"A bull (John Bull) in profile to the right sinks, snorting with distress, under the weight of five persons. The foremost, astride the animal s neck, is the Emperor Leopold; he holds the legs of Catherine II, a stout virago, who sits on his shoulders, brandishing her orb and sceptre. She says, "Where's all your boasting now my old Bull! by St George I knew I could bring you upon your knees! ay, and before I have done riding you I'll make you knock under." Behind Leopold sits George III, saying, "Don't mind, don't mind, don't mind [a parody of the King's manner of conversation], he'll soon recover, It's all sham, his stumbling". Frederick William of Prussia sits behind George III, wearing regimentals with jack-boots. Behind him sits a fat Dutchman (Holland) smoking a pipe. Behind, and on the left, is a group of three persons on a smaller scale. Pitt, in profile to the left, seizes by the collar a lean and ragged British citizen (John Bull), saying, "No grumbling, you rascal! You must pay the Piper to be sure. What the devil, surely you couldn't expect the great folks that represent you to contribute a shilling! Besides you are a damn'd saucy fellow, master Bull, and you must be tam'd." Bull answers, "Tam'd: why, good God, Sir, I have scarcely a morsel of bread to eat, and even the Small Beer is Tax'd above my purchase!" On the extreme left a lean man kneels, blowing a trumpet and looking up at Pitt; he is perhaps an ironical representation of Fame."--British Museum online catalogue
Alternative Title:
Who pays the piper?
Description:
Sheet trimmed within plate mark resulting in loss of title, imprint and publisher's advertisement. Title and publication information from British Museum catalogue., Attributed to H.W., i.e., either Henry Wigstead or William Holland, in the British Museum catalogue., and Temporary local subject terms: Allusion to Russian Armament -- Bulls -- Crowns -- Scepters -- Walking staves -- Musicians: pipers -- Musical instruments: pipes -- Smoking pipes -- Holland.
Publisher:
Pubd. May 11, 1791, by Willm Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Great Britain, and Politics and government
Title from item., 'Cold' etched above crossed out word 'French' in title., Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: undergarments -- Military uniforms: grenadier's busby -- Pictures amplifying subject: portraits of monarchs -- Pictures amplifying subjects: fallen picture of the King of Poland -- Allusion to the 2nd partition of Poland, 1793 -- Lady Cecilia Johnston, 1738-1820., Watermark: Strasburg bend with initials D? L D below., and Printseller's stamp, 'S.W.F.' in lower right corner of plate.
Publisher:
Pub. Novr. 25, 1793, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Frederick William II, King of Prussia, 1744-1797, and Stanisław II August, King of Poland, 1732-1798
"Pitt as Don Quixote (and Petruchio) bestrides a sorry rosinante, the white horse of Hanover, scarred and decrepit and apparently at the point of death. Behind him sits the King of Prussia. Holland, as Sancho Panza, on the animal's hind-quarters, clasps Prussia round the waist. The Sultan, on the extreme left, crouches behind the horse, kissing its tail. Pitt, who holds a whip, points a thin mail-clad hand arrogantly at Catherine of Russia (right), a stout woman who has sunk in terror to her knees, but is supported by the Emperor Leopold and by France, a grotesquely lean Frenchman of the old régime, wearing a cocked hat ornamented with fleur-de-lis. Pitt wears Mambrino's helmet (the barber's basin) surmounted by a crown and a feather. He says: ""Katharine, that cap of yours becomes you not; "Off with that bauble, 'tis my royal will." The 'cap' is a crescent in her hair, symbolizing her conquests from Turkey and, more especially, Oczakoff, the place in dispute. Pitt's horse (George III), says, weeping, "Heigho! to have myself thus rid to death, by a Boy & his playmates, merely to frighten an Old Woman - I wish I was back in Hanover to get myself a belly full". A holster on the animal's neck is inscribed 'G.R', but the 'G' has been struck out and replaced by 'P' (to indicate that Pitt has usurped the prerogative of the Crown, cf. BMSat 7479, &c). The King of Prussia, with his chin on Pitt's shoulder, glares fiercely; he holds a drawn sabre and says, "Blood & Dunder, I would give her one good Prussian stroking". Sancho Panza, a fat Dutchman, says, "I'm in a good humour to give her a dram of right Holland's". The crouching Turk cries obsequiously, "Amman! Amman! Anglois, Alia, Alia". Catherine is terrified, she turns away from Pitt exclaiming: ""I see my Lances are but straws; "My strength is weak, my weakness past compare; "And am asham'd, that Women are so simple "To offer War when they should kneel for Peace." France says, "O, by Gar! if Mirabeau was but 'live! Sacre Dieu." The Emperor, who is crowned, and wears a cloak on which is the Habsburg eagle, says, "Das is de devil, to give up all again". Beside Catherine is a sword tying across a plan of a fortress, Oczakow."--British Museum online catalogue
Alternative Title:
What you will and Modern Quixote
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Don Quixote -- Horse of Hanover -- George III as the Horse of Hanover -- Weapons: sabre -- Horse whip -- Allusion to Oczakow -- Allusion to Triple Alliance (England, Prussia and Holland)., 1 print : etching on paper, hand-colored ; plate mark 24.9 x 40.1 cm, on sheet 27.7 x 42.0 cm., and Mounted on leaf 61 of volume 2 of 12.
Publisher:
Pubd. April 20th, 1791, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, Selim III, Sultan of the Turks, 1761-1808, and Pitt, William, 1759-1806
"Pitt as Don Quixote (and Petruchio) bestrides a sorry rosinante, the white horse of Hanover, scarred and decrepit and apparently at the point of death. Behind him sits the King of Prussia. Holland, as Sancho Panza, on the animal's hind-quarters, clasps Prussia round the waist. The Sultan, on the extreme left, crouches behind the horse, kissing its tail. Pitt, who holds a whip, points a thin mail-clad hand arrogantly at Catherine of Russia (right), a stout woman who has sunk in terror to her knees, but is supported by the Emperor Leopold and by France, a grotesquely lean Frenchman of the old régime, wearing a cocked hat ornamented with fleur-de-lis. Pitt wears Mambrino's helmet (the barber's basin) surmounted by a crown and a feather. He says: ""Katharine, that cap of yours becomes you not; "Off with that bauble, 'tis my royal will." The 'cap' is a crescent in her hair, symbolizing her conquests from Turkey and, more especially, Oczakoff, the place in dispute. Pitt's horse (George III), says, weeping, "Heigho! to have myself thus rid to death, by a Boy & his playmates, merely to frighten an Old Woman - I wish I was back in Hanover to get myself a belly full". A holster on the animal's neck is inscribed 'G.R', but the 'G' has been struck out and replaced by 'P' (to indicate that Pitt has usurped the prerogative of the Crown, cf. BMSat 7479, &c). The King of Prussia, with his chin on Pitt's shoulder, glares fiercely; he holds a drawn sabre and says, "Blood & Dunder, I would give her one good Prussian stroking". Sancho Panza, a fat Dutchman, says, "I'm in a good humour to give her a dram of right Holland's". The crouching Turk cries obsequiously, "Amman! Amman! Anglois, Alia, Alia". Catherine is terrified, she turns away from Pitt exclaiming: ""I see my Lances are but straws; "My strength is weak, my weakness past compare; "And am asham'd, that Women are so simple "To offer War when they should kneel for Peace." France says, "O, by Gar! if Mirabeau was but 'live! Sacre Dieu." The Emperor, who is crowned, and wears a cloak on which is the Habsburg eagle, says, "Das is de devil, to give up all again". Beside Catherine is a sword tying across a plan of a fortress, Oczakow."--British Museum online catalogue
Alternative Title:
What you will and Modern Quixote
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Don Quixote -- Horse of Hanover -- George III as the Horse of Hanover -- Weapons: sabre -- Horse whip -- Allusion to Oczakow -- Allusion to Triple Alliance (England, Prussia and Holland)., and Watermark: J Whatman.
Publisher:
Pubd. April 20th, 1791, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, Selim III, Sultan of the Turks, 1761-1808, and Pitt, William, 1759-1806
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Dutch Republic., 1 print : etching on laid paper ; plate mark 15.0 x 22.5 cm, on sheet 17.8 x 25.0 cm., and Mounted on leaf 18 of volume 2 of 12.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Dutch Republic., 1 print : etching on laid paper, hand-colored ; plate mark 15.0 x 22.2 cm, on sheet 17.7 x 24.6 cm., 'N. 4' following "Plenipotentiary' in upper right corner is mostly erased from sheet., Mounted on backing of blue wove paper, trimmed to edge of sheet., and Mounted on leaf 18 of volume 2 of 12.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dutch Republic.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
"A huge bull, snorting fire, rushes with lowered head towards a French fort (left) from which cannon-balls descend upon him. Beneath the fort sansculottes on one knee fire at the bull while standing French soldiers, correctly dressed, also fire. On the fortress stand Frenchmen, firing and waving their hats; they shout: "Vive la republic, Blood & plunder, no Quarter to John Bull!" A huge tricolour flag has a staff surmounted by a skull. To the bull's back is strapped a bundle inscribed 'Debt Debt'. One horn has been shot off and lies on the ground. To his left hind leg is chained a heavy weight inscribed 'Subsidies'. Nevertheless, he cries: "Now my brave Allies let us all stand firm together & make a bold push, & I'll be Answerable for the Event." But behind him (right) his allies have all turned their backs and are departing in directions indicated by signposts. A fat Dutchman smoking a pipe goes 'To Amsterdam', saying, "I care not who beats, I'll join the Strongest Party". Frederick William II (father-in-law of the Duke of York) walks off 'To Berlin', saying, "I've fingerd the Cash from both Sides, & will now employ it to Secure the Partition of Poland"; "Negociate with Robertspierre privately & then - Damn Relationship!!!" Next, a Spanish don, Charles IV, goes 'To Madrid', saying, "Whats the Bourbon Family to me when they Impede my Interest. Hush!! I am now treating for a Separate peace with that Blackguard Roberspere to Secure my own Crown - I must enlarge the Powers of the Inquisition". On the extreme right Francis II and Mack in a two-wheeled gig, on which is the Habsburg eagle, are driving off 'To Vienna'. The Emperor says: "Well Mack we have made a Glorious Campaign of it; of what use are the Low Countries without they continue to fill my Coffers? As for John Bull, let him settle the business as he can he loves to be meddling"."--British Museum online catalogue
Alternative Title:
John Bulls last effort to oblige his false friends
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Sheet trimmed to plate mark., and Matted to 39 x 52 cm.
Publisher:
Pub. July 17, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Mack von Leiberich, Karl, 1752-1828, Frederick William II, King of Prussia, 1744-1797, Robespierre, Maximilien, 1758-1794., Charles IV, King of Spain, 1748-1819, Francis I, Emperor of Austria, 1768-1835, Frederick William II, King of Prussia, 1744-1797., and Mack von Leiberich, Karl, 1752-1828.
Subject (Topic):
Great Britain, Foreign relations, John Bull (Symbolic character), Bulls, Ethnic stereotypes, Caricatures and cartoons, English wit and humor, Pictorial, and Satire, English
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Personifications: young woman as the Genius of France -- Asses -- Scourges -- Caps: Phrygian cap.
Publisher:
Pub. Decbr. 21, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Louis XVI, King of France, 1754-1793, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Catherine II, Empress of Russia, 1729-1796, Gustaf III, King of Sweden, 1746-1792, and Brunswick-Lüneburg, Karl Wilhelm Ferdinand, Duke of, 1735-1806
