Title etched above image., A reduced version in reverse of British Museum satires no. 3471; used as a frontispiece to the Literary Magazine, 15 February-15 March 1757., Sheet trimmed within plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 13., and Mounted to 24 x 28 cm.
Publisher:
publisher not identified
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Augustus III, King of Poland, 1696-1763, Louis XV, King of France, 1710-1774, Frederick II, King of Prussia, 1712-1786, and Brühl, Heinrich, Graf von, 1700-1763
"A fantastic theatre scene, showing stage, orchestra, and two boxes on each side of the stage. On the stage the fall of Amsterdam is represented by a number of frogs (burghers) who hasten obsequiously to submit to the Stadholder. William V, much caricatured as a short fat man wearing military dress with plumed helmet, gorget, and jack-boots, stands with an uplifted sabre, dripping blood, about to cut the throat of a frog, who kneels, holding out a purse in each hand. His sabre is inscribed 'W. de V'; he straddles across the decapitated heads and limbs of his frog-subjects; under his left foot is a standard decorated with three storks. A mutilated frog jumps from the stage into the orchestra from which rise the flames of Hell. Other frogs disappear into the flames, where demons act as musicians; one plays a gridiron with a pitchfork, two others sing. Dominating these musicians is the half length figure of a lean military officer playing the flute, in gauntlet gloves, his eyes fixed on the stage. The frogs who hasten towards the Stadholder have expressions of terror and are dressed as Dutchmen. One proffers a large key inscribed 'Stadt House', another a pail of 'Milk', another a beehive, another a cask of 'Butter', another a keg of 'Holland Gin'. Behind William V the Princess of Orange (left) stands with her hands on her hips, smiling coquettishly over her shoulder at her husband, the word 'Kiss' issuing from her mouth. Suppliant frogs fawn upon her. The background of this scene is a city wall (right) (Amsterdam) and clouds (left), across which straddles a grotesque figure of Fame blowing two trumpets. Above the proscenium the words 'Sic transit Gloria Mundi' replace the customary 'Veluti in Speculum'. ... "--British Museum online catalogue
Alternative Title:
Last scene of the republican pantomine
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state of a plate originally issued with the title: The surrender of Amsterdam, or, The Duke of Brunswick in a bustle. Other changes include the addition of crosshatching, the replacement of the Duke of Brunswick's head with that of William of Orange, and the addition of an inscription on the sabre., Sheet trimmed to plate mark., and Temporary local subject terms: Dutch Patriot Party, 1787 -- Flag of the Dutch Patriot Party -- Demon musicians -- Personification: Fame blowing two trumpets -- Mottoes: Sic transit gloria mundi -- Emblem: Storks for Holland -- French interest: defeated at Amsterdam -- Club of British Oak -- Sabres -- Purses -- Fools cap: Hapsburg eagle -- Snuff boxes -- Stags -- Arms -- Flames of hell -- Cask of gin: Holland -- Pail of milk -- Cask of butter -- beehives -- Stadthouse keys -- Horace Walpole refers to subject -- Harem of veiled women -- Fredericka Sophia Wilhemina, Princess of Orange, 1751-1820.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, William V, Prince of Orange, 1748-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
Britanias pocket pickd by mercenaries, Britanias pocket picked by mercenaries, and Britannia's pocket picked by mercenaries
Description:
Titles etched below each image., Three playing card size designs on one plate, arranged vertically., and None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Elizabeth, Empress of Russia, 1709-1762, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Byng, John, 1704-1757, and Mingotti, Regina, 1722-1808.
Subject (Topic):
Britannia (Symbolic character), Seven Years' War, 1756-1763, Ammunition, Barrels, Cannons, Crowns, Eagles, Eclipses, Flags, British, Mercenaries (Soldiers), Musical instruments, National emblems, French, German, and Scepters
Leaf 77. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Repos a l'allemande
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally issued no earlier than 1800, which is the publication year for the print by Gillray of which this is a reversed copy. Cf. No. 9510 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 77 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Frederick II, King of Prussia, 1712-1786
Subject (Topic):
Military officers, German, Beds, Pipes (Smoking), Daggers & swords, Hats, Portraits, and Chamber pots
"A German officer lies on his back on a truckle bed in a poverty-stricken room. He smokes a long curved pipe, emitting clouds of smoke. His bare feet project from the striped duvet which is his only covering; on his nightcap is an insect. The plaster has fallen from the wall leaving large patches of brick; on it hang his sword, cloak, cocked hat, and a bust portrait of Frederick the Great inscribed 'F. 11'. The only objects on the boarded floor are a close-stool (left) with a torn 'Brussells Gazette', a chamber-pot, and pair of jack-boots (right)."--British Museum online catalogue
Alternative Title:
Repos a l'allemande
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Interiors: delapidated cottage -- Furniture: truckle bed -- Close-stool -- Chamberpots -- Newspapers: Brussels Gazette -- Smoking: pipe -- Pictures amplifying subject: portrait of Frederick II -- Military uniforms: German uniform -- Emblems: two-headed Habsburg eagle -- Germany: German Legion (York Hussars).
Publisher:
Publish'd Jany. 22th [sic], 1800, by H. Humphrey, 27 St. James's Street
Title from item. and Temporary local subject terms: First partition of Poland, 1772 -- Allusion to Russo-Prussian Treaty, February 17, 1772 -- Allusion to first Russo-Turkish War, 1768-1774 -- Maps: map of Poland -- Scales -- Imprisonment.
Publisher:
publisher not identified
Subject (Name):
Abdülhamid I, Sultan of the Turks, 1725-1789, Stanisław II August, King of Poland, 1732-1798, Catherine II, Empress of Russia, 1729-1796, Frederick II, King of Prussia, 1712-1786, Joseph II, Holy Roman Emperor, 1741-1790, Louis XV, King of France, 1710-1774, Charles III, King of Spain, 1716-1788, and George III, King of Great Britain, 1738-1820
"A confused design: in the centre the kings of England (left) and Prussia (right) sit together under a canopy; they turn their heads in profile, gazing intently at each other. Behind George III's chair a British sailor lounges, behind Frederick's a Prussian grenadier with a musket stands erect. Frederick holds the ends of two chains attached to the necks of the Habsburg eagle beneath the feet of the two kings; the two beaks of the bird hold a scroll inscribed 'Universal Monarchy'; with its claws it strikes fiercely at the prostrate bodies of a man and woman, evidently intended for inhabitants of the United Provinces. Beneath the bird is the word 'Austria'. On the sides of the canopy under which the kings sit are shields, one (left) inscribed 'Hanover Brunswick Hesse', the other (right), 'Saxony Deux Pont Mayence &c', representing German States under the control or influence of England and of Prussia. On the left and right of the two kings, as if supporters to an escutcheon, are whole length figures on a large scale of military officers; each holds the hilt of his sword, saying, "Whilst you agree I am ready". One (left) is the 'Reigg Duke of Brunswick', the other 'Prince Ferdinand of Brunswick'. In the lower right corner of the design a Frenchman wearing a bag-wig milks a cow inscribed 'Holland'; a dog barks at him angrily. Next the cow a man seated on the ground, probably intended for the Stadtholder, holds up his hands imploringly to the two kings, saying, "Pray protect me". Isolated figures round the two sides and upper edge of the design represent the other Powers of Europe: a crowned bear (left) inscribed 'Russia', couchant, looks greedily towards a much smaller bear inscribed 'Poland'. Russia says, "Tortur'd by Ambition - back'd by Brother Joseph"; Poland answers, "I am not muzzled". The bust of an oriental wearing a turban (Turkey) looks over its shoulder (across Poland) towards Russia, saying, "By the great Prophet thou art but a Woman". A crowned monkey with a sceptre and shield, representing Louis XVI, is seated on a globe inscribed 'Holland', saying, "Mundus vult decipi". Down the right side of the print are three crowned busts looking towards the two kings: Sardinia says, "You shall not Settle without me"; Spain says, "Oh. give me the Rock" (cf. BMSat 6025, &c), Portugal says, "Oh! buy my Wine" (an allusion to the preference to Portuguese wines, given by the Methuen treaty and threatened by the pending commercial treaty with France). On the left side Sweden says, "I am in the pay of France"; Denmark says, "I lay by at present"."--British museum online catalogue
Description:
Title etched below image., Printmaker from Grego and British Museum Catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Feby. 10th 1786 by S. Hedges No. 91 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick II, King of Prussia, 1712-1786, Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, Victor Amadeus II, King of Sardinia, 1726-1796, Maria I, Queen of Portugal, 1734-1816, Gustav III, King of Sweden, 1746-1792, Christian VII, King of Denmark and Norway, 1749-1808, Catherine II, Empress of Russia, 1729-1796, and Abdülhamid I, Sultan of the Turks, 1725-1789
Leaf 27. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A confused design: in the centre the kings of England (left) and Prussia (right) sit together under a canopy; they turn their heads in profile, gazing intently at each other. Behind George III's chair a British sailor lounges, behind Frederick's a Prussian grenadier with a musket stands erect. Frederick holds the ends of two chains attached to the necks of the Habsburg eagle beneath the feet of the two kings; the two beaks of the bird hold a scroll inscribed 'Universal Monarchy'; with its claws it strikes fiercely at the prostrate bodies of a man and woman, evidently intended for inhabitants of the United Provinces. Beneath the bird is the word 'Austria'. On the sides of the canopy under which the kings sit are shields, one (left) inscribed 'Hanover Brunswick Hesse', the other (right), 'Saxony Deux Pont Mayence &c', representing German States under the control or influence of England and of Prussia. On the left and right of the two kings, as if supporters to an escutcheon, are whole length figures on a large scale of military officers; each holds the hilt of his sword, saying, "Whilst you agree I am ready". One (left) is the 'Reigg Duke of Brunswick', the other 'Prince Ferdinand of Brunswick'. In the lower right corner of the design a Frenchman wearing a bag-wig milks a cow inscribed 'Holland'; a dog barks at him angrily. Next the cow a man seated on the ground, probably intended for the Stadtholder, holds up his hands imploringly to the two kings, saying, "Pray protect me". Isolated figures round the two sides and upper edge of the design represent the other Powers of Europe: a crowned bear (left) inscribed 'Russia', couchant, looks greedily towards a much smaller bear inscribed 'Poland'. Russia says, "Tortur'd by Ambition - back'd by Brother Joseph"; Poland answers, "I am not muzzled". The bust of an oriental wearing a turban (Turkey) looks over its shoulder (across Poland) towards Russia, saying, "By the great Prophet thou art but a Woman". A crowned monkey with a sceptre and shield, representing Louis XVI, is seated on a globe inscribed 'Holland', saying, "Mundus vult decipi". Down the right side of the print are three crowned busts looking towards the two kings: Sardinia says, "You shall not Settle without me"; Spain says, "Oh. give me the Rock" (cf. British Museum Satires No. 6025, &c), Portugal says, "Oh! buy my Wine" (an allusion to the preference to Portuguese wines, given by the Methuen treaty and threatened by the pending commercial treaty with France). On the left side Sweden says, "I am in the pay of France"; Denmark says, "I lay by at present"."--British museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6917 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 182-3., and On leaf 27 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 10th, 1786, by S. Hedges No. 91 Cornhill and Field & Tuer
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick II, King of Prussia, 1712-1786, Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, Victor Amadeus II, King of Sardinia, 1726-1796, Maria I, Queen of Portugal, 1734-1816, Gustav III, King of Sweden, 1746-1792, Christian VII, King of Denmark and Norway, 1749-1808, Catherine II, Empress of Russia, 1729-1796, and Abdülhamid I, Sultan of the Turks, 1725-1789
volgens approbatie van het Parlement Febr. 8, 1741/42 [i.e., 1742]
Call Number:
742.02.08.01+
Image Count:
1
Resource Type:
text and still image
Description:
Image attributed to Parr and Vanlot by Stephens. See English version in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2515., Title from item., Imprint engraved on plate below caption., Letterpress broadside illustrated at top of sheet with an etching., Five lines of engraved caption below image: Met een opregteen Suyver hert veerdel ik de roof onder ..., Thirteen stanzas of verse in two columns separated with a decorative border, below plate: Een vrédelievend man verdeelt hier's Oostryks Landen ..., Temporary local subject terms: War of the Austrian Succession, 1740-1748., and Watermark: Strasburg lily.
Publisher:
publisher not identified
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Charles VII, Holy Roman Emperor, 1697-1745, Charles III, King of Spain, 1716-1788, Philip V, King of Spain, 1683-1746, and Fleury, André Hercule de, 1653-1743
"Satire on the effect of the death of the Emperor Charles VII on the imperial electors and other protagonists in the War of the Austrian Succession. The scene is divided into two parts: on the left the scene of Marshall de Belle-Isle's arrest beside a crenellated wall, and on the right the interior of a room draped with a curtain in which the corpse of Charles VII lies in a partially open coffin with "Car VII Imp 1745" written on its lid. On the left, Marshall de Belle-Isle on his horse says “I'll Tallard 'em”, his brother grasps the horse's tail in order to cut it off, saying "We'll dock the Han[ove]r Horse Brother". Beside him, Johann Hermann Myer, the arresting officer, says "I am a Bailiff of Consequence"; in the front an English cook remarks "Good English Beef" while behind the horse's head a French cook, holding a spoon to hismouth, says "Soup Maigre Pope's Eyes". Two men stand on top of the wall, one say “He'll serve ye Lyon so". In the interior on the right, Maria Theresa dances to the tune of "Thieue and Cordelier" and the deceased Emperor's son, Maximilian III Josef of Bavaria, "to Short for is Age", shown as a child (although he was actually 17 years old), approaches her, hat in hand, asking "Spare his remains". She replies "Then Vote for ye Grand Duke", referring to her hisband, Francis Stephen. The protagonists are grouped near the coffin: a man smoking a pipe and holding seven arrows in his hand represents the Netherlands and says "Seven to one we are easy"; Frederick the Great, Elector of Brandenburg, asking "Who'll be my Candidate”, beside him Cardinal Tencin whispering "Put up the weakest"; a soldier, the Elector Palatine, Charles VI Theodore, weeps into his handkerchief saying "Damm Bohemia I have lost my Interest"; George II of England, Elector of Hanover, holds a purse saying "I'll pay my Friend's Expenses"; the Archbishop Elector of Trier, Franz Georg von Schonborn-Buchheim, saying "Drive off ye French”, holds a paper lettered “The Day of Election is -"; the Archbishop Elector of Mainz, Johann Friedrich Karl von Ostern, reading a paper lettered "10000 masses", says "I am quite expos'd"; the Archbishop Elector of Cologne, Clemens Augustus of Bavaria, brandishes a scroll and says "My Brother was a Tool: But he's dead"; a Russian in furs (identified by Stephens as the Empress Elisabeth) says "A Kingdom for an Empire" to an elegant man probably intended for Louis XV; the latter, saying "Monsieur may put up ye poor Pallintine" points towards Charles VI Theodore, and holds the arm of the mournful Frederick Augustus II of Saxony, King of Poland (Stephens transposes the identities of these two men) who is saying "Poland a third time let the Saxon be Emperor"; Francis Stephen seated beside Frederick Augustus holds his hand to his mouth and says "I represent my Wife. . ." Above the coffin is a grotesque face with huge open mouth surmounted by a laurel wreath on top of which are three feathers and a bird, beside the head is a bundle of fasces. Three columns of verse beneath starting "For what have these Gentry these four years been fighting ..." suggest that the war has settled nothing."--British Museum online catalogue
Alternative Title:
Emperor's funeral, with Belleisle's progress to captivity
Description:
Title engraved below image., Publisher's advertisment following imprint: ... where may be had 30 more different sorts., and Twelve lines of verse in three columns below image: For what have these gentry these four years been fighting? For what have their servants been treating and writing? ...
Publisher:
Bickham May's Buildings, Covent Garden ...
Subject (Name):
Charles VII, Holy Roman Emperor, 1697-1745, Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Elizabeth, Empress of Russia, 1709-1762, Maximilian III Joseph, Elector of Bavaria, 1727-1777, Tencin, Pierre Guérin de, 1679-1758, and Belle-Isle, Charles Louis Auguste Fouquet, duc de, 1684-1761
