is not attested., Red underlining; paragraph marks alternately red and blue, and line fillers in the same colours. A few 1-line flourished versals, and 2-line flourished initials alternately in red and blue, with penwork in the contrasting colour, at the head of all chapters. A 3-line flourished initial in the same colours at the beginning of the Prologue, f. 2r., and Binding: early, white deerskin over pasteboard, spine with four raised bands. Marks of two leather ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas IV, Pope, 1227-1292. and Franciscans.
Subject (Topic):
Bulls, Papal, Literature, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Third orders
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers
Description:
In Latin., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., and Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions "SERMONES" / and "IOANNES / CHRYSOSTOMUS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, de Padua, d. 1328., John Chrysostom, Saint, -407., and Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons, Latin
Collection of 65 legal documents, on parchment, from the region around Bordeaux in the Duchy of Aquitaine. Dating from between 1254 and 1469, most of the items are in Old Provençal (Occitan) and document various land transactions, including sales, leases, donations, and other transfers of lands, usually vineyards or other agricultural properties. There are also a few wills and letters, and one undated tithe map. The documents are from the Bordeaux region; fifteen concern properties in or near the town of St. Machaire
Description:
Digital version available;, Almost entirely in Old Provençal; six documents in Latin; two in Middle French., Finding aid available., Most documents docketed., and Most documents dated in accordance with the English regnal calendar; the remainder are dated in accordance with the French regnal calendar. A few give both regnal dates.
Subject (Geographic):
Connecticut, New Haven., France, Aquitaine., and Aquitaine (France)
Subject (Topic):
Manuscripts, Medieval, Administration of estates, Church lands, Land tenure, and Economic conditions
