Manuscript on paper in two parts. Part I (late 15th century): 1) John of Rupescissa, De consideratione quinte essentie. 2) Aqua solempnissima, atque mirabilis. Part II (copied in 1775): 3) George Ripley (?), Touchant le grand magistere des sages, translated from English into French
Description:
In Latin and French., Script: Part I: Written by a single hand in a semigothic cursive. Part II: Written in a cursive hand sloping to the right., Part I: Headings in red., and Binding: Nineteenth century, English. Tan buckram boards, brown morocco back and corners, flat backstrip with gold-stamped title, plain edges.
Manuscript fragment on parchment of a book of hours with an office for the dead
Description:
In Latin., Script: Copied by one hand writing in Gothica Cursiva Formata (Bastarda)., and Decoration: Purplish red rubrics. Yellow highlighting of the majuscules. 1-line versals and 2- or 3-line initials, all in liquid gold on purplish red or blue square background decorated with foliage or flowers in liquid gold. Initials in red, blue, and gold. On f. 1v, there is a rectangular picture, framed in black and gold and treated as an initial 11 lines high, of God the Father with tiara, sitting, one hand on the globe, the other hand blessing rows of Seraphim and Cherubim before him. Elsewhere yellow-colored fleur-de-lys, animals, archers and a giant insects.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on paper, in a single hand, of a collection of annotated coats of arms for 177 members of the Knights of the Round Table. Each knight is represented by a coat of arms drawn in trick and followed by an explanation of each device and its appropriateness to that knight. The main text is preceded by a nine page text, "De l'invention des armes," and followed by a "Briefue narration de la table ronde."
Description:
In Middle French., Modern title page in English bound in before original title page., Printed bookseller description pasted in on verso of rear flyleaf., Layout: Single columns of varying length. Armorial entries begin with the name of the knight and a pen and ink drawing of his coat of arms in trick, followed by a descriptive paragraph,, Script: secretary., Decoration: 177 pen and ink drawings in trick of coats of arms., and Binding: eighteenth-century green velvet over boards; silver castle ornament mounted on front cover.
Subject (Geographic):
Connecticut, New Haven., and Arthurian romances
Subject (Name):
Arthur, King
Subject (Topic):
Heraldry, Manuscripts, Renaissance, and Arthurian romances
Manuscript on trimmed parchment. Note rubrics on ff. 59v, 81r and 101v mentioning "l'eglise catholique" and "Institution catholique", and lengthy prayer against heretics, ff. 103r-106v
Description:
In French., Script: Written and illuminated by Pierre Aymes in a roman and italic script influenced by printing., Thirty-two miniatures, in brown frames, of average quality. 2-line initials, gold, blue or silver against gold, red, green or blue grounds. Bounding lines reinforced in gold and pink. Rubrics throughout. Full border on title page made up of panels framed in gold filled with grotesques, candelabra, masks against pinks grounds., and Binding: 16th-17th centuries. Sewn on three single, tawed supports laced into the boards. Gilt edges and red- and cream-beaded endbands. Covered in brown calf, gold-tooled all over with strap work and arabesques in concentric frames. Two fastenings, now wanting. Engravings of the Virgin Mary glued to front and back pastedowns. Front pastedown: Virgin and child handing rosary to St. Dominic with legend Psalterii B. Mariae Virginis aut Rosarii inuentur S. Dnic. Back pastedown: S. Maria Mater Dei with four flowers in corners.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (poor quality: many ends, some stitched pieces; trimmed) of Suffrages and Prayers. Reputed to have been made for Marguerite de Valois, duchess of Savoy (1523-74), though there is no evidence of this within the manuscript
Description:
In Latin and French., Script: Written in batarde by several persons., Forty-six miniatures of very poor quality, the majority 10- to 8-lines, rectangular and full width of folio, framed in brown ink; four others (ff. 42v, 53r, 73v, and 104v) 5- to 4-lines, square, in gold frames edged in blue. 4- to 3-lines initials, ff. 1r-7v only, silver or gold on magenta or blue irregular grounds, with gold or silver filigree. 2- and 1-lines initials in red. Line-fillers in red and brown floral patterns. Rubrics throughout., and Binding: 16th-17th centuries. Resewn on four very small vegetable fiber cords. The spine of the cover shows that the earlier supports were nearly flat and double and that there were two half-bands near head and tail. Red edges. Covered in yellow/brown calf, blind-tooled with a central panel filled with strap work inside floral borders. A rectangle of leather near the center is painted red and "Margveritte de Savoye" is tooled near the head of the lower board. The cover has been made into a case or hollow-backed binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Artelouche de Alagona, Fauconnerie, printed several times between 1567 and 1628
Description:
In French., Script: Copied by scribe Vincent Philippon from Avignon (except f. 1) in Gothica Cursiva Formata (Bastarda). Calligraphic extensions of the letters in the upper and lower margin (on f. 48r ending in a monstrous animal's head)., Decoration: Paragraph marks in liquid gold on an alternately red and blue square background. 2- or 3-line, exceptionally 4-line plain initials in liquid gold (Capitalis) on an alternately red and blue square background. Space for a full-page miniature above two lines of text was provided on the facsimile page f. 1r.; a full-page picture, showing a falcon, on f. 45r. includes also a few small marginal images., and Binding: 20th century French red-brown morocco with gilt edges inside; spine has four raised bands and gold-tooled inscriptions.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Artelouche de Alagona.
Subject (Topic):
Falconry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Noël de Fribois, Abrégé des croniques de France, presented to King Charles VII of France in 1459. 2) Simon Gréban, Epitaph for King Charles VII. 3) Catalogue of the library of Jaspar Scaeck, apparently a lawyer in northern France. The manuscript also includes a number of moral aphorisms. The manuscript consists of three parts of different ages
Description:
In French., Script: Part I (ff. 1-76), ca. 1450, copied by a single scribe in Gothica Semihybrida Libraria (Bastarda). Part II (ff. 77-88), between 1490 and 1500, copied by a single scribe in Gothica Semihybrida Currens (Bastarda). Part III (ff. 89-113), after 1613, written in documentary Gothica Cursiva Currens., Manuscript on paper of 1) Noël de Fribois (d. 1467/1468), Abrégé des croniques de France, presented to King Charles VII of France in 1459. 2) Simon Gréban (d. ca. 1473), Epitaph for King Charles VII (1461). 3) Moral aphorisms in the form of distichs. 4) Moral aphorisms in French after the manner of the Disticha Catonis, perhaps by the same author as article 3. 5) Catalogue of the library of Jaspar Scaeck, apparently a lawyer in northern France (Lille?). The 57 books, listed without a clear order, are almost all in French and were printed between 1534 and 1595, with one book dated 1495; they mostly were produced in Paris, Lyons, Douai and Antwerp. For each the owner gives a full transcription of the title page, reproducing its layout (exceptionally also the colophon); for the last two items also a note on the binding., Watermarks: Part I, ox, Briquet 2786?? Part II, letter P, var. Briquet 8576??, and Binding: circa 1500?: blind-tooled leather over wooden boards. Spine with four raised bands. On the front cover a parchment label with the sixteenth century inscription in Northern Gothica Textualis Formata "Cronicques / abreigiés".
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Charles VII, King of France, 1403-1461. and Fribois, Noël de, active 1400-1468.
Subject (Topic):
Didactic literature, French, French poetry, Manuscripts, Medieval, and History
Manuscript, on parchment, in unidentified of Harangues et oraisons des anciens. Contains examples of ancient speeches from famous events in both Greek and Roman history. Also includes the funerary speech of Perides [sic], several speeches attributed to Philip of Macedonia, Demosthenes, Alexander, Nero, and many others. Also includes a speech by Ottoman envoys to Rhodes (dated to 1522) and an ultimatum of Suleiman I (1494-1566) to Philippe Villiers de l'Isle-Adam
Description:
In French., Script: Gothica Semihybrida Formata (Bastarda)., Layout: ff. 2-57 single column of 40 lines; ff. 58-165 sincle column of 41 lines., Decoration: Line-fillers in the shape of a red or blue horizontal stroke heightened with liquid gold. Paragraph marks in liquid gold on a square red or blue background. 4- or 5-line painted initials. On the second front flyleaf verso full-page frontispiece: in an imitation wooden frame a room is depicted, in which twelve men are engaged in discussion., Binding: Original green velvet binding over pasteboard, spine with four raised bands; two velvet straps attached to the front board closing over pins in the rear board with two enamelled brass clasps with the arms of François II, duc de La Rochefoucauld, and his wife Anne de Polignac; gilt edges., and The original foliation in Roman numbers, at right in the upper margin of the rectos, is incomple.
Subject (Geographic):
Connecticut, New Haven., Italy, and Greece
Subject (Topic):
Manuscripts, Medieval, Speeches, addresses, etc., Greek, Speeches, addresses, etc., Latin, Church history, and History
Manuscript on parchment of Ovid, Heroides 16 (Paris to Helen) 1-38, 145-378, with an unidentified French translation. Latin text, which is written only on the verso of each leaf, faces the French translation, which is written on the recto of each leaf
Description:
In French and Latin., Script: Latin text written in a round humanistic script much influenced by printing; Scribe 1) ff. 1v-21v and Scribe 2) ff. 22r-36r. French text written in upright batarde; Scribe 1) ff. 2r-22r and Scribe 2) ff. 22r-36r (a more flamboyant style of script)., Two initials, one at beginning of Latin text (2-line), the other at the beginning of French text (3-line), respectively gold on blue square ground with gold filigree and gold on dark red square ground with gold filigree. Most stanzas introduced by paragraph marks in gold on blue or red alternating grounds, with gold filigree. First letter of each verse stroked with yellow, as are usually majuscules in text. Headings on ff. 1v and 2r in red., and Binding: Seventeenth century, France (?). Bound in red goatskin, gold-tooled. Gilt edges. Title, much worn, on spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Narrative poetry, Latin
Manuscript on parchment (fine) of a Book of Hours with full calendar including the major Franciscan and Dominican feasts
Description:
In Latin., Script: Written by a single scribe in a precise humanistic script similar in style to that of Geoffroy Tory (1480-1533)., Fifteen full-page miniatures in camaieu-gris with gold accents in narrow frames of gold in form of a rope. Twelve smaller miniatures in narrow gold frames with the occupations of the months in the Calendar. Signs of the zodiac appear in the sky or in the background. In addition there are three miniatures, 8-line, f. 14v (Gospel Sequences) St. Luke; f. 15r (Gospel Sequences) St. Matthew; and f. 20v (Stabat mater) the two Marys at the cross. All text pages with elaborate borders consisting of solid panels in gold or grey divided by knotted cords, black with white or gold highlights enclosing the letters E, F, G., Initials, 4- and 3-line, blue, grey, or pink with white highlights, filled with knotted cords or flowers against gold grounds flecked with black. Initials, 2- and 1-line, and KL monograms, gold, on red and blue grounds with gold filigree. Line fillers gold on red and blue grounds with gold filigree, or gold logs. Rubrics in gold and blue., and Binding: Nineteenth century. Tortoise shell sides with two gold-plated (?) clasps. Pale blue watered silk doublures.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
