Title from item., Sheet trimmed within plate mark., On leaf 158 of an album with spine title: Trade tokens and bookplates., and Contemporary manuscript annotations in brown ink fill the blanks on recto; "To Mr. Legg" written in brown ink on verso.
Title from item., Sheet trimmed within plate mark., On leaf 161 of an album with spine title: Trade tokens and bookplates., and Contemporary manuscript annotations in brown ink fill the blanks on recto; "To Mr. Becket" written in brown ink on verso.
Cartes-de-visite photographs created primarily by photographers in San Francisco and northern California, ca. 1855-1895. Images consist chiefly of portraits depicting children, women, and men, in single, couple, and group sittings. Individuals in the images comprise various ethnic and cultural backgrounds, including Asian American and African American persons. The portraits also include persons with unique physical features, including midgets, dwarves, and giants. Occupations and group memberships represented in the portraits include butchers, circus performers, freemason, miners, musicians, sailors, and soldiers. Other images include portraits of dogs, and copy photographs of drawings, paintings, and dolls, Portraits of identified individuals include Baby Belmont, Frederick Coombs, Tom Coughlan, Tony Denier, Issac Sherwood Halsey, Little Clara Jenkins, Henrietta Lichau, and Eugenie Olanie. Other identified individuals include: Mollie Brown, a bareback somersault horse rider; A. Kerpen, a man with an eight-foot long beard; William Ingraham Kip, first Protestant Episcopal bishop of California; and two scholars in academic gowns, presumably from the University of California, George F. Stone and viticulturist Emmett Rixford, Individual photographers with galleries located in San Francisco include: T. A. Brown, John M. Bryan, Alexander Edouart, Sr., Oscar Foss, John D. Godeus, Thomas Houseworth, Benjamin Franklin Howland, J. Jackson, John Lucas Kingsley, Henry Kruse, Charles Lainer, H. Luther, Charles Albert Marston, George Daniels Morse, Eadweard Muybridge, Silas Wright Selleck, Jacob Shew, William Shew, Joseph Trinidad Silva, Hector William Vaughn, Carleton E. Watkins, John A. Winberg, and Lai Yong, Corporate photographic galleries and partnerships located in San Francisco include: Bayley & Winter, Bradley & Rulofson, Brown & Otto, Chalmers & Wolfe, City Mart Photographic Gallery, Currier & Winter, Edouart & Cobb, Hamilton & Kellogg, Hoebel & Luther, Houston's Excelsior Gallery, I. W. Taber & Company, Lawrence & Houseworth, New York Gallery, Peoples Art Gallery, Watkins' Yosemite Art Gallery, and Wise & Prindle, Individual photographers in other locations throughout California include: Joseph P. Lowe of Auburn; H. H. Frye of Chico; George W. Valleau of Colusa; H. H. Halsey of Dutch Flat; Amasa Plummer Flaglor of Eureka; Ellison Lassell Crawford of Georgetown; S. Johnson of Gilroy; Lewis Jackson Stinson of Marysville; Edward Abraham Kusel of Oroville; L. Dowe and George Ross of Petaluma; Flave H. Gaines of Red Bluff; A. P. Bailey and John A. Todd of Sacramento; James Atkins Clayton of San Jose; H. Schoene of Santa Clara; John E. D. Baldwin of Santa Cruz; John Pitcher Spooner of Stockton; Murry Dunham and James Girard Smith of Vallejo; Issac Sherwood Halsey of Volcano; and Skelton Sanford Noble and B. F. Stevens from unidentified locations, and Photographic galleries and partnerships in other locations throughout California include: Mains & Von Hasseln of Camptonville; Bluett & Fardon and Dunham & Lathrop of Oakland; Sanders & Stinson of Marysville; and Abell & Welsh of Roseburg, Oregon
Description:
Digital version available; and Title devised by cataloger.
Subject (Geographic):
California. and California
Subject (Name):
Abell, Frank George, Jr., 1844-1910., Bailey, A. P., Baldwin, John E. D., Bayley, Wilbur Fisk., Bluett, William H., Bradley, Henry William, 1813-1891., Brown, T. A., photographer., Bryan, John M., Chalmers, James Calder, Jr., Clayton, James Atkins, 1831-1896., Cobb, David., Coombs, Frederick, 1803-1874., Coughlan, Tom., Crawford, Ellison Lassell, 1833-1895., Currier, Amos., Denier, Tony, 1839?-1917., Dunham, Allen Murray, ca. 1834-ca. 1924., Dunham, Murry., Edouart, Alexander, 1818-1892., Fardon, George Robinson, 1807-1886., Flaglor, Amasa Plummer, 1848-1918., Foss, Oscar., Frye, H. H., Gaines, Flave H., Godeus, John D., Halsey, Henry H., Halsey, Isaac Sherwood, 1828-1895., Hamilton, Charles F., Houseworth, Thomas, 1829-1915., Jenkins, Clara., Johnson, Andrew, 1808-1875., Johnston, Amasa Park, ca. 1837-1931., Kellogg, Andrew J., Kingsley, John Lucas, ca. 1939-1869., Kip, William Ingraham, 1811-1893., Kruse, Henry., Kusel, Edward Abraham., Lainer, Charles., Lathrop, Frank Henry., Lawrence, George S., Lichau, Henrietta., Lowe, Joseph P., Mains, James Riley., Marston, Charles Albert., Mautz, Carl., Morse, George Daniels., Muybridge, Eadweard, 1830-1904., Noble, Skelton Sanford., Olanie, Eugenie., Prindle, Edward H., Rixford, Emmett H., Ross, George, 1832-1893., Rulofson, William Herman, 1826-1878., Sanders, Stephen Poole., Selleck, Silas Wright, ca. 1828-1885., Shew, Jacob, 1826-1879., Shew, William J., 1820-1903., Silva, Joseph Trinidad., Smith, James Girard, 1836-, Spooner, John Pitcher, 1845-1917., Stevens, B. F., Stinson, Lewis Jackson., Stone, George F., Taber, I. W. 1830-1912. (Isaiah West),, Todd, John A., 1827-1899., Valleau, George W., Vaughn, Hector William., Watkins, Carleton E., 1829-1916., Welsh, John Oliver, ca. 1840-ca. 1913., Winberg, John A., Winter, Daniel., Winter, Robert, ca. 1821-1893., Wise, James H., 1812-, Wolfe, Samuel Augustus., Yong, Lai., Abell & Welsh., Bayley & Winter., Bluett & Fardon., Bradley & Rulofson., Brown & Otto., City Mart Photographic Gallery., Currier & Winter., Dunham & Lathrop., Edouart & Cobb., Foss & Halsey., Freemasons, Hamilton & Kellogg., Hoebel & Luther., Houston's Excelsior Gallery., I. W. Taber & Company., Mains & Von Hasseln., Peoples Art Gallery., and Sanders & Stinson.
Subject (Topic):
African Americans, Asian Americans, Photographers, Circus performers, Dolls, Dwarfs (Persons), Giants (Folklore), Miners, Musicians, Sailors, Soldiers, and Tall people
Title from item., Date from design at top of sheet: letters "H F M" on sides of triangle within a circle, the year "1769" in center of triangle., Sheet trimmed within plate mark., and On leaf 3 of an album of trade cards and invitations.
Copy of the fourth print in the Hogarth's series "Four Times of the Day. Set at the intersection of Rummer Court and Charing Cross, Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Alternative Title:
Nuit
Description:
Title engraved below image., Date from Paulson: Publish'd 23d June 1740., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to: 379 x 281 mm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and England.
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
A copy of the fourth print in William Hogarth's series "Four Times of the Day", set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 149., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published February the 1.st 1798 by G.G. & J. Robinson Pater-noster Row London
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49 x 40.3 cm, on sheet 59 x 46 cm., and Plate 25 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image. and State from Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)