Leaf 26. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Heading to a rebus engraved below the design, giving the text of the sermon. An ugly parson (right) preaches in close proximity to the canopied pew of the Duke of York, in which the Duke sprawls, with one leg along the edge of the pew. Mrs. Clarke, between them, leans with folded arms on the edge of the pew, facing the Duke. O'Meara says: "Mrs Clark is the Text". The rebus or pictograph, sometimes anagrammatic, would be scarcely comprehensible without the key, unlike the usual 'hieroglyphic letter', e.g. British Museum Satiries No. 11228, &c. The text is on a printed slip: 'Grant me, I beseech you, O great and mighty Lord of the Land of Oats [Oatlands], a Bishopric; or, if it be more agreeable to your Royal Mind, let me be immediately made a Dean. O dearest Angel, Mrs. Clark! as you are my only Refuge in the Time of Trouble, and as you are the only Great Giver of Places in Church and State, let me entreat your Interest in my behalf! . . . [&c. &c.].'"--British Museum online catalogue
Alternative Title:
Sermon preached before royalty by the Reverend Mr. O'Meara
Description:
Title etched below image; second syllable of the name "O'Meara" is represented by an image of a mare within the letter "O"., Restrike. For original issue of the plate, published ca. April 1809, see no. 11294 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 26 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, and O'Meara, Reverend, active 1809
Title from item., Printmaker and publication year from British Museum catalogue., Sheet trimmed to plate mark., Publisher's announcement below title: In a few days will be publishd Ld T-ls observation on excessive damages dedicated to the D-e of Y-., Temporary local subject terms: Furniture: bed -- Reference to George Carpenter, 2nd Earl of Tyrconnell, 1750-1805 -- Sarah (Hussey), Countess of Tyrconnell, 1764-1800., and Window mounted to 33 x 44 cm., matted to 47 x 63 cm.
Publisher:
Pud. Decr 29 by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Strathmore, John Bowes, Earl of, 1769-1820
"Between the Prince of Wales and the Duke of York trips the tiny Duchess of York, holding a hand of each, her arms raised in order to do so. Behind the three stands a colossal man in Highland dress wearing a plaid, sporran (with the Prince of Wales feathers as a crest), and feathered cap. The Prince (left), who is in civilian dress, wearing a round high-crowned hat, says, "My Dear little Sister when you are tired Big Sam shall carry you!" The Duke, handsome in regimentals, turns to her, saying, "come my Love you shall see Papa driving the Pigs & Mama Milking the Cows". He points (right) to a distant scene, where the King in hunting dress chases two galloping pigs with a whip, saying, "Pig wont go", and the Queen is milking a cow."--British Museum online catalogue
Description:
Title from item., Neither speech label present on the British Museum copy is printed on the Lewis Walpole copy., Earlier state of No. 7905 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Queen Charlotte as a milkmaid -- George III as a farmer -- Male costume: Highland dress -- Emblems: Prince of Wales's feathers -- Military uniforms: officers' uniforms., and The Prince of Wales's speech label added in contemporary hand (possibly Cruikshank's) in upper left corner.
Publisher:
Pub. Octr. 1, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and McDonald, Samuel, 1762-1802
Subject (Topic):
Costumes, Scottish, Cows, Farms, Giants (Persons), and Swine
"Two designs on one plate. Above, the Duke of York sits, pen in hand, writing a love-letter, but turns from his table to declaim towards the window (right): To morrow I inspect my regiment--and then for my Dearest--Dearest--Dearest--Love. A negro servant (left) wearing a jewelled turban regards him with dismay: Bless my Massa what be de matter with him--him in love I fear--Sambo once be in love with bad Woman but him repent. On table and floor are papers inscribed: O Love is the cause of my Folly, My Amiable Girl; My Dearest Dear I hope to be in your Arms; Love Letters. Below, an elderly military officer without sword or gorget, scowls through an eye-glass at a pert boy (right) in uniform with sword and gorget. He says: Can I believe my eyes, why this is the little foot boy--who waited on us at the house of a Lady of a certain description. The boy (Carter) answers, hands on hips, I beg Sir you will not come for to go, to affront a gemmen--."--British Museum online catalogue
Alternative Title:
Scene at Weymouth
Description:
Title for upper design etched above image; title for lower design etched below image., Printmaker from British Museum catalogue., Artist identified as Woodward in the British Museum online catalogue., Plate numbered "69" in upper right corner., Temporary local subject terms: Eye glass -- Blacks., and Mounted to 43 x 30 cm.
Publisher:
Pubd. Febry. 26, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
"The Duke of York (left) and the Prince of Wales (right) stand one on each side of a church door, each holding out a collecting-plate, and each saying, "Pray remember the poor Charity Children of St Jams parish". Behind, a crowd of men leave the Church, Pitt holding out a plate to them, saying, "What is £130,000 pr Ann when you consider the price of provisions & other things pray remember." Three labels rise from the heads of the reluctant congregation (M.P.s): "I have disinherited my own Son for contracting Debts at Brothels & gaming Tables; At the last Charity Sermon both his Father & he promis'd. that he shd not become chargeable to the parish again"; "This Begging is made a Trade of". The tiny Duchess of York, also holding a plate, stands with her left hand under the Duke's arm, saying, "I was born in a strange Land of honest Parents, but their characters are neither here nor there pray remember". The Princess of Wales, three ostrich plumes in her hair, stands with her plate behind the Prince's back, looking at him reproachfully over her right shoulder and saying, "I came here naked & he hath half cover'd me pray remember". On the extreme right stands the stout Mrs. Fitzherbert in profile to the left, clutching papers inscribed '6000 Pr Ann' (see BMSat 8485); she says: "It's always good to have something in hand." The Duke of Clarence, wearing striped sailor's trousers and a cocked hat, stands on the extreme left with an infant (one of the Fitzclarences) in his arms; he holds a paper (or collecting-box): 'Mrs Jordans Night'. The infant holds a paper: 'For the Benefit of Mrs Jordan - a new Way to pay Old Debts the part of Sr Giles Overreach by Mr George, being his second Appearance in that Character.' (Massinger's comedy, revived several times in the eighteenth century.) The Duke looks down disconsolately as if aware that he would have no share in the collection but would be forced to rely on his mistress's earnings. In the background the King and Queen are seated on one horse as in BMSat 6918, a sign-post pointing 'To Windsor'. The King says: "I never interfere in Parish Business they must provide for their own poor." The Queen says: "Charity begins at home Love who knows what we may all come to." (Cf. BMSat 7836.) 19 June [1795]."--British Museum online catalogue
Alternative Title:
Mock charity sermon to a dissenting congregation
Description:
Title etched below image., Watermark., and Mounted to 34 x 42 cm.
Publisher:
Pubd. May 25, 1795, by J. Aitken, Castle Street, Leiceter [sic] Square
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William IV, King of Great Britain, 1765-1837, Fitzherbert, Maria Anne, 1756-1837, and Jordan, Dorothy, 1761-1816
"Caricature with a boxing match between George IV whose nose is bloodied by the Duke of Clarence [Duke of York?]."--British Museum online catalogue
Alternative Title:
Battle Royal!
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1990,1109.78., Text below image, following title: This battle was lately fought in St. James's, the quarrel origentated [sic] concerning a poor injured Lady, when to the honour of the British Army, her cause was defended by an officer of distinction! Betting, ten to one on Y-k., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 55 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "Ld. Londonderry," "Geo. 4," and "D. York" identified in ink at bottom of sheet; date "1821" written in lower right corner.
Publisher:
J.L. Marks, 37 Princes Street, Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Adultery, Divorce, Mistresses, Fighting, Blood, and Bottles
"A pugilistic encounter between the Duke of York (left) and Lt.-Col. Charles Lennox (right), both stripped to the waist. The Duke stands with both fists clenched, saying, "Come on my Lad! don't fall without a Blow! I'll tickle your Mazzard, if you dare to stand up like a Man!" Lennox, on one knee, clutches the arm of his second, the Duke of Richmond, saying, "O save me Nunkle! - O Lord! - O Lord! - O Lord! Your H--h--ss is above my Match! - O Lord - I'm not fit to fight any body above your Footman". Richmond puts out a hand to restrain his nephew, saying with an expression of alarm, "For heavens sake, forbear! we are nothing but a brood of Bastards! Bastards begot - Bastards instructed - Bastards in Mind - Bastards in Valour - in every thing illegitimate - we are neither of Blood, or of Honor, to cope with your Hi-h--ss!!" The Prince of Wales, on the extreme left, is his brother's second; he says, with a contemptuous expression, "Fredrick! cant you tip his bottle holder a sly plump in the Bread-basket?" Behind him is a Union flag; behind Richmond are fortifications flying a French flag, symbolizing his French descent and title ..."--British Museum online catalogue
Alternative Title:
Battle of the bloods, pure & contaminated and Battle of the bloods, pure and contaminated
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of verse below image, following title: Oft have I seen a hot o'erweening cur, run back & bark because he was with-held, who being suffer'd in the bears fell paw, hath clap'd his tail between his legs & cry'd., "Price 1 sh.", Sheet trimmed mostly within plate mark., Temporary local subject terms: Duels: Duke of York and Lt.-Col. Lennox, May 26, 1789 -- Duke of Richmond's fortifications -- Allusion to Charles II -- Flags -- Union Jack -- French flag -- Boxing., and Watermark: countermark S. Lay.
Publisher:
Pubd. May 23d, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Richmond and Lennox, Charles Lennox, Duke of, 1764-1819
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 26 x 27.5 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 12 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Clarence," "D. York," "Caroline," "Liverpool," "Wellington," "Geo. IV," "Leach," "Eldon," "Brougham," and "Majocchi" identified in ink at the bottom of their respective panels in the design.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
